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          <title><![CDATA[レトロカフェでお気に入りの伊達眼鏡 オールドレンズ風のフィルターで撮影  | mrkm]]></title>
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          <title><![CDATA[シュピン✨ 少しピン甘なのが残念ですがルリビタキさん可愛いです😍  #動物写真 #野鳥 #動物 #幸せの青い鳥 #野鳥写真 | ハル]]></title>
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          <title><![CDATA[#love #lovely  | -kenchi-]]></title>
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          <title><![CDATA[キーホルダー | 朽蓮 kyu-ren]]></title>
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          <title><![CDATA[これまでネコだと思っていた  #shrine #iPhone | つばさ製作所]]></title>
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          <pubDate>Sun, 13 Apr 2025 20:35:24 GMT</pubDate>
          <atom:updated>2026-01-18T19:05:30+09:00</atom:updated>
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          <title><![CDATA[しっとりと  #バラ #薔薇 #花が好き #green #flower | techi☺︎]]></title>
          <link>https://www.cizucu.com/fr/photos/yfU2N9tRr5um2nfxUEBI</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de techi☺︎ sur cizucu.]]></description>
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            <name>techi☺︎</name>
            <uri>https://www.cizucu.com/fr/users/aUnmHIO2DKNoJk3a74XVUdxJUxM2</uri>
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          <pubDate>Tue, 21 May 2024 08:36:16 GMT</pubDate>
          <atom:updated>2026-05-07T18:11:11+09:00</atom:updated>
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          <title><![CDATA[『夜歩く』 #あるミステリー小説 #シルエット #ひとり #バックパック #きれいな歩き方 #イエロー #東京 #nikon #snap #日常  | naotake_speaks]]></title>
          <link>https://www.cizucu.com/fr/photos/zcgSr0T0E2YupK39PtmJ</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de naotake_speaks sur cizucu.]]></description>
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            <name>naotake_speaks</name>
            <uri>https://www.cizucu.com/fr/naotake_speaks</uri>
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          <pubDate>Fri, 29 Aug 2025 20:58:41 GMT</pubDate>
          <atom:updated>2026-01-18T05:51:52+09:00</atom:updated>
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          <title><![CDATA[Lovely daily life | yuuhi]]></title>
          <link>https://www.cizucu.com/fr/photos/w7oApsj9XDdwj1LmMZLG</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de yuuhi sur cizucu.]]></description>
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            <uri>https://www.cizucu.com/fr/users/XlU5tIe651QdaDUiyINpeqDrVim1</uri>
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          <pubDate>Sat, 01 Mar 2025 02:56:13 GMT</pubDate>
          <atom:updated>2026-01-19T03:22:34+09:00</atom:updated>
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          <title><![CDATA[distributeur de bonbons à billes placé devant un mur vert | sge1224]]></title>
          <link>https://www.cizucu.com/fr/photos/YPntfHkdqo0XFKtCbuAN</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de sge1224 sur cizucu.]]></description>
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            <name>sge1224</name>
            <uri>https://www.cizucu.com/fr/users/HslXq9y6oFeI0WBtjqg2EUBhUW22</uri>
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          <pubDate>Mon, 27 Jan 2025 00:14:46 GMT</pubDate>
          <atom:updated>2026-05-05T04:22:44+09:00</atom:updated>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de sge1224 sur cizucu.]]></media:description>
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          <title><![CDATA[信じ難い花の色 なんて愛らしいんだろう  #japan #notopeninsula #のとキリシマツツジ | Jang Kumi]]></title>
          <link>https://www.cizucu.com/fr/photos/e3HekTY0KaNntfNo6vVf</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jang Kumi sur cizucu.]]></description>
          <author>
            <name>Jang Kumi</name>
            <uri>https://www.cizucu.com/fr/users/75y6y4wfsKg1bchWCNP4FlmVLpJ3</uri>
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          <pubDate>Thu, 02 May 2024 20:38:33 GMT</pubDate>
          <atom:updated>2026-05-08T07:16:18+09:00</atom:updated>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jang Kumi sur cizucu.]]></media:description>
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          <title><![CDATA[( My lovely dog ♡ )  Camera - Olympus oz105r Film -ILFORD PAN 400 | uni.z3]]></title>
          <link>https://www.cizucu.com/fr/photos/HFdtXJYrwPgfMA1s83mH</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de uni.z3 sur cizucu.]]></description>
          <author>
            <name>uni.z3</name>
            <uri>https://www.cizucu.com/fr/uniz3</uri>
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          <pubDate>Sun, 10 May 2026 04:12:08 GMT</pubDate>
          <atom:updated>2026-05-10T04:12:08+09:00</atom:updated>
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            <media:title><![CDATA[( My lovely dog ♡ )  Camera - Olympus oz105r Film -ILFORD PAN 400 | uni.z3]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de uni.z3 sur cizucu.]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/fr/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Victor Tan KH sur cizucu.]]></description>
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            <name>Victor Tan KH</name>
            <uri>https://www.cizucu.com/fr/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2</uri>
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          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:44:02+09:00</atom:updated>
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            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Victor Tan KH sur cizucu.]]></media:description>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water). | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/fr/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></description>
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            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/fr/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
          <atom:updated>2026-01-21T01:01:26+09:00</atom:updated>
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            <media:title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water). | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></media:description>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de JoJo Tsai  蔡易蓁 sur cizucu.]]></description>
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            <name>JoJo Tsai  蔡易蓁</name>
            <uri>https://www.cizucu.com/fr/jojotsai</uri>
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          <pubDate>Thu, 19 Feb 2026 04:15:08 GMT</pubDate>
          <atom:updated>2026-05-03T14:56:16+09:00</atom:updated>
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            <media:title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></media:title>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de 熊寶 sur cizucu.]]></description>
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            <name>熊寶</name>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de 熊寶 sur cizucu.]]></media:description>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de JoJo Tsai  蔡易蓁 sur cizucu.]]></description>
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            <name>JoJo Tsai  蔡易蓁</name>
            <uri>https://www.cizucu.com/fr/jojotsai</uri>
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          <pubDate>Thu, 19 Feb 2026 04:18:22 GMT</pubDate>
          <atom:updated>2026-02-19T04:18:28+09:00</atom:updated>
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            <media:title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></media:title>
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