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      <description><![CDATA[Découvrez les 5 meilleures photos Messung en haute résolution sur cizucu. Toutes sont libres de droits, gratuites à télécharger et parfaites pour tous vos projets, sans attribution requise.]]></description>
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          <title><![CDATA[A moment when you get really good at noticing —especially the quiet, tender ones that feel like they’re standing in for something missing. hitting deeper because it’s holding an emotion you didn’t always have words for.  | Anamika]]></title>
          <link>https://www.cizucu.com/fr/photos/P0wyA2jQZFZ1cpBGSlAF</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Anamika sur cizucu.]]></description>
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            <name>Anamika</name>
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          <pubDate>Mon, 09 Feb 2026 13:24:37 GMT</pubDate>
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            <media:title><![CDATA[A moment when you get really good at noticing —especially the quiet, tender ones that feel like they’re standing in for something missing. hitting deeper because it’s holding an emotion you didn’t always have words for.  | Anamika]]></media:title>
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          <title><![CDATA[Under the star-filled sky of Mersing, Johor, a lone fishing boat rests in silence. Shaped by long exposure and guided learning, this image reflects years of aspiration, patience, and discovery—where time slows, light settles, and the night reveals itself. | haziqtahir]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de haziqtahir sur cizucu.]]></description>
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          <pubDate>Fri, 09 Jan 2026 08:56:10 GMT</pubDate>
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            <media:title><![CDATA[Under the star-filled sky of Mersing, Johor, a lone fishing boat rests in silence. Shaped by long exposure and guided learning, this image reflects years of aspiration, patience, and discovery—where time slows, light settles, and the night reveals itself. | haziqtahir]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de haziqtahir sur cizucu.]]></media:description>
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          <title><![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]></title>
          <link>https://www.cizucu.com/fr/photos/FOivrtLqJYASxtRrBAel</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Joshua Chiew sur cizucu.]]></description>
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            <name>Joshua Chiew</name>
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          <pubDate>Sun, 22 Mar 2026 23:07:39 GMT</pubDate>
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            <media:title><![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Joshua Chiew sur cizucu.]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/fr/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de analogbysissi sur cizucu.]]></description>
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            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/fr/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
          <atom:updated>2026-03-25T15:24:24+09:00</atom:updated>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de analogbysissi sur cizucu.]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/fr/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Tristan Tan sur cizucu.]]></description>
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            <name>Tristan Tan</name>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Tristan Tan sur cizucu.]]></media:description>
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