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          <title><![CDATA[Mysterious man walking on the road of the mythical Pompeii | Pikanchor]]></title>
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          <title><![CDATA[statue en bronze extérieure d’un homme tenant un microphone | としくん]]></title>
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          <pubDate>Thu, 20 Feb 2025 20:00:05 GMT</pubDate>
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          <title><![CDATA[#cityscape #shadow | つばさ製作所]]></title>
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          <description><![CDATA[Téléchargez gratuitement sur cizucu une image de haute qualité par つばさ製作所 : un homme debout dans une ruelle aux ombres marquées.]]></description>
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          <pubDate>Fri, 05 Jul 2024 23:11:17 GMT</pubDate>
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          <title><![CDATA[buste en pierre d’un homme sur un toit | Kazuhiko Watanabe]]></title>
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          <pubDate>Fri, 29 Nov 2024 22:57:38 GMT</pubDate>
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          <title><![CDATA[homme souriant devant une vitrine en verre avec une figurine façon Pikachu | カメラテ]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de カメラテ sur cizucu.]]></description>
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          <pubDate>Sat, 16 Nov 2024 14:35:15 GMT</pubDate>
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          <title><![CDATA[This is the man hanging out in Prague. I feel like this depicts our daily struggle to survive in our cut throat working culture. | Jonathan Hosea]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jonathan Hosea sur cizucu.]]></description>
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          <pubDate>Mon, 23 Mar 2026 00:12:05 GMT</pubDate>
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            <media:title><![CDATA[This is the man hanging out in Prague. I feel like this depicts our daily struggle to survive in our cut throat working culture. | Jonathan Hosea]]></media:title>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Souvik Roy sur cizucu.]]></description>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Uday Khambadkone sur cizucu.]]></description>
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            <name>Uday Khambadkone</name>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
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            <media:title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Uday Khambadkone sur cizucu.]]></media:description>
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