Photos de Remaja | Téléchargez des images libres de droits et en haute résolution https://www.cizucu.com/fr/explore/photos/remaja fr 2026-04-15T14:03:32+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. fr https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Panneau de la station Seikōgen en japonais et en romaji | nnnoooo]]> https://www.cizucu.com/fr/photos/3gLKBJZd4mjhzi6NbH6Y nnnoooo https://www.cizucu.com/fr/users/lpocaFYU4tMbbaErRyQMTONpWod2 https://www.cizucu.com/fr/photos/3gLKBJZd4mjhzi6NbH6Y Fri, 29 Mar 2024 17:08:05 GMT 2024-11-20T00:28:51+09:00 https://cdn.cizucu.com/images/photos/3gLKBJZd4mjhzi6NbH6Y.jpg?auto=compress,format <![CDATA[Panneau de la station Miyajimaguchi avec texte en japonais et en romaji | taso583]]> https://www.cizucu.com/fr/photos/SmhwafnOkba1kzL8bzzY taso583 https://www.cizucu.com/fr/users/84bpnu1F7PZAQdAicu8ymWEQ1db2 https://www.cizucu.com/fr/photos/SmhwafnOkba1kzL8bzzY Tue, 27 Aug 2024 20:51:38 GMT 2024-08-27T20:51:42+09:00 https://cdn.cizucu.com/images/photos/SmhwafnOkba1kzL8bzzY.jpg?auto=compress,format <![CDATA[Panneau de la station Hase avec texte en japonais et en romaji | 鉄観音重工]]> https://www.cizucu.com/fr/photos/cOx60puWmlYn4TYb12tg 鉄観音重工 https://www.cizucu.com/fr/users/ucjl0dwaTAd8diaQY8iBCtALv5E2 https://www.cizucu.com/fr/photos/cOx60puWmlYn4TYb12tg Wed, 06 Dec 2023 12:42:59 GMT 2024-11-26T08:38:49+09:00 https://cdn.cizucu.com/images/photos/cOx60puWmlYn4TYb12tg.jpg?auto=compress,format <![CDATA[Panneau de la gare de Kameoka avec texte japonais et romaji | nextphoto55]]> https://www.cizucu.com/fr/photos/G97pbvJG6x2EGjDq8NXO nextphoto55 https://www.cizucu.com/fr/users/r4MtrHtRnZWNJurjUeTtfocDGPA2 https://www.cizucu.com/fr/photos/G97pbvJG6x2EGjDq8NXO Sat, 24 Feb 2024 11:55:54 GMT 2024-11-22T15:10:23+09:00 https://cdn.cizucu.com/images/photos/G97pbvJG6x2EGjDq8NXO.jpg?auto=compress,format <![CDATA[Panneau de la gare Tofukuji en japonais et en romaji | モノヒョー]]> https://www.cizucu.com/fr/photos/gYii0qopbRYCh72m23Xv モノヒョー https://www.cizucu.com/fr/monohyo https://www.cizucu.com/fr/photos/gYii0qopbRYCh72m23Xv Wed, 20 Mar 2024 13:50:43 GMT 2024-11-20T19:01:55+09:00 https://cdn.cizucu.com/images/photos/gYii0qopbRYCh72m23Xv.jpg?auto=compress,format <![CDATA[Panneau de la gare de Maibara affichant le nom de la gare en kanji et en romaji | モノヒョー]]> https://www.cizucu.com/fr/photos/cbWOpeQtkugC2mf0Ndls モノヒョー https://www.cizucu.com/fr/monohyo https://www.cizucu.com/fr/photos/cbWOpeQtkugC2mf0Ndls Wed, 20 Mar 2024 13:40:30 GMT 2024-11-20T19:27:48+09:00 https://cdn.cizucu.com/images/photos/cbWOpeQtkugC2mf0Ndls.jpg?auto=compress,format <![CDATA[Panneau de la gare d'Akashi avec kanji et romaji | モノヒョー]]> https://www.cizucu.com/fr/photos/mKqcGYTYeY0qi6QKuHfe モノヒョー https://www.cizucu.com/fr/monohyo https://www.cizucu.com/fr/photos/mKqcGYTYeY0qi6QKuHfe Wed, 20 Mar 2024 13:50:44 GMT 2024-11-20T19:01:55+09:00 https://cdn.cizucu.com/images/photos/mKqcGYTYeY0qi6QKuHfe.jpg?auto=compress,format <![CDATA[When the light falls, some walk into the light, while others remain in the shadow. | 易辰]]> https://www.cizucu.com/fr/photos/fwpunTkzVFFl4zVwYpws 易辰 https://www.cizucu.com/fr/stantasi8762 https://www.cizucu.com/fr/photos/fwpunTkzVFFl4zVwYpws Tue, 14 Apr 2026 13:28:23 GMT 2026-04-14T13:28:23+09:00 https://cdn.cizucu.com/images/photos/fwpunTkzVFFl4zVwYpws.jpg?auto=compress,format <![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station. Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city. Seen from speed, the city appears motionless. | sho13nabe]]> https://www.cizucu.com/fr/photos/DVqwj97uZqe2SH06OmL4 sho13nabe https://www.cizucu.com/fr/sho_13 https://www.cizucu.com/fr/photos/DVqwj97uZqe2SH06OmL4 Wed, 25 Mar 2026 19:40:59 GMT 2026-03-25T19:40:59+09:00 https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?auto=compress,format <![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]> https://www.cizucu.com/fr/photos/nenShS4kXESrtZTORN2U __rohit.uk https://www.cizucu.com/fr/users/EkllMyLWYUZnXsclfgSc1GTOYUC3 https://www.cizucu.com/fr/photos/nenShS4kXESrtZTORN2U Thu, 26 Mar 2026 07:23:01 GMT 2026-03-26T07:23:01+09:00 https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format <![CDATA[A Passage at 68° North At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather. Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]> https://www.cizucu.com/fr/photos/wFqZnMBFteLEsFN7qFAj Felicity Gan https://www.cizucu.com/fr/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2 https://www.cizucu.com/fr/photos/wFqZnMBFteLEsFN7qFAj Sun, 05 Apr 2026 17:23:19 GMT 2026-04-05T17:23:19+09:00 https://cdn.cizucu.com/images/photos/wFqZnMBFteLEsFN7qFAj.jpg?auto=compress,format <![CDATA[A Passage at 68° North At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather. Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]> https://www.cizucu.com/fr/photos/J6oW6BgNDWFx3cYDNu8e Felicity Gan https://www.cizucu.com/fr/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2 https://www.cizucu.com/fr/photos/J6oW6BgNDWFx3cYDNu8e Sat, 04 Apr 2026 23:27:00 GMT 2026-04-04T23:27:00+09:00 https://cdn.cizucu.com/images/photos/J6oW6BgNDWFx3cYDNu8e.jpg?auto=compress,format <![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]> https://www.cizucu.com/fr/photos/H8kjUw4s4hrqBulgGNLl Nayoung https://www.cizucu.com/fr/users/dG3PxV81AtbvL9OB3hitUDX5O2E3 https://www.cizucu.com/fr/photos/H8kjUw4s4hrqBulgGNLl Mon, 30 Mar 2026 10:00:56 GMT 2026-03-30T10:00:56+09:00 https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format <![CDATA['The Master of Stares' Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect. Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/fr/photos/GmG5c98t8qyvIemmkbiY Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/fr/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/fr/photos/GmG5c98t8qyvIemmkbiY Mon, 16 Mar 2026 19:26:03 GMT 2026-03-16T19:26:03+09:00 https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format <![CDATA[“The Master of Stillness” Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.” Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/fr/photos/1eyhxZQn4uTXWO7fHhv6 Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/fr/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/fr/photos/1eyhxZQn4uTXWO7fHhv6 Sat, 24 Jan 2026 20:08:23 GMT 2026-01-24T20:08:23+09:00 https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format <![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.” This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place. Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return. The breeze feels softer now. Calmer, somehow more forgiving. Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too. #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム | Andy]]> https://www.cizucu.com/fr/photos/mnHH5KKfeYHgwdqRIp0E Andy https://www.cizucu.com/fr/andy https://www.cizucu.com/fr/photos/mnHH5KKfeYHgwdqRIp0E Thu, 01 May 2025 09:35:29 GMT 2025-05-01T09:35:46+09:00 https://cdn.cizucu.com/images/photos/mnHH5KKfeYHgwdqRIp0E.jpg?auto=compress,format <![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult. Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]> https://www.cizucu.com/fr/photos/pIDW724HfD5EDuCOIaUm hichubbypotato https://www.cizucu.com/fr/users/gZWO4xQetegER2Nxn1ToiXNuzrd2 https://www.cizucu.com/fr/photos/pIDW724HfD5EDuCOIaUm Sun, 05 Apr 2026 10:17:07 GMT 2026-04-05T10:17:07+09:00 https://cdn.cizucu.com/images/photos/pIDW724HfD5EDuCOIaUm.jpg?auto=compress,format <![CDATA[等待 Waiting 月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。 一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。 A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness. It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]> https://www.cizucu.com/fr/photos/lpmN402luIxIwpGQAk42 Jun Ciao 雋喬 https://www.cizucu.com/fr/users/cqB60J6ZoiXDbSDHNLKpcv12UR52 https://www.cizucu.com/fr/photos/lpmN402luIxIwpGQAk42 Tue, 10 Mar 2026 22:58:34 GMT 2026-03-10T22:58:34+09:00 https://cdn.cizucu.com/images/photos/lpmN402luIxIwpGQAk42.jpg?auto=compress,format <![CDATA[等待 Waiting 月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。 一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。 A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness. It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]> https://www.cizucu.com/fr/photos/Q6N2AqNBGEyjTU9oR1AT Jun Ciao 雋喬 https://www.cizucu.com/fr/users/cqB60J6ZoiXDbSDHNLKpcv12UR52 https://www.cizucu.com/fr/photos/Q6N2AqNBGEyjTU9oR1AT Tue, 10 Mar 2026 22:26:03 GMT 2026-03-10T22:26:03+09:00 https://cdn.cizucu.com/images/photos/Q6N2AqNBGEyjTU9oR1AT.jpg?auto=compress,format <![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。 "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime. In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place. Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]> https://www.cizucu.com/fr/photos/Y92zTpTXKNuBE4FSbUut 侯良和 https://www.cizucu.com/fr/users/s1VdhOBjrFVvvUDStv3Pb3fEVRf1 https://www.cizucu.com/fr/photos/Y92zTpTXKNuBE4FSbUut Sat, 04 Apr 2026 22:27:55 GMT 2026-04-04T22:27:55+09:00 https://cdn.cizucu.com/images/photos/Y92zTpTXKNuBE4FSbUut.jpg?auto=compress,format