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      <title>Reliefの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Reliefから厳選した8点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[カンボジア大使館のレリーフ  #Cambodia  #Relief #gold #Anembassy  #AKS #MNT #tokyo #cityscape | つばさ製作所]]></title>
          <link>https://www.cizucu.com/photos/7d4iMDAU4GvztBSnR86z</link>
          <description><![CDATA[つばさ製作所が撮影した高品質で無料の暗い背景に浮かぶ仏像の顔が見える写真をcizucuでダウンロードしましょう。]]></description>
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            <name>つばさ製作所</name>
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          <pubDate>Thu, 13 Feb 2025 22:04:51 GMT</pubDate>
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            <media:description><![CDATA[つばさ製作所が撮影した高品質で無料の暗い背景に浮かぶ仏像の顔が見える写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[#紅葉 #落ち葉 #autumn #reef | yuko.]]></title>
          <link>https://www.cizucu.com/photos/NRyuACl7N2ei6AfauXdr</link>
          <description><![CDATA[yuko.が撮影した高品質で無料の写真をcizucuでダウンロードしましょう。]]></description>
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            <name>yuko.</name>
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          <pubDate>Fri, 20 Dec 2024 06:28:41 GMT</pubDate>
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            <media:title><![CDATA[#紅葉 #落ち葉 #autumn #reef | yuko.]]></media:title>
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            <media:description><![CDATA[yuko.が撮影した高品質で無料の写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[フェンス越しのレリーフ  #gold #relief #Cambodia #Akasaka #tokyo #cityscape | つばさ製作所]]></title>
          <link>https://www.cizucu.com/photos/t7kIGQGrzWnwRSo6TZDu</link>
          <description><![CDATA[cizucuでつばさ製作所さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>つばさ製作所</name>
            <uri>https://www.cizucu.com/tsubasa_mfg</uri>
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          <pubDate>Wed, 18 Jun 2025 22:10:47 GMT</pubDate>
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            <media:title><![CDATA[フェンス越しのレリーフ  #gold #relief #Cambodia #Akasaka #tokyo #cityscape | つばさ製作所]]></media:title>
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            <media:description><![CDATA[cizucuでつばさ製作所さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Relief | Thesaruuuuu]]></title>
          <link>https://www.cizucu.com/photos/D6jvMFfxTvpGwMRQPHaI</link>
          <description><![CDATA[cizucuでThesaruuuuuさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Thesaruuuuu</name>
            <uri>https://www.cizucu.com/users/wQJvLvR860OA3A1r0knyqB5whMo1</uri>
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          <pubDate>Sun, 15 Feb 2026 11:25:39 GMT</pubDate>
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            <media:description><![CDATA[cizucuでThesaruuuuuさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></title>
          <link>https://www.cizucu.com/photos/ZPLdPl9OCw2jT7XnH1P4</link>
          <description><![CDATA[cizucuでdonparohinogさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>donparohinog</name>
            <uri>https://www.cizucu.com/users/XIR62JTKUiMagFjBwdux3bcrdK82</uri>
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          <pubDate>Fri, 13 Feb 2026 23:45:07 GMT</pubDate>
          <atom:updated>2026-02-13T23:45:07+09:00</atom:updated>
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            <media:title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></media:title>
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            <media:description><![CDATA[cizucuでdonparohinogさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></title>
          <link>https://www.cizucu.com/photos/pFQEsppBNxxk6rpAASrB</link>
          <description><![CDATA[cizucuでStreetwalaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Streetwala</name>
            <uri>https://www.cizucu.com/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82</uri>
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          <pubDate>Wed, 25 Feb 2026 14:36:03 GMT</pubDate>
          <atom:updated>2026-02-25T14:36:03+09:00</atom:updated>
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            <media:title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></media:title>
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            <media:description><![CDATA[cizucuでStreetwalaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[cizucuでEli Mastaineさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Eli Mastaine</name>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[cizucuでEli Mastaineさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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