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      <title>Skyscraperの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
      <link>https://www.cizucu.com/explore/photos/skyscraper</link>
      <description><![CDATA[Skyscraperから厳選した7点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[#sunset #skyscraper #tokyo | もっち]]></title>
          <link>https://www.cizucu.com/photos/tRqQ2YAZukasjP9jxfs4</link>
          <description><![CDATA[cizucuでもっちさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>もっち</name>
            <uri>https://www.cizucu.com/users/SRxSj3300db3T4OF959Csg9FdRD3</uri>
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          <pubDate>Wed, 17 Apr 2024 00:47:15 GMT</pubDate>
          <atom:updated>2024-11-19T04:29:07+09:00</atom:updated>
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            <media:title><![CDATA[#sunset #skyscraper #tokyo | もっち]]></media:title>
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            <media:description><![CDATA[cizucuでもっちさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[#wanchai  #湾仔  #skyscrapers  #victriaharbour  | yoshiokatomohiro]]></title>
          <link>https://www.cizucu.com/photos/oz7fakpyGrsf005Urgd9</link>
          <description><![CDATA[cizucuでyoshiokatomohiroさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>yoshiokatomohiro</name>
            <uri>https://www.cizucu.com/users/373sMaRnxdN7mswLaFaViGObbxc2</uri>
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          <pubDate>Sat, 14 Jun 2025 22:45:53 GMT</pubDate>
          <atom:updated>2025-06-14T22:45:53+09:00</atom:updated>
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            <media:title><![CDATA[#wanchai  #湾仔  #skyscrapers  #victriaharbour  | yoshiokatomohiro]]></media:title>
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            <media:description><![CDATA[cizucuでyoshiokatomohiroさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Every morning, thousands of people rush to work beneath the towering glass buildings of Singapore’s financial district. An elderly man with a bag over his shoulder steps into a beam of sunlight breaking through the skyscrapers, briefly isolated in light while the rest of the city remains in shadow. Even in old age, some still carry on, continuing their daily journey beneath the towering symbols of success. | Simon]]></title>
          <link>https://www.cizucu.com/photos/20whH9LTjLKGIhtJk0Fb</link>
          <description><![CDATA[cizucuでSimonさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Simon</name>
            <uri>https://www.cizucu.com/users/z3srdNEcEHbC3Cn5pLrWSVLkptD2</uri>
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          <pubDate>Wed, 04 Mar 2026 23:28:47 GMT</pubDate>
          <atom:updated>2026-03-04T23:28:47+09:00</atom:updated>
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            <media:title><![CDATA[Every morning, thousands of people rush to work beneath the towering glass buildings of Singapore’s financial district. An elderly man with a bag over his shoulder steps into a beam of sunlight breaking through the skyscrapers, briefly isolated in light while the rest of the city remains in shadow. Even in old age, some still carry on, continuing their daily journey beneath the towering symbols of success. | Simon]]></media:title>
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            <media:description><![CDATA[cizucuでSimonさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/photos/tNvj9nrgQC5d5SljdyVw</link>
          <description><![CDATA[cizucuでGautami Golaniさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Gautami Golani</name>
            <uri>https://www.cizucu.com/users/bFG0G5hunNUksWb1Xw5wXNFzYXC3</uri>
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          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:58+09:00</atom:updated>
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            <media:title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></media:title>
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            <media:description><![CDATA[cizucuでGautami Golaniさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/photos/z51tp1hZVa8RWblaxQor</link>
          <description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
          <atom:updated>2026-03-14T18:17:45+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
          <atom:updated>2026-03-16T03:16:14+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/photos/6DbTw6LLaMPcXGOIJ9iS</link>
          <description><![CDATA[cizucuでCorinne Vallienneさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/japantokyodaybyday</uri>
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          <pubDate>Sat, 31 Jan 2026 17:12:14 GMT</pubDate>
          <atom:updated>2026-01-31T17:12:14+09:00</atom:updated>
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            <media:title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></media:title>
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            <media:description><![CDATA[cizucuでCorinne Vallienneさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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