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          <title><![CDATA[天使の梯子 〜Angel Ladder〜  いつもの帰り道、ふと空を見たら見事な光芒に感動  #sunset #AngelLadder #天使の梯子 #夕空 #御光 #光芒 | sasuke]]></title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de sasuke sur cizucu.]]></media:description>
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          <title><![CDATA[Dramatic aerial view of thick cloud layers with a towering cumulonimbus cloud rising into a dark, stormy sky. | Matthieu]]></title>
          <link>https://www.cizucu.com/fr/photos/imbXmZ8vMdtYYxlnIfdv</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Matthieu sur cizucu.]]></description>
          <author>
            <name>Matthieu</name>
            <uri>https://www.cizucu.com/fr/matthieu</uri>
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          <pubDate>Mon, 09 Feb 2026 01:00:56 GMT</pubDate>
          <atom:updated>2026-02-09T01:00:56+09:00</atom:updated>
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            <media:title><![CDATA[Dramatic aerial view of thick cloud layers with a towering cumulonimbus cloud rising into a dark, stormy sky. | Matthieu]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Matthieu sur cizucu.]]></media:description>
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          <title><![CDATA[Layers of life  Music, light, movement have a way of taking us on a journey, I always remember family parties as a child and how they brought everyone together   Since being diagnosed with complete heart block I found photography once again as a form of adapting and capturing energy from layers of life | Lambadrian]]></title>
          <link>https://www.cizucu.com/fr/photos/yAaDWpMVXmNLItGkucTt</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Lambadrian sur cizucu.]]></description>
          <author>
            <name>Lambadrian</name>
            <uri>https://www.cizucu.com/fr/users/aYezNinoJ2bfY0ZsrYk7peqPDRB2</uri>
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          <pubDate>Mon, 23 Mar 2026 02:37:11 GMT</pubDate>
          <atom:updated>2026-03-23T02:37:11+09:00</atom:updated>
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            <media:title><![CDATA[Layers of life  Music, light, movement have a way of taking us on a journey, I always remember family parties as a child and how they brought everyone together   Since being diagnosed with complete heart block I found photography once again as a form of adapting and capturing energy from layers of life | Lambadrian]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/yAaDWpMVXmNLItGkucTt.jpg?fm=jpg" type="image/jpeg" width="3264" height="4928" />
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Lambadrian sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Layers of green stretched across the mountain, shaped by wind, light, and time. The breeze was gentle, but it reminded me how alive this place is. | andi kho]]></title>
          <link>https://www.cizucu.com/fr/photos/fNGgRaUgyp91jTM6l9O9</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de andi kho sur cizucu.]]></description>
          <author>
            <name>andi kho</name>
            <uri>https://www.cizucu.com/fr/andikho</uri>
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          <pubDate>Fri, 26 Dec 2025 23:50:35 GMT</pubDate>
          <atom:updated>2025-12-26T23:50:35+09:00</atom:updated>
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            <media:title><![CDATA[Layers of green stretched across the mountain, shaped by wind, light, and time. The breeze was gentle, but it reminded me how alive this place is. | andi kho]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/fNGgRaUgyp91jTM6l9O9.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de andi kho sur cizucu.]]></media:description>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
          <link>https://www.cizucu.com/fr/photos/3E4rhpe5FtUxghqnpLYe</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Uday Khambadkone sur cizucu.]]></description>
          <author>
            <name>Uday Khambadkone</name>
            <uri>https://www.cizucu.com/fr/users/fGsQRfunD0c4a7GMx48PJNbxaSE3</uri>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
          <atom:updated>2026-03-13T00:46:15+09:00</atom:updated>
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            <media:title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Uday Khambadkone sur cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/fr/photos/FGecy4iXa0FxyLmFPs1x</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Serene Teo sur cizucu.]]></description>
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            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/fr/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
          <atom:updated>2026-03-15T16:26:26+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Serene Teo sur cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/fr/photos/4ZXYEpJisBKlm4YA82Qu</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Serene Teo sur cizucu.]]></description>
          <author>
            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/fr/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Mon, 16 Mar 2026 23:54:50 GMT</pubDate>
          <atom:updated>2026-03-16T23:54:50+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Serene Teo sur cizucu.]]></media:description>
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          <title><![CDATA[Finding Color in the Noise  Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet.  This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye.  The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]></title>
          <link>https://www.cizucu.com/fr/photos/aGY2A7d0GmEodnh54l7X</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Big_Dins_Photos sur cizucu.]]></description>
          <author>
            <name>Big_Dins_Photos</name>
            <uri>https://www.cizucu.com/fr/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3</uri>
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          <pubDate>Sun, 18 Jan 2026 05:30:11 GMT</pubDate>
          <atom:updated>2026-01-18T05:30:11+09:00</atom:updated>
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            <media:title><![CDATA[Finding Color in the Noise  Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet.  This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye.  The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Big_Dins_Photos sur cizucu.]]></media:description>
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          <title><![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]></title>
          <link>https://www.cizucu.com/fr/photos/EuqZ40ka5ByBc8BhK5vv</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Iak Gnix sur cizucu.]]></description>
          <author>
            <name>Iak Gnix</name>
            <uri>https://www.cizucu.com/fr/users/adkl8riKZKWN9WS0SXowSpCLYN92</uri>
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          <pubDate>Mon, 20 Apr 2026 04:42:16 GMT</pubDate>
          <atom:updated>2026-04-20T04:42:16+09:00</atom:updated>
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            <media:title><![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Iak Gnix sur cizucu.]]></media:description>
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