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      <description><![CDATA[Découvrez les 5 meilleures photos Reclining en haute résolution sur cizucu. Toutes sont libres de droits, gratuites à télécharger et parfaites pour tous vos projets, sans attribution requise.]]></description>
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          <title><![CDATA[The moon remaining in the daytime sky | dede dos film]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de dede dos film sur cizucu.]]></description>
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          <pubDate>Wed, 11 Feb 2026 11:52:33 GMT</pubDate>
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          <title><![CDATA[Title: Fragments of a Memory  Description: Fragments of a Memory explores how memories gradually lose their clarity over time, yet continue to leave behind vivid traces in our minds. The blurred light trails reflect the way past moments are remembered — not as sharp, fixed images, but as shifting impressions shaped by emotion and the passage of time.  Short Version: A visual interpretation of how memories fade and fragment over time, while remaining emotionally vivid. | efebeydersiniz]]></title>
          <link>https://www.cizucu.com/fr/photos/t5EKWiV3l1RaxQZmQv0z</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de efebeydersiniz sur cizucu.]]></description>
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          <pubDate>Tue, 24 Mar 2026 09:47:38 GMT</pubDate>
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            <media:title><![CDATA[Title: Fragments of a Memory  Description: Fragments of a Memory explores how memories gradually lose their clarity over time, yet continue to leave behind vivid traces in our minds. The blurred light trails reflect the way past moments are remembered — not as sharp, fixed images, but as shifting impressions shaped by emotion and the passage of time.  Short Version: A visual interpretation of how memories fade and fragment over time, while remaining emotionally vivid. | efebeydersiniz]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de efebeydersiniz sur cizucu.]]></media:description>
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          <title><![CDATA[Chinatown gets busy amidst covid, in Feb 2021. Red is forbidding but also auspicious, depending on how you look at it. Chinatown in Singapore has always been one of my favourite places to photograph no matter how much it has become gentrified. There are still bits of authenticity remaining in the older generation who still frequent the area. It is a simple moment but I love the small nuances to be had in the gusto of this elderly woman as she crosses the road. | Mindy Tan, Photographer]]></title>
          <link>https://www.cizucu.com/fr/photos/bJX0AHMaZhZx6gKIiYqO</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Mindy Tan, Photographer sur cizucu.]]></description>
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            <name>Mindy Tan, Photographer</name>
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          <pubDate>Tue, 13 Jan 2026 18:53:33 GMT</pubDate>
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            <media:title><![CDATA[Chinatown gets busy amidst covid, in Feb 2021. Red is forbidding but also auspicious, depending on how you look at it. Chinatown in Singapore has always been one of my favourite places to photograph no matter how much it has become gentrified. There are still bits of authenticity remaining in the older generation who still frequent the area. It is a simple moment but I love the small nuances to be had in the gusto of this elderly woman as she crosses the road. | Mindy Tan, Photographer]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Mindy Tan, Photographer sur cizucu.]]></media:description>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/fr/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Urasha sur cizucu.]]></description>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Urasha sur cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de a.da.md sur cizucu.]]></description>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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