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          <title><![CDATA[Autumn's embrace | Pikanchor]]></title>
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          <pubDate>Tue, 09 Dec 2025 19:23:13 GMT</pubDate>
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          <title><![CDATA[Chasing the horizon into the fiery embrace of the setting sun | manduul]]></title>
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          <pubDate>Tue, 12 Mar 2024 00:06:57 GMT</pubDate>
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          <title><![CDATA[Wings in Rain's Embrace....Jerdon's Baza | Arijit Das]]></title>
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          <pubDate>Fri, 13 Mar 2026 17:05:07 GMT</pubDate>
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          <title><![CDATA[【小牧城に向かって飛べ】 名古屋空港展望デッキより撮影  #小牧譲 #FDA #フジドリームエアラインズ #FDAコレクション #県営名古屋空港 #Embraer #ERJ170/175 #旅客機 #空港 | RYUURI]]></title>
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          <description><![CDATA[Téléchargez gratuitement des photos Avion vert décollant sous un ciel nuageux avec une ville en arrière-plan de haute qualité prises par RYUURI sur cizucu.]]></description>
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          <pubDate>Tue, 06 Aug 2024 16:54:30 GMT</pubDate>
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          <title><![CDATA[【弾丸】 名古屋空港展望デッキより撮影  #小牧譲 #FDA #フジドリームエアラインズ #FDAコレクション #県営名古屋空港 #Embraer #ERJ170/175 #旅客機 #空港 | RYUURI]]></title>
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          <description><![CDATA[Téléchargez gratuitement des photos Vue de face d'un avion mettant en avant son fuselage vert de haute qualité prises par RYUURI sur cizucu.]]></description>
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          <pubDate>Tue, 06 Aug 2024 16:58:04 GMT</pubDate>
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          <title><![CDATA[Nature's Embrace: The Eroding Bin  #bin #green #つばさ公園 #cityscape | つばさ製作所]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de つばさ製作所 sur cizucu.]]></description>
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          <pubDate>Sat, 10 May 2025 20:59:08 GMT</pubDate>
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          <title><![CDATA[The platform was full of fleeting moments, but this one stayed. A mother’s embrace, a son’s quiet stillness — love captured in the heart of motion. A mother always there for his son despite any circumstance❤️ | Alan Ng]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Alan Ng sur cizucu.]]></description>
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            <name>Alan Ng</name>
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          <pubDate>Mon, 16 Feb 2026 15:09:13 GMT</pubDate>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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          <title><![CDATA[Sometimes we find beauty in the outer landscapes, yet it is within our small singularities, in the everyday present of our lives and homes, that we discover the true breath of life. Nights have always enchanted me, they were my refuge for so long, with their silence, their absence, the feeling of belonging not to a place but to a moment in time. The fullness of simply being there, present, as shadows embrace the fragile cracks of light.  The theme "Uniquely you" carries this meaning, a rhythm of daily life where I found beauty, where I lingered for so long, and which speaks profoundly of who I am. Refuge, comfort, belonging, and the sense of wholeness even amid many absences. And in this photo, I felt complete, a singularity revealed between myself and life, in the feeling that comforts me most: solitude. | Rebecca Doracio]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Rebecca Doracio sur cizucu.]]></description>
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            <name>Rebecca Doracio</name>
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          <pubDate>Thu, 19 Feb 2026 05:23:57 GMT</pubDate>
          <atom:updated>2026-02-19T05:23:57+09:00</atom:updated>
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            <media:title><![CDATA[Sometimes we find beauty in the outer landscapes, yet it is within our small singularities, in the everyday present of our lives and homes, that we discover the true breath of life. Nights have always enchanted me, they were my refuge for so long, with their silence, their absence, the feeling of belonging not to a place but to a moment in time. The fullness of simply being there, present, as shadows embrace the fragile cracks of light.  The theme "Uniquely you" carries this meaning, a rhythm of daily life where I found beauty, where I lingered for so long, and which speaks profoundly of who I am. Refuge, comfort, belonging, and the sense of wholeness even amid many absences. And in this photo, I felt complete, a singularity revealed between myself and life, in the feeling that comforts me most: solitude. | Rebecca Doracio]]></media:title>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/fr/photos/z51tp1hZVa8RWblaxQor</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Souvik Roy sur cizucu.]]></description>
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            <name>Souvik Roy</name>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
          <atom:updated>2026-03-14T18:17:45+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Souvik Roy sur cizucu.]]></media:description>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/fr/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Souvik Roy sur cizucu.]]></description>
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            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/fr/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
          <atom:updated>2026-03-16T03:16:14+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Souvik Roy sur cizucu.]]></media:description>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/fr/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
          <atom:updated>2026-01-20T22:11:12+09:00</atom:updated>
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            <media:title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></media:description>
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