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          <title><![CDATA[#マクロ カマキリを撮影したら、カマキリに睨まれた。 | 雷道輝一]]></title>
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          <title><![CDATA[gros plan de fleurs blanches sur une branche | Sity]]></title>
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          <title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></title>
          <link>https://www.cizucu.com/fr/photos/RZLD1Q9AV4QDICbVbySD</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de asri sur cizucu.]]></description>
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          <pubDate>Fri, 01 May 2026 11:45:13 GMT</pubDate>
          <atom:updated>2026-05-03T10:42:04+09:00</atom:updated>
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            <media:title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></media:title>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life. | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/fr/photos/ztgEOwf07vQcHPzE3Kka</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Chan Jian Liang sur cizucu.]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life. | Chan Jian Liang]]></media:title>
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          <title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Joanne Sun sur cizucu.]]></description>
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          <pubDate>Thu, 07 May 2026 02:19:00 GMT</pubDate>
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            <media:title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Joanne Sun sur cizucu.]]></media:description>
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