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          <title><![CDATA[Waiting for Takeoff  ⸻  A moment of stillness just before departure. The aircraft stands on the runway, holding its power, with the city quietly blurred behind it.  ⸻  #streetphotography #airport #aviation #runway #waiting #moment #cityscape #motion #urban  | KODAY]]></title>
          <link>https://www.cizucu.com/fr/photos/tCovNwyXWhOUW8kDlUrL</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de KODAY sur cizucu.]]></description>
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            <name>KODAY</name>
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          <pubDate>Tue, 27 Jan 2026 22:30:07 GMT</pubDate>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de KODAY sur cizucu.]]></media:description>
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          <title><![CDATA[A moment when you get really good at noticing —especially the quiet, tender ones that feel like they’re standing in for something missing. hitting deeper because it’s holding an emotion you didn’t always have words for.  | Anamika]]></title>
          <link>https://www.cizucu.com/fr/photos/P0wyA2jQZFZ1cpBGSlAF</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Anamika sur cizucu.]]></description>
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            <name>Anamika</name>
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          <pubDate>Mon, 09 Feb 2026 13:24:37 GMT</pubDate>
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            <media:title><![CDATA[A moment when you get really good at noticing —especially the quiet, tender ones that feel like they’re standing in for something missing. hitting deeper because it’s holding an emotion you didn’t always have words for.  | Anamika]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Anamika sur cizucu.]]></media:description>
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          <title><![CDATA[This was a moment which I find it really cute. As the gandpa is patiently holding on to his grandson's hand and letting him explore at the beach. The sunset gave this moment a more gentle touch as well. | Miki]]></title>
          <link>https://www.cizucu.com/fr/photos/LEcgOAmn9BCY7HGjpXoc</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></description>
          <author>
            <name>Miki</name>
            <uri>https://www.cizucu.com/fr/mikiarchives</uri>
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          <pubDate>Sun, 01 Feb 2026 00:24:29 GMT</pubDate>
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            <media:title><![CDATA[This was a moment which I find it really cute. As the gandpa is patiently holding on to his grandson's hand and letting him explore at the beach. The sunset gave this moment a more gentle touch as well. | Miki]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></media:description>
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          <title><![CDATA[She looks free, but not really, something unseen is wrapped around her.  Just like us, reaching for freedom, but something’s always holding us back. | Vanness Choon]]></title>
          <link>https://www.cizucu.com/fr/photos/Ks1thh9RESkKIT4D6dYW</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Vanness Choon sur cizucu.]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/fr/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
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          <pubDate>Sat, 04 Apr 2026 00:15:14 GMT</pubDate>
          <atom:updated>2026-04-04T00:15:14+09:00</atom:updated>
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            <media:title><![CDATA[She looks free, but not really, something unseen is wrapped around her.  Just like us, reaching for freedom, but something’s always holding us back. | Vanness Choon]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Vanness Choon sur cizucu.]]></media:description>
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          <title><![CDATA["The Subconscious Screams"  Motion surrounds us, continuous and indifferent. The scream folds inward, unheard. In this tension between movement and stillness, the subconscious becomes the only voice, holding what cannot be expressed and be revealed. | BettyGoh]]></title>
          <link>https://www.cizucu.com/fr/photos/MRsr1Qr8mIhm1XFg4mdV</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de BettyGoh sur cizucu.]]></description>
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            <name>BettyGoh</name>
            <uri>https://www.cizucu.com/fr/users/dw1FS99rP3ZGd9YjUL311B9kGzS2</uri>
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          <pubDate>Thu, 08 Jan 2026 23:25:19 GMT</pubDate>
          <atom:updated>2026-01-08T23:25:19+09:00</atom:updated>
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            <media:title><![CDATA["The Subconscious Screams"  Motion surrounds us, continuous and indifferent. The scream folds inward, unheard. In this tension between movement and stillness, the subconscious becomes the only voice, holding what cannot be expressed and be revealed. | BettyGoh]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de BettyGoh sur cizucu.]]></media:description>
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          <title><![CDATA[it stood there for years holding the sky without asking  one day the ground changed its mind  steel arrived machines spoke in noise and time moved faster than roots could follow  still for a brief moment it was just a tree and the light was still gentle | benjamin]]></title>
          <link>https://www.cizucu.com/fr/photos/xPGuT6cdUmJxbXHRRNdl</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de benjamin sur cizucu.]]></description>
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            <name>benjamin</name>
            <uri>https://www.cizucu.com/fr/benjamin</uri>
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          <pubDate>Mon, 20 Apr 2026 20:59:00 GMT</pubDate>
          <atom:updated>2026-04-20T20:59:00+09:00</atom:updated>
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            <media:title><![CDATA[it stood there for years holding the sky without asking  one day the ground changed its mind  steel arrived machines spoke in noise and time moved faster than roots could follow  still for a brief moment it was just a tree and the light was still gentle | benjamin]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de benjamin sur cizucu.]]></media:description>
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          <title><![CDATA[Waiting at the threshold, a fleeting moment where time feels suspended.  Captured at a quiet crossing, the scene reflects a familiar tension — the desire to move forward met by forces beyond our control. The passing train becomes both a literal and symbolic barrier, holding the subject in place.  This work explores the space between intention and action, where hesitation, patience, and uncertainty intersect. | Watstory]]></title>
          <link>https://www.cizucu.com/fr/photos/v70dLjAT20dEzWH1yR6J</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Watstory sur cizucu.]]></description>
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            <name>Watstory</name>
            <uri>https://www.cizucu.com/fr/users/sZKmSLLjbeR3nrQBX2QuF6hUuAU2</uri>
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          <pubDate>Mon, 06 Apr 2026 03:52:17 GMT</pubDate>
          <atom:updated>2026-04-06T03:52:17+09:00</atom:updated>
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            <media:title><![CDATA[Waiting at the threshold, a fleeting moment where time feels suspended.  Captured at a quiet crossing, the scene reflects a familiar tension — the desire to move forward met by forces beyond our control. The passing train becomes both a literal and symbolic barrier, holding the subject in place.  This work explores the space between intention and action, where hesitation, patience, and uncertainty intersect. | Watstory]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Watstory sur cizucu.]]></media:description>
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          <title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></title>
          <link>https://www.cizucu.com/fr/photos/aW8UJmaWO4w9dc2lwflc</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Bryan Goh sur cizucu.]]></description>
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            <name>Bryan Goh</name>
            <uri>https://www.cizucu.com/fr/users/Qs1bQ92eQQTi98ZDnmi1xsTq2aD2</uri>
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          <pubDate>Wed, 22 Apr 2026 15:06:19 GMT</pubDate>
          <atom:updated>2026-04-22T15:06:19+09:00</atom:updated>
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            <media:title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Bryan Goh sur cizucu.]]></media:description>
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          <title><![CDATA[Initially, when I took this photo, I only noticed the vending machine right across the road while I was at the bus stop waiting for my bus. It felt like such a rare sight in Singapore to see a vending machine standing in the middle of nowhere, tucked under some of the new HDB flats.  While editing the photo later, I realised there was also a gentleman standing there holding his doggo, which gave this photo a cute and unexpected touch. | Miki]]></title>
          <link>https://www.cizucu.com/fr/photos/WshxbtFtXkx2xtkP1WkM</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></description>
          <author>
            <name>Miki</name>
            <uri>https://www.cizucu.com/fr/mikiarchives</uri>
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          <pubDate>Tue, 17 Feb 2026 20:01:28 GMT</pubDate>
          <atom:updated>2026-02-17T20:01:28+09:00</atom:updated>
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            <media:title><![CDATA[Initially, when I took this photo, I only noticed the vending machine right across the road while I was at the bus stop waiting for my bus. It felt like such a rare sight in Singapore to see a vending machine standing in the middle of nowhere, tucked under some of the new HDB flats.  While editing the photo later, I realised there was also a gentleman standing there holding his doggo, which gave this photo a cute and unexpected touch. | Miki]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></media:description>
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          <title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></title>
          <link>https://www.cizucu.com/fr/photos/NUec0OXvq7COMIl2TDDZ</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de R.J. Savoie sur cizucu.]]></description>
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            <name>R.J. Savoie</name>
            <uri>https://www.cizucu.com/fr/users/j6yiLuwhPhQc3xCu9wY1qJq54dH2</uri>
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          <pubDate>Fri, 13 Feb 2026 17:09:43 GMT</pubDate>
          <atom:updated>2026-02-13T17:09:43+09:00</atom:updated>
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            <media:title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de R.J. Savoie sur cizucu.]]></media:description>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
          <link>https://www.cizucu.com/fr/photos/3E4rhpe5FtUxghqnpLYe</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Uday Khambadkone sur cizucu.]]></description>
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            <name>Uday Khambadkone</name>
            <uri>https://www.cizucu.com/fr/users/fGsQRfunD0c4a7GMx48PJNbxaSE3</uri>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
          <atom:updated>2026-03-13T00:46:15+09:00</atom:updated>
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            <media:title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Uday Khambadkone sur cizucu.]]></media:description>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/fr/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Urasha sur cizucu.]]></description>
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            <name>Urasha</name>
            <uri>https://www.cizucu.com/fr/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Urasha sur cizucu.]]></media:description>
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          <title><![CDATA[To me, love is a feeling.  When I visited Seoul for the first time, I saw an elderly couple walking slowly, side by side, holding hands as they walked past me.  In that moment, everything felt gentle and warm, the autumn leaves, the glow of the setting sun, and the quiet moment they share between them. It was such a simple moment, yet I felt so much.  I hurried to take my camera out and captured this moment because I want to freeze this moment that I'm feeling.   It's been a year since I took this picture, and it's still one of my favourite piece.   I love love.   & I hope through this picture you would feel the love too. :) | Miki]]></title>
          <link>https://www.cizucu.com/fr/photos/1yPzGE56AKoUzQtvyhS2</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></description>
          <author>
            <name>Miki</name>
            <uri>https://www.cizucu.com/fr/mikiarchives</uri>
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          <pubDate>Mon, 19 Jan 2026 00:48:39 GMT</pubDate>
          <atom:updated>2026-01-19T00:48:39+09:00</atom:updated>
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            <media:title><![CDATA[To me, love is a feeling.  When I visited Seoul for the first time, I saw an elderly couple walking slowly, side by side, holding hands as they walked past me.  In that moment, everything felt gentle and warm, the autumn leaves, the glow of the setting sun, and the quiet moment they share between them. It was such a simple moment, yet I felt so much.  I hurried to take my camera out and captured this moment because I want to freeze this moment that I'm feeling.   It's been a year since I took this picture, and it's still one of my favourite piece.   I love love.   & I hope through this picture you would feel the love too. :) | Miki]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Miki sur cizucu.]]></media:description>
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          <title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></title>
          <link>https://www.cizucu.com/fr/photos/FD6FQi6UblP8Ok9v6tQJ</link>
          <description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jing Kang sur cizucu.]]></description>
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            <name>Jing Kang</name>
            <uri>https://www.cizucu.com/fr/jklifeimmerse</uri>
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          <pubDate>Tue, 17 Mar 2026 01:23:33 GMT</pubDate>
          <atom:updated>2026-03-17T01:23:33+09:00</atom:updated>
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            <media:title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></media:title>
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            <media:description><![CDATA[Découvrez plus d'œuvres exceptionnelles de Jing Kang sur cizucu.]]></media:description>
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