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          <title><![CDATA[Memories kept gnawing at me after a restless night. I woke up to the light, the rumpled sheets, my pajamas I’d picked out with so much care, and no face to show, not even wanting to see it after everything that happened. Mornings feel like quiet resets; this month has been a lot about that for me. Remembering, waking up, starting again—not with certainty, just taking a small step, learning to accept that I won’t understand everything when life crashes over me. | Rebecca Doracio]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Rebecca Doracio sur cizucu.]]></description>
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          <pubDate>Sun, 22 Mar 2026 01:50:50 GMT</pubDate>
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            <media:title><![CDATA[Memories kept gnawing at me after a restless night. I woke up to the light, the rumpled sheets, my pajamas I’d picked out with so much care, and no face to show, not even wanting to see it after everything that happened. Mornings feel like quiet resets; this month has been a lot about that for me. Remembering, waking up, starting again—not with certainty, just taking a small step, learning to accept that I won’t understand everything when life crashes over me. | Rebecca Doracio]]></media:title>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
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          <pubDate>Tue, 13 Jan 2026 15:32:03 GMT</pubDate>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de nicoleakanikkiko sur cizucu.]]></description>
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          <pubDate>Tue, 13 Jan 2026 15:32:54 GMT</pubDate>
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          <title><![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery.  | Drishti Gowda]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Drishti Gowda sur cizucu.]]></description>
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          <pubDate>Mon, 16 Mar 2026 23:06:23 GMT</pubDate>
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            <media:title><![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery.  | Drishti Gowda]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Drishti Gowda sur cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Arthur Liew sur cizucu.]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/fr/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Arthur Liew sur cizucu.]]></description>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Arthur Liew sur cizucu.]]></description>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Arthur Liew sur cizucu.]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Yash Rane sur cizucu.]]></description>
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            <name>Yash Rane</name>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Yash Rane sur cizucu.]]></media:description>
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