Stageの写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/stage ja 2026-04-08T00:00:02+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Shibuya Sakura Stage #sby #tokyo #cityscape #reflection #escalator #architecture | つばさ製作所]]> https://www.cizucu.com/photos/tleDubq8kEnWNU4UwPSU つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/tleDubq8kEnWNU4UwPSU Mon, 24 Feb 2025 20:45:46 GMT 2025-03-05T22:57:08+09:00 https://cdn.cizucu.com/images/photos/tleDubq8kEnWNU4UwPSU.jpg?auto=compress,format <![CDATA[stage | tansu]]> https://www.cizucu.com/photos/pc86nSKsYx61sBF7ESpU tansu https://www.cizucu.com/users/K4BqQjDd2JcgXC5cx8ydypPlVGx2 https://www.cizucu.com/photos/pc86nSKsYx61sBF7ESpU Fri, 22 Aug 2025 21:28:16 GMT 2025-08-22T21:28:16+09:00 https://cdn.cizucu.com/images/photos/pc86nSKsYx61sBF7ESpU.jpg?auto=compress,format <![CDATA[彼岸花❁⃘*.ﾟ 昨日みつけました!! 公園のすみっこでひっそり… 7月8月とあんなに暑くて 彼岸花咲くのかな… と思っていたけど 咲いてました(❁´ω`❁) 季節は確実に次のstageに🍁 #彼岸花 #flower #ボケ #ドリーミーフォト #秋 #autumn | ⋆* 粋 -sui- ⋆*]]> https://www.cizucu.com/photos/xb3Z4BHaxKKG7Puwv9i0 ⋆* 粋 -sui- ⋆* https://www.cizucu.com/users/hf4HjzlTF6R3TZeDoj33PPNt6J33 https://www.cizucu.com/photos/xb3Z4BHaxKKG7Puwv9i0 Wed, 04 Sep 2024 07:27:54 GMT 2024-09-06T13:37:33+09:00 https://cdn.cizucu.com/images/photos/xb3Z4BHaxKKG7Puwv9i0.jpg?auto=compress,format <![CDATA[Submerged State | michaelsirachuch]]> https://www.cizucu.com/photos/I8fZadg4JFlLPNLrjHo7 michaelsirachuch https://www.cizucu.com/michaelsirachuch https://www.cizucu.com/photos/I8fZadg4JFlLPNLrjHo7 Sat, 14 Feb 2026 20:36:10 GMT 2026-02-14T20:36:10+09:00 https://cdn.cizucu.com/images/photos/I8fZadg4JFlLPNLrjHo7.jpg?auto=compress,format <![CDATA[Stages of memory | Assunta Dogali]]> https://www.cizucu.com/photos/N438cW1AohVAYIdSPzr7 Assunta Dogali https://www.cizucu.com/users/99fHNkwDWKOExdr2JYO92epCI8w2 https://www.cizucu.com/photos/N438cW1AohVAYIdSPzr7 Mon, 06 Apr 2026 06:57:23 GMT 2026-04-06T06:57:23+09:00 https://cdn.cizucu.com/images/photos/N438cW1AohVAYIdSPzr7.jpg?auto=compress,format <![CDATA[Spiti State of Mind | krutarth mehta]]> https://www.cizucu.com/photos/Ycknmkq7lbbhbhD4xL5I krutarth mehta https://www.cizucu.com/users/2FjDrxkBwcXK5ICCzHeRaOvei493 https://www.cizucu.com/photos/Ycknmkq7lbbhbhD4xL5I Mon, 16 Mar 2026 21:02:52 GMT 2026-03-16T21:02:52+09:00 https://cdn.cizucu.com/images/photos/Ycknmkq7lbbhbhD4xL5I.jpg?auto=compress,format <![CDATA[Hippo scoping us out in Lake Kariba, Zimbabwe. All the others sunk underwater, this one remained and was quite menacing. You can feel the stare. | Shayden Cathro]]> https://www.cizucu.com/photos/9OdPpCTcqT66tzu9QT1i Shayden Cathro https://www.cizucu.com/users/OxjnRhC0ayThgh6q7y1CCVhAOQ92 https://www.cizucu.com/photos/9OdPpCTcqT66tzu9QT1i Wed, 30 Oct 2024 00:43:32 GMT 2024-10-30T00:47:41+09:00 https://cdn.cizucu.com/images/photos/9OdPpCTcqT66tzu9QT1i.jpg?auto=compress,format <![CDATA[ノコギリクワガタ Japanese Stag Beetle Prosopocoilus inclinatus June 25, 2024 上田市 | konoda]]> https://www.cizucu.com/photos/L8Vcqnt5lw7Z7vyJwpna konoda https://www.cizucu.com/users/qXutUu0gv3Uq8PLPZSggX5bGNri1 https://www.cizucu.com/photos/L8Vcqnt5lw7Z7vyJwpna Thu, 27 Jun 2024 22:07:41 GMT 2024-06-27T22:07:55+09:00 https://cdn.cizucu.com/images/photos/L8Vcqnt5lw7Z7vyJwpna.jpg?auto=compress,format <![CDATA[ノコギリクワガタ Japanese Stag Beetle Prosopocoilus inclinatus June 25, 2024 上田市 | konoda]]> https://www.cizucu.com/photos/B5viXUBhY1sf9agwzK1u konoda https://www.cizucu.com/users/qXutUu0gv3Uq8PLPZSggX5bGNri1 https://www.cizucu.com/photos/B5viXUBhY1sf9agwzK1u Thu, 27 Jun 2024 22:10:56 GMT 2024-06-27T22:11:32+09:00 https://cdn.cizucu.com/images/photos/B5viXUBhY1sf9agwzK1u.jpg?auto=compress,format <![CDATA[The end of a chapter is never easy. As the montage of their hard work and grind played over the projector onto the stage, NRA (the dance group, or rather, part of) let go and let all their emotions out. The blood, sweat, and now, tears, in putting together a grand show, and they are now on the big stage, performing their masterpiece. Crescendo - 2026 | Yellow Monyet]]> https://www.cizucu.com/photos/Txv74V5BmXHpVWa164bQ Yellow Monyet https://www.cizucu.com/users/sunGi1xJemTwvU0CCDEfLnt5Gdm2 https://www.cizucu.com/photos/Txv74V5BmXHpVWa164bQ Sun, 22 Mar 2026 05:09:12 GMT 2026-03-22T05:09:12+09:00 https://cdn.cizucu.com/images/photos/Txv74V5BmXHpVWa164bQ.jpg?auto=compress,format <![CDATA[Urban Pause Red plays a soft and insistent role here. The red man from the traffic light does not shout. It whispers a quiet command which takes center stage and tells you to “wait”. Time is suspended in this moment as one waits for the red man to fade away into another version of itself. | Sean Teo]]> https://www.cizucu.com/photos/UkoVB64CYBHNUN0aWi5b Sean Teo https://www.cizucu.com/users/PKQwZV1dTtgSH6NXC8Z9fMrUCaI2 https://www.cizucu.com/photos/UkoVB64CYBHNUN0aWi5b Tue, 17 Feb 2026 00:52:09 GMT 2026-02-17T00:52:09+09:00 https://cdn.cizucu.com/images/photos/UkoVB64CYBHNUN0aWi5b.jpg?auto=compress,format <![CDATA[A CH-47SD Chinook helicopter carrying the Singapore state flag escorted by 2 AH-64D Apache Attack Helicopters during a National Day Parade rehearsal | Denzyl K Thomas]]> https://www.cizucu.com/photos/bLM4uGI7baYZcacprthD Denzyl K Thomas https://www.cizucu.com/users/pWCdWqQG81MPj1SmXEC8ffzgKMA3 https://www.cizucu.com/photos/bLM4uGI7baYZcacprthD Sun, 15 Mar 2026 17:59:10 GMT 2026-03-15T17:59:10+09:00 https://cdn.cizucu.com/images/photos/bLM4uGI7baYZcacprthD.jpg?auto=compress,format <![CDATA[The only place that lives in the past and present at the same time. Bangkok is more than just a city. Bangkok is a state of mind. | kiijutsu]]> https://www.cizucu.com/photos/ltPFGJwpYv1SCrRFOuEg kiijutsu https://www.cizucu.com/users/uaiiQlv8ePMs8CipgWtF1uap2In2 https://www.cizucu.com/photos/ltPFGJwpYv1SCrRFOuEg Sun, 15 Feb 2026 23:10:06 GMT 2026-02-15T23:10:06+09:00 https://cdn.cizucu.com/images/photos/ltPFGJwpYv1SCrRFOuEg.jpg?auto=compress,format <![CDATA[This came from the idea of reminiscing on your life. I was looking at these flowers in a state of death but not yet dead. I am posing the idea that they could look back on their lives, yearning to be in the greenhouses they grew in or indulging to be moving from the literal and metaphorical vessel's that they are contained in. | Nic Harris]]> https://www.cizucu.com/photos/Z0hY2Gi2z60hWW1ApyKb Nic Harris https://www.cizucu.com/users/Jn1OiKohyBeljT9LRxsrenDFUK93 https://www.cizucu.com/photos/Z0hY2Gi2z60hWW1ApyKb Sat, 21 Mar 2026 01:03:25 GMT 2026-03-21T01:03:25+09:00 https://cdn.cizucu.com/images/photos/Z0hY2Gi2z60hWW1ApyKb.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format <![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]> https://www.cizucu.com/photos/V5JHBW1HDaXNSD8IsPHt Saikiran Kesari https://www.cizucu.com/users/7yxwA3chDThYdBy723P8VLpXbGP2 https://www.cizucu.com/photos/V5JHBW1HDaXNSD8IsPHt Sun, 15 Mar 2026 19:21:10 GMT 2026-03-15T19:21:10+09:00 https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?auto=compress,format <![CDATA['The Master of Stares' Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect. Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/photos/GmG5c98t8qyvIemmkbiY Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/photos/GmG5c98t8qyvIemmkbiY Mon, 16 Mar 2026 19:26:03 GMT 2026-03-16T19:26:03+09:00 https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format <![CDATA[“The Master of Stillness” Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.” Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/photos/1eyhxZQn4uTXWO7fHhv6 Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/photos/1eyhxZQn4uTXWO7fHhv6 Sat, 24 Jan 2026 20:08:23 GMT 2026-01-24T20:08:23+09:00 https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format <![CDATA[等待 Waiting 月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。 一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。 A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness. It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]> https://www.cizucu.com/photos/lpmN402luIxIwpGQAk42 Jun Ciao 雋喬 https://www.cizucu.com/users/cqB60J6ZoiXDbSDHNLKpcv12UR52 https://www.cizucu.com/photos/lpmN402luIxIwpGQAk42 Tue, 10 Mar 2026 22:58:34 GMT 2026-03-10T22:58:34+09:00 https://cdn.cizucu.com/images/photos/lpmN402luIxIwpGQAk42.jpg?auto=compress,format <![CDATA[等待 Waiting 月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。 一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。 A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness. It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]> https://www.cizucu.com/photos/Q6N2AqNBGEyjTU9oR1AT Jun Ciao 雋喬 https://www.cizucu.com/users/cqB60J6ZoiXDbSDHNLKpcv12UR52 https://www.cizucu.com/photos/Q6N2AqNBGEyjTU9oR1AT Tue, 10 Mar 2026 22:26:03 GMT 2026-03-10T22:26:03+09:00 https://cdn.cizucu.com/images/photos/Q6N2AqNBGEyjTU9oR1AT.jpg?auto=compress,format