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          <title><![CDATA[Entrée du Nasu Shozo Cafe avec porte en bois et bancs | akira tomiguchi]]></title>
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          <title><![CDATA[Long Pass  #monochrome #影 | Keiji]]></title>
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          <pubDate>Sat, 15 Mar 2025 14:05:28 GMT</pubDate>
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          <title><![CDATA[Gros plan d'un poisson-bass tenu à la main avec un fond vert | eriko]]></title>
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          <description><![CDATA[Téléchargez gratuitement des photos Gros plan d'un poisson-bass tenu à la main avec un fond vert de haute qualité prises par eriko sur cizucu.]]></description>
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          <title><![CDATA[栃木県・那須高原  #那須岳 #那須 #那須高原 #茶臼岳 #栃木県 #Nasu #japan | ぶらいあんと]]></title>
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          <pubDate>Tue, 30 Jan 2024 20:08:29 GMT</pubDate>
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          <title><![CDATA[Tadami line train, a very iconic train in Fukushima prefecture because this train line presents a very beautiful view, especially in winter we can see the train line and the surrounding area turn white like cotton, even though this line is not so busy but waiting for this train to pass is not a boring time because of the beauty it presents | Satria_okky]]></title>
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          <description><![CDATA[Téléchargez gratuitement des photos Magnifique paysage avec une forêt enneigée et une rivière bleue de haute qualité prises par Satria_okky sur cizucu.]]></description>
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          <pubDate>Sun, 19 Jan 2025 23:23:47 GMT</pubDate>
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            <media:title><![CDATA[Tadami line train, a very iconic train in Fukushima prefecture because this train line presents a very beautiful view, especially in winter we can see the train line and the surrounding area turn white like cotton, even though this line is not so busy but waiting for this train to pass is not a boring time because of the beauty it presents | Satria_okky]]></media:title>
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          <title><![CDATA[She Was Walking — So She Would Never Pass This Way Again | kazrin]]></title>
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          <pubDate>Sat, 03 Jan 2026 17:16:25 GMT</pubDate>
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          <title><![CDATA[As I pass by a corner of a restaurant, a boy's quiet moment | chetpin8]]></title>
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          <title><![CDATA[As I pass by a corner of a restaurant, a boy's quiet moment  | chetpin8]]></title>
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          <title><![CDATA[On the lawn in front of Luce Memorial Chapel, the wind slows the campus down. Some people pass by, some pause and I just happen to be here, making time feel a little less in a hurry. | Lawrence Liou]]></title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Lawrence Liou sur cizucu.]]></media:description>
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          <title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></title>
          <link>https://www.cizucu.com/fr/photos/8l7VNsvjX8wvnO4eI9rs</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de helloocheryl sur cizucu.]]></description>
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            <name>helloocheryl</name>
            <uri>https://www.cizucu.com/fr/users/fZsvJr0XchbUBYHFf4Jx5BYsJyC3</uri>
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          <pubDate>Mon, 16 Mar 2026 13:34:59 GMT</pubDate>
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            <media:title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de helloocheryl sur cizucu.]]></media:description>
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          <title><![CDATA[The reflection of the church - On my daily walk between home and work, I pass one of Gothenburg’s most iconic churches. Rather than capturing its famous height, I focused on its reflection in the water to find a new perspective on a familiar sight. Choosing black and white helps strip away distractions, highlighting the quiet mood and the ripples in the surface. In these images, the solid stone of the city becomes fluid and dreamlike. This series is a tribute to the beauty we often overlook in our everyday routines. | Thitipong Sansanayuth]]></title>
          <link>https://www.cizucu.com/fr/photos/uwiKstK9T328uSDcyJ8T</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Thitipong Sansanayuth sur cizucu.]]></description>
          <author>
            <name>Thitipong Sansanayuth</name>
            <uri>https://www.cizucu.com/fr/users/w1yeoQHnipOQ3dvJB5zCRTsdpyr2</uri>
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          <pubDate>Tue, 03 Feb 2026 20:57:57 GMT</pubDate>
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            <media:title><![CDATA[The reflection of the church - On my daily walk between home and work, I pass one of Gothenburg’s most iconic churches. Rather than capturing its famous height, I focused on its reflection in the water to find a new perspective on a familiar sight. Choosing black and white helps strip away distractions, highlighting the quiet mood and the ripples in the surface. In these images, the solid stone of the city becomes fluid and dreamlike. This series is a tribute to the beauty we often overlook in our everyday routines. | Thitipong Sansanayuth]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwiKstK9T328uSDcyJ8T.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Thitipong Sansanayuth sur cizucu.]]></media:description>
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          <title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></title>
          <link>https://www.cizucu.com/fr/photos/tsl1VRZ8bYFrRR9EBMyT</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Danish Yaqin sur cizucu.]]></description>
          <author>
            <name>Danish Yaqin</name>
            <uri>https://www.cizucu.com/fr/users/U0nicaF4PrNvQcEZ3BVhE2iMrp23</uri>
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          <pubDate>Thu, 15 Jan 2026 17:03:51 GMT</pubDate>
          <atom:updated>2026-01-15T17:03:51+09:00</atom:updated>
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            <media:title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/tsl1VRZ8bYFrRR9EBMyT.jpg?fm=jpg" type="image/jpeg" width="2621" height="3931" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tsl1VRZ8bYFrRR9EBMyT.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Danish Yaqin sur cizucu.]]></media:description>
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          <title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></title>
          <link>https://www.cizucu.com/fr/photos/Cnx1Icbp0otPJg2yjyDm</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Trishita Bhattacharya sur cizucu.]]></description>
          <author>
            <name>Trishita Bhattacharya</name>
            <uri>https://www.cizucu.com/fr/users/OuzxF4GGQ7ebp6bu41IVc9KRYQP2</uri>
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          <pubDate>Mon, 16 Mar 2026 00:57:12 GMT</pubDate>
          <atom:updated>2026-03-16T00:57:12+09:00</atom:updated>
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            <media:title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Cnx1Icbp0otPJg2yjyDm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Trishita Bhattacharya sur cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/fr/photos/ztgEOwf07vQcHPzE3Kka</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/fr/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ztgEOwf07vQcHPzE3Kka.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/fr/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de John Hupa sur cizucu.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/fr/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
          <atom:updated>2026-02-11T12:29:25+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de John Hupa sur cizucu.]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/fr/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de John Hupa sur cizucu.]]></description>
          <author>
            <name>John Hupa</name>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
          <atom:updated>2026-02-11T12:30:12+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de John Hupa sur cizucu.]]></media:description>
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