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          <description><![CDATA[Téléchargez gratuitement des photos Comptoir de café avec des tabourets en bois et un client assis de haute qualité prises par RYUURI sur cizucu.]]></description>
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          <title><![CDATA[京都へ旅行中に ベジタリアン対応のお店を選ぶ♪  日本人は元々ベジタリアンの 食事で暮らしていました。  昔の人に習うことが まだまだ沢山あります。  #kyoto #vegetarian #vegan | nozomi]]></title>
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          <title><![CDATA[保護にわとりと暮らして 卵がどれだけ貴重なものかわかる。  一つ一つ彼女たちが産んでいるこの卵を  わたしたちは 簡単に手に入れすぎていると思う。  #sustainable #vegan #egg #chickens | nozomi]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de nozomi sur cizucu.]]></description>
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          <title><![CDATA[Image de crayon à papier Dangan Collection avec un design doré unique | カメラテ]]></title>
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          <title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></title>
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            <media:title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></media:title>
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          <title><![CDATA[veganプリン ライスミルクとひよこ豆  | CoQ10]]></title>
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          <pubDate>Wed, 08 Oct 2025 20:45:48 GMT</pubDate>
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          <title><![CDATA[Dean Village, Edinburgh/ Scotland  | emilyo]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de emilyo sur cizucu.]]></description>
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          <title><![CDATA[ Jadikan gambar tersebut menjadi HD di tambahan efek basah setelah hujan dan buatkan pantulan matahari terbenam di arah depan dan jangan buram harus rapih | tri Ulpa]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de tri Ulpa sur cizucu.]]></description>
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          <pubDate>Sat, 09 Aug 2025 22:50:21 GMT</pubDate>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de tri Ulpa sur cizucu.]]></media:description>
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          <title><![CDATA[お気に入りの vegan bakery屋さんのエコバック。  動物性を食べないことが 地球へのやさしいアクションであると 伝わるエコバッグです♪ | nozomi]]></title>
          <link>https://www.cizucu.com/fr/photos/bU04aaIxRHuBHu5ikM55</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de nozomi sur cizucu.]]></description>
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            <name>nozomi</name>
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          <pubDate>Wed, 18 Oct 2023 10:58:11 GMT</pubDate>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de nozomi sur cizucu.]]></media:description>
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          <title><![CDATA[That afternoon, I turned a corner and met a slanting sunbeam—light and shadow dappled like a dream. It wasn’t merely a place touched by sunlight, but a realm where memory and imagination converged. And so, an unexpected encounter began. | Wesley Chiu]]></title>
          <link>https://www.cizucu.com/fr/photos/Q5Oger2OROH1eJZrlNc2</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Wesley Chiu sur cizucu.]]></description>
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            <name>Wesley Chiu</name>
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          <pubDate>Fri, 26 Dec 2025 19:16:58 GMT</pubDate>
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          <title><![CDATA[Instead of waiting idly for my print at a café in Bras Basah Complex, I decided to bring my daughter Rey to a nearby camera shop to pick up a disposable camera for her. We wandered through the familiar corridors of Bras Basah Complex and out into the City Hall area, letting her photograph whatever caught her eye. When the photographs came back, I was surprised at how good they looked. Through them, I began to see the world from Rey’s perspective. | Rey Mok]]></title>
          <link>https://www.cizucu.com/fr/photos/qv7pWM7bZwR8cqe3tQOp</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Rey Mok sur cizucu.]]></description>
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          <pubDate>Sun, 22 Mar 2026 01:51:46 GMT</pubDate>
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            <media:title><![CDATA[Instead of waiting idly for my print at a café in Bras Basah Complex, I decided to bring my daughter Rey to a nearby camera shop to pick up a disposable camera for her. We wandered through the familiar corridors of Bras Basah Complex and out into the City Hall area, letting her photograph whatever caught her eye. When the photographs came back, I was surprised at how good they looked. Through them, I began to see the world from Rey’s perspective. | Rey Mok]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Rey Mok sur cizucu.]]></media:description>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/fr/photos/dcfORlyKmnH1LiUHfiKc</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de nicoleakanikkiko sur cizucu.]]></description>
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          <pubDate>Tue, 13 Jan 2026 15:32:03 GMT</pubDate>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/fr/photos/VmClkI1Pa2cn3PZ2Aruh</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de nicoleakanikkiko sur cizucu.]]></description>
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          <title><![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]></title>
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          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de poemsbywei sur cizucu.]]></description>
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          <pubDate>Sun, 22 Mar 2026 22:48:21 GMT</pubDate>
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            <media:title><![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]></media:title>
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          <title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></title>
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          <pubDate>Fri, 13 Mar 2026 16:26:03 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></media:title>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
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          <pubDate>Thu, 02 Oct 2025 13:37:24 GMT</pubDate>
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