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          <title><![CDATA[kyoto snap  #streetphotography #streetsnap #street #mirror #unreal #question #photoposterproject | Yukihiro]]></title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/g2ALEx6ifluRFLAljGVI.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Yukihiro sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Longing is created by unanswered questions, sketching invisible doorways in the thin air.  Ordinary afternoons turn into constellations of possibility; silence becomes sacred. Once I stood on solid ground. The allure of unanswered possibility lingers throughout the universe.  | The Monochromatic Society]]></title>
          <link>https://www.cizucu.com/fr/photos/bQO2TQiqeUBIOLT3b8jq</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de The Monochromatic Society sur cizucu.]]></description>
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            <name>The Monochromatic Society</name>
            <uri>https://www.cizucu.com/fr/users/P7rAItiV10cIu7YIF8lT26YypiK2</uri>
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          <pubDate>Fri, 20 Feb 2026 22:20:49 GMT</pubDate>
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            <media:title><![CDATA[Longing is created by unanswered questions, sketching invisible doorways in the thin air.  Ordinary afternoons turn into constellations of possibility; silence becomes sacred. Once I stood on solid ground. The allure of unanswered possibility lingers throughout the universe.  | The Monochromatic Society]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bQO2TQiqeUBIOLT3b8jq.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de The Monochromatic Society sur cizucu.]]></media:description>
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          <title><![CDATA[“The End of Love” - or Quiet Beginning?  The man stood still, facing the Big Buddha under renovation. On his back: “The End of Love” 2 figures, both in transition!  But In that quiet moment, one question came to mind: is it truly the end of love… or the quiet start of something new? | El Mahdi]]></title>
          <link>https://www.cizucu.com/fr/photos/hDFKO8faFYHj6StzthV2</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de El Mahdi sur cizucu.]]></description>
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            <name>El Mahdi</name>
            <uri>https://www.cizucu.com/fr/users/5eRdgkTluYNJyQ9QyhC4f231X7P2</uri>
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          <pubDate>Wed, 11 Feb 2026 17:14:06 GMT</pubDate>
          <atom:updated>2026-02-11T17:14:06+09:00</atom:updated>
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            <media:title><![CDATA[“The End of Love” - or Quiet Beginning?  The man stood still, facing the Big Buddha under renovation. On his back: “The End of Love” 2 figures, both in transition!  But In that quiet moment, one question came to mind: is it truly the end of love… or the quiet start of something new? | El Mahdi]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de El Mahdi sur cizucu.]]></media:description>
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          <title><![CDATA[This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day?  This is a core memory for me, as it was the first time I experimented with double exposures on film. | Migolta]]></title>
          <link>https://www.cizucu.com/fr/photos/t0Y7job5PknlvQujOE2I</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Migolta sur cizucu.]]></description>
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            <name>Migolta</name>
            <uri>https://www.cizucu.com/fr/users/7FvVRn3zzfhRJ1OnvpFsKhyvEs03</uri>
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          <pubDate>Fri, 03 Apr 2026 09:36:04 GMT</pubDate>
          <atom:updated>2026-04-03T09:36:04+09:00</atom:updated>
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            <media:title><![CDATA[This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day?  This is a core memory for me, as it was the first time I experimented with double exposures on film. | Migolta]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/t0Y7job5PknlvQujOE2I.jpg?fm=jpg" type="image/jpeg" width="2047" height="2866" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/t0Y7job5PknlvQujOE2I.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/t0Y7job5PknlvQujOE2I.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/t0Y7job5PknlvQujOE2I.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Migolta sur cizucu.]]></media:description>
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          <title><![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]></title>
          <link>https://www.cizucu.com/fr/photos/Se3lrtIAXIFRzgSjNDRu</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de poemsbywei sur cizucu.]]></description>
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            <name>poemsbywei</name>
            <uri>https://www.cizucu.com/fr/users/jHET1UGt3QWo0XrWIYJG7sq3MUv1</uri>
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          <pubDate>Sun, 22 Mar 2026 22:48:21 GMT</pubDate>
          <atom:updated>2026-03-22T22:48:21+09:00</atom:updated>
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            <media:title><![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Se3lrtIAXIFRzgSjNDRu.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de poemsbywei sur cizucu.]]></media:description>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
          <link>https://www.cizucu.com/fr/photos/NyOeA5jkS61gAiFAZGZE</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Shikhar Bafna sur cizucu.]]></description>
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            <name>Shikhar Bafna</name>
            <uri>https://www.cizucu.com/fr/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2</uri>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
          <atom:updated>2026-03-15T02:16:04+09:00</atom:updated>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Shikhar Bafna sur cizucu.]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/fr/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de analogbysissi sur cizucu.]]></description>
          <author>
            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/fr/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
          <atom:updated>2026-03-25T15:24:24+09:00</atom:updated>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ZGnqRjAS6NTCzWe3Irv5.jpg?fm=jpg" type="image/jpeg" width="1024" height="1536" />
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de analogbysissi sur cizucu.]]></media:description>
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          <title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></title>
          <link>https://www.cizucu.com/fr/photos/q5Y2PPw0VqFRE9uckJR5</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Don Lim sur cizucu.]]></description>
          <author>
            <name>Don Lim</name>
            <uri>https://www.cizucu.com/fr/users/bkuZ69RpzEd7kWvHeCn1Iwchd2y1</uri>
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          <pubDate>Thu, 15 Jan 2026 16:03:31 GMT</pubDate>
          <atom:updated>2026-01-15T16:03:31+09:00</atom:updated>
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            <media:title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Don Lim sur cizucu.]]></media:description>
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