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          <title><![CDATA[Ville de Paris... | samuge]]></title>
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          <title><![CDATA[He smoked in the dark beside resting bikes and light struck onto steel and him, making silence visible through contrast. | Shun Jie_Kelvin]]></title>
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          <title><![CDATA[夕暮れ、風の中で  都会のざわめきを背に、 自由だけが 髪をとかしてくれた。  Crépuscule, dans le vent  Derrière elle, la ville s'agite, mais seule la liberté caresse ses cheveux. | Louan Saint Silver]]></title>
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          <description><![CDATA[在cizucu上查看更多Louan Saint Silver的精彩作品。]]></description>
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          <pubDate>Fri, 20 Jun 2025 13:40:29 GMT</pubDate>
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          <title><![CDATA[日曜の夕暮れ 街は紫色のため息をついて 赤信号の下、 ひとり、帰り道をたどる  Dimanche soir, la ville soupire en violet. Sous les feux rouges, je rentre seul, doucement.  #osaka #cominghome #analogue #sunday #goldenhour | Louan Saint Silver]]></title>
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          <description><![CDATA[在cizucu上查看更多Louan Saint Silver的精彩作品。]]></description>
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            <name>Louan Saint Silver</name>
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          <pubDate>Wed, 18 Jun 2025 16:22:34 GMT</pubDate>
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          <title><![CDATA[日曜の夕暮れ 街は紫色のため息をついて 赤信号の下、 ひとり、帰り道をたどる  Dimanche soir, la ville soupire en violet. Sous les feux rouges, je rentre seul, doucement.  #osaka #cominghome #analogue #sunday #goldenhour | Louan Saint Silver]]></title>
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          <description><![CDATA[在cizucu上查看更多Louan Saint Silver的精彩作品。]]></description>
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            <name>Louan Saint Silver</name>
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          <title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></title>
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          <description><![CDATA[在cizucu上查看更多donparohinog的精彩作品。]]></description>
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          <pubDate>Fri, 13 Feb 2026 23:45:07 GMT</pubDate>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
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          <description><![CDATA[在cizucu上查看更多Uday Khambadkone的精彩作品。]]></description>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
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          <title><![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。  私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。  Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue.  When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/JbuzsqUrrYKLPsJ0inNn</link>
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            <name>Park Seongjjn</name>
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          <pubDate>Thu, 16 Apr 2026 21:53:37 GMT</pubDate>
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          <title><![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。  私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。  Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue.  When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/7GIVycJ7jNLjlkaVhlO8</link>
          <description><![CDATA[在cizucu上查看更多Park Seongjjn的精彩作品。]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Thu, 16 Apr 2026 21:53:37 GMT</pubDate>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/T23GHpu4jeBibaaVi8wS</link>
          <description><![CDATA[在cizucu上查看更多analogbysissi的精彩作品。]]></description>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
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