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          <title><![CDATA[Panneau sur un lampadaire lisant « LUST P P » dans un quartier urbain | Stoneriver]]></title>
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          <description><![CDATA[Téléchargez gratuitement sur cizucu une image de haute qualité par Stoneriver : Panneau sur un lampadaire lisant « LUST P P » dans un quartier urbain.]]></description>
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          <title><![CDATA[The platform was full of fleeting moments, but this one stayed. A mother’s embrace, a son’s quiet stillness — love captured in the heart of motion. A mother always there for his son despite any circumstance❤️ | Alan Ng]]></title>
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          <pubDate>Mon, 16 Feb 2026 15:09:13 GMT</pubDate>
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            <media:description><![CDATA[Téléchargez gratuitement sur cizucu une image de haute qualité par Alan Ng : Un couloir de gare animé bordé de grandes affiches d’exposition.]]></media:description>
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          <title><![CDATA[The desire to capture the moment Bangkok, Thailand January 1, 2026 | hiyohorizon]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de hiyohorizon sur cizucu.]]></description>
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          <pubDate>Sun, 11 Jan 2026 22:48:37 GMT</pubDate>
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          <title><![CDATA['Texture & Form'  A close study of an elephant’s trunk and tusk highlights the textures and structure that define its strength - form shaped by both function and time. | Jasmine Ee (Wildlife with Jas)]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jasmine Ee (Wildlife with Jas) sur cizucu.]]></description>
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          <pubDate>Mon, 06 Apr 2026 19:54:16 GMT</pubDate>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jasmine Ee (Wildlife with Jas) sur cizucu.]]></media:description>
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          <title><![CDATA[A sulphur miner smiles warmly at us, despite having just put his life in danger just moments prior to gather the "devil's gold", and with no protective gear. | nai.msz]]></title>
          <link>https://www.cizucu.com/fr/photos/ISLD0UbKiU3b8fGsJiFE</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de nai.msz sur cizucu.]]></description>
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          <pubDate>Sat, 02 May 2026 23:43:01 GMT</pubDate>
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            <media:title><![CDATA[A sulphur miner smiles warmly at us, despite having just put his life in danger just moments prior to gather the "devil's gold", and with no protective gear. | nai.msz]]></media:title>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/fr/photos/2Qk09EFhCZ79yTviARjw</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de kelvintetsuya sur cizucu.]]></description>
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          <pubDate>Wed, 18 Feb 2026 02:17:53 GMT</pubDate>
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          <title><![CDATA[Waiting at the threshold, a fleeting moment where time feels suspended.  Captured at a quiet crossing, the scene reflects a familiar tension — the desire to move forward met by forces beyond our control. The passing train becomes both a literal and symbolic barrier, holding the subject in place.  This work explores the space between intention and action, where hesitation, patience, and uncertainty intersect. | Watstory]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Watstory sur cizucu.]]></description>
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          <pubDate>Mon, 06 Apr 2026 03:52:17 GMT</pubDate>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/fr/photos/nzPjCStIaDaI13iYDJl2</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de kelvintetsuya sur cizucu.]]></description>
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          <pubDate>Wed, 18 Feb 2026 02:32:54 GMT</pubDate>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de kelvintetsuya sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Brian, a Singaporean street and documentary photographer, spent several years capturing the everyday moments of New York City life.  In this photograph, the cat behind a window barrier reflects my thoughts about city living. The comfort and safety of being behind a window, and a constant curiosity to explore beyond that glass wall. A desire to make a connection without getting hurt. | Brianyong]]></title>
          <link>https://www.cizucu.com/fr/photos/7wmpv2sMIEFzroSxfp82</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Brianyong sur cizucu.]]></description>
          <author>
            <name>Brianyong</name>
            <uri>https://www.cizucu.com/fr/users/pIvC6vmUBlTtFJQ7I1EG3sLgfWK2</uri>
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          <pubDate>Sun, 22 Mar 2026 20:43:11 GMT</pubDate>
          <atom:updated>2026-05-03T13:24:23+09:00</atom:updated>
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            <media:title><![CDATA[Brian, a Singaporean street and documentary photographer, spent several years capturing the everyday moments of New York City life.  In this photograph, the cat behind a window barrier reflects my thoughts about city living. The comfort and safety of being behind a window, and a constant curiosity to explore beyond that glass wall. A desire to make a connection without getting hurt. | Brianyong]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/7wmpv2sMIEFzroSxfp82.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Brianyong sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></title>
          <link>https://www.cizucu.com/fr/photos/OPN3NpM6QdtFUYQeC5SZ</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Sophie Harris-Taylor sur cizucu.]]></description>
          <author>
            <name>Sophie Harris-Taylor</name>
            <uri>https://www.cizucu.com/fr/users/XvsKmfiv1WdGFcpzAAdftVuhqJl1</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/fr/photos/OPN3NpM6QdtFUYQeC5SZ</guid>
          <pubDate>Sun, 05 Apr 2026 22:40:45 GMT</pubDate>
          <atom:updated>2026-05-03T12:29:21+09:00</atom:updated>
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            <media:title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/OPN3NpM6QdtFUYQeC5SZ.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/OPN3NpM6QdtFUYQeC5SZ.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/OPN3NpM6QdtFUYQeC5SZ.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/OPN3NpM6QdtFUYQeC5SZ.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Sophie Harris-Taylor sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Cranes: Delicate yet sturdy, they symbolize construction, transformation, and new beginnings. They can be found in cities all around the world, in a wide variety of shapes and designs. Often we pass by without even noticing them, or pay them little attention despite their size and presence. Sometimes they stand alone, like guardians watching over a construction site; sometimes they dance in groups – a metallic ballet above the city’s rooftops. | kameleon]]></title>
          <link>https://www.cizucu.com/fr/photos/LCYrJx0VrHNBntUbdvLY</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de kameleon sur cizucu.]]></description>
          <author>
            <name>kameleon</name>
            <uri>https://www.cizucu.com/fr/users/4fSxXNg6gSdXvpbdUsxLvAbq3Vn2</uri>
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          <pubDate>Wed, 29 Apr 2026 22:28:56 GMT</pubDate>
          <atom:updated>2026-05-03T09:59:23+09:00</atom:updated>
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            <media:title><![CDATA[Cranes: Delicate yet sturdy, they symbolize construction, transformation, and new beginnings. They can be found in cities all around the world, in a wide variety of shapes and designs. Often we pass by without even noticing them, or pay them little attention despite their size and presence. Sometimes they stand alone, like guardians watching over a construction site; sometimes they dance in groups – a metallic ballet above the city’s rooftops. | kameleon]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/LCYrJx0VrHNBntUbdvLY.jpg?fm=jpg" type="image/jpeg" width="3024" height="4032" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LCYrJx0VrHNBntUbdvLY.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LCYrJx0VrHNBntUbdvLY.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LCYrJx0VrHNBntUbdvLY.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de kameleon sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/fr/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jasmine Ee (Wildlife with Jas) sur cizucu.]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/fr/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-05-03T13:44:32+09:00</atom:updated>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jasmine Ee (Wildlife with Jas) sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/fr/photos/1eyhxZQn4uTXWO7fHhv6</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jasmine Ee (Wildlife with Jas) sur cizucu.]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/fr/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Sat, 24 Jan 2026 20:08:23 GMT</pubDate>
          <atom:updated>2026-01-24T20:08:44+09:00</atom:updated>
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            <media:title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?fm=jpg" type="image/jpeg" width="1536" height="2048" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jasmine Ee (Wildlife with Jas) sur cizucu.]]></media:description>
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          <title><![CDATA[As tomorrow is Mother's Day, for today, I want to dedicate this photo to another motherly-like figure in my household, my Aunt. Not long ago, one of my extended relatives passed away and during the period, I saw how resilient my Aunt is with coping with her emotions and regulating herself. Despite the adversity, i saw my Aunt always keeping her head up, keeping an open mind and not be too consumed by a dark spiral of thoughts. She still managed to uplift her mood interacting with my other relatives and I wanted to dedicate this to her to show how special she is to my household. Though our household is more of a traditional conservative household, i still love her for who she is and she always treat me the nicest. | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/fr/photos/NxlebByO5a3ZByz0ZiOu</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/fr/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/fr/photos/NxlebByO5a3ZByz0ZiOu</guid>
          <pubDate>Tue, 28 Apr 2026 19:11:07 GMT</pubDate>
          <atom:updated>2026-05-03T10:07:28+09:00</atom:updated>
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            <media:title><![CDATA[As tomorrow is Mother's Day, for today, I want to dedicate this photo to another motherly-like figure in my household, my Aunt. Not long ago, one of my extended relatives passed away and during the period, I saw how resilient my Aunt is with coping with her emotions and regulating herself. Despite the adversity, i saw my Aunt always keeping her head up, keeping an open mind and not be too consumed by a dark spiral of thoughts. She still managed to uplift her mood interacting with my other relatives and I wanted to dedicate this to her to show how special she is to my household. Though our household is more of a traditional conservative household, i still love her for who she is and she always treat me the nicest. | Chan Jian Liang]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/NxlebByO5a3ZByz0ZiOu.jpg?fm=jpg" type="image/jpeg" width="3200" height="4800" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NxlebByO5a3ZByz0ZiOu.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NxlebByO5a3ZByz0ZiOu.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NxlebByO5a3ZByz0ZiOu.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></media:description>
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        <item>
          <title><![CDATA[To me, love is a feeling.  When I visited Seoul for the first time, I saw an elderly couple walking slowly, side by side, holding hands as they walked past me.  In that moment, everything felt gentle and warm, the autumn leaves, the glow of the setting sun, and the quiet moment they share between them. It was such a simple moment, yet I felt so much.  I hurried to take my camera out and captured this moment because I want to freeze this moment that I'm feeling.   It's been a year since I took this picture, and it's still one of my favourite piece.   I love love.   & I hope through this picture you would feel the love too. :)  After taking this picture I realised, love is not just a feeling but it’s a constant choice that you have to make.   I guess that’s why this elderly couple would still make the effort to hold on to each other’s hands despite having their walking stick at their side.   #love  | Miki]]></title>
          <link>https://www.cizucu.com/fr/photos/1yPzGE56AKoUzQtvyhS2</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></description>
          <author>
            <name>Miki</name>
            <uri>https://www.cizucu.com/fr/mikiarchives</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/fr/photos/1yPzGE56AKoUzQtvyhS2</guid>
          <pubDate>Mon, 19 Jan 2026 00:48:39 GMT</pubDate>
          <atom:updated>2026-03-30T09:30:12+09:00</atom:updated>
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            <media:title><![CDATA[To me, love is a feeling.  When I visited Seoul for the first time, I saw an elderly couple walking slowly, side by side, holding hands as they walked past me.  In that moment, everything felt gentle and warm, the autumn leaves, the glow of the setting sun, and the quiet moment they share between them. It was such a simple moment, yet I felt so much.  I hurried to take my camera out and captured this moment because I want to freeze this moment that I'm feeling.   It's been a year since I took this picture, and it's still one of my favourite piece.   I love love.   & I hope through this picture you would feel the love too. :)  After taking this picture I realised, love is not just a feeling but it’s a constant choice that you have to make.   I guess that’s why this elderly couple would still make the effort to hold on to each other’s hands despite having their walking stick at their side.   #love  | Miki]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?fm=jpg" type="image/jpeg" width="3721" height="5581" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></media:description>
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          <title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></title>
          <link>https://www.cizucu.com/fr/photos/HaRlbV8HZph6qTP7CEe0</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Victor Zhuo sur cizucu.]]></description>
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            <name>Victor Zhuo</name>
            <uri>https://www.cizucu.com/fr/users/4QDNraPSayPI6l1z44LmNKePpYg2</uri>
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          <pubDate>Tue, 06 Jan 2026 15:31:12 GMT</pubDate>
          <atom:updated>2026-05-03T17:15:42+09:00</atom:updated>
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            <media:title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Victor Zhuo sur cizucu.]]></media:description>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/fr/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de W Mick sur cizucu.]]></description>
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            <name>W Mick</name>
            <uri>https://www.cizucu.com/fr/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2026-01-17T23:45:09+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de W Mick sur cizucu.]]></media:description>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
          <link>https://www.cizucu.com/fr/photos/T23GHpu4jeBibaaVi8wS</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de analogbysissi sur cizucu.]]></description>
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            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/fr/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
          <atom:updated>2026-04-10T15:23:16+09:00</atom:updated>
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            <media:title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de analogbysissi sur cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life. | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/fr/photos/ztgEOwf07vQcHPzE3Kka</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/fr/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
          <atom:updated>2026-01-20T21:50:33+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life. | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/fr/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de 熊寶 sur cizucu.]]></description>
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            <name>熊寶</name>
            <uri>https://www.cizucu.com/fr/users/zdddXarNsJdBtAS3ArljH0VHCDA2</uri>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
          <atom:updated>2026-05-03T12:00:06+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de 熊寶 sur cizucu.]]></media:description>
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