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          <title><![CDATA[Vitrine remplie de divers types de petits pains, y compris des hot-dogs et des saucisses portugaises | ハワイに恋してる！]]></title>
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          <title><![CDATA[Vitrine de nourriture de rue vietnamienne avec divers articles | Pepper05]]></title>
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          <pubDate>Fri, 08 Mar 2024 20:35:44 GMT</pubDate>
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          <title><![CDATA[LUCA。 #ppp | neko chie.]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de neko chie. sur cizucu.]]></description>
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          <pubDate>Sat, 03 Jan 2026 03:55:01 GMT</pubDate>
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          <title><![CDATA[椅子の上に置かれたお店の名刺  #restaurant #AKS #tokyo #PescheriaLa Luna Rossa | つばさ製作所]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de つばさ製作所 sur cizucu.]]></description>
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          <pubDate>Sat, 03 May 2025 20:52:46 GMT</pubDate>
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          <title><![CDATA[I welcomed September by climbing Mt. Fuji and captured this photo while watching one of the most beautiful sunsets of my life. That same week, I had just discovered a song with these lyrics:  ‘En un atardecer Solo aparecen dos cosas La luna y el sol’  Which means:  ‘In a sunset Only two things appear The Moon and the Sun’  The coincidence, together with that sunset, made it an unforgettable moment in my life.  In the photo, clouds float in the sunset, the moon watches quietly, and the breeze lifts a woman’s hair, capturing the magic of the moment. | suleler]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de suleler sur cizucu.]]></description>
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          <pubDate>Sat, 06 Sep 2025 22:04:16 GMT</pubDate>
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            <media:title><![CDATA[I welcomed September by climbing Mt. Fuji and captured this photo while watching one of the most beautiful sunsets of my life. That same week, I had just discovered a song with these lyrics:  ‘En un atardecer Solo aparecen dos cosas La luna y el sol’  Which means:  ‘In a sunset Only two things appear The Moon and the Sun’  The coincidence, together with that sunset, made it an unforgettable moment in my life.  In the photo, clouds float in the sunset, the moon watches quietly, and the breeze lifts a woman’s hair, capturing the magic of the moment. | suleler]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de suleler sur cizucu.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/fr/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Lucho Dávila sur cizucu.]]></description>
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            <name>Lucho Dávila</name>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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