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      <title>Reindeerの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Reindeerから厳選した20点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[Barasingha as this deer is called in Hindi language and in english this is the reindeer, Shot in Kanha National Park India | amlan]]></title>
          <link>https://www.cizucu.com/photos/u10HTicjgpanDDIZq8rg</link>
          <description><![CDATA[cizucuでamlanさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>amlan</name>
            <uri>https://www.cizucu.com/users/fEjTYNgauQSaHbZ73sNkSaQFLe83</uri>
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          <pubDate>Fri, 10 Apr 2026 23:51:39 GMT</pubDate>
          <atom:updated>2026-04-10T23:51:39+09:00</atom:updated>
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            <media:title><![CDATA[Barasingha as this deer is called in Hindi language and in english this is the reindeer, Shot in Kanha National Park India | amlan]]></media:title>
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            <media:description><![CDATA[cizucuでamlanさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Solitude in the rain — A fleeting moment: What started as a failed plan ended with this scene outside the station. A reminder to stay curious and head out without expectations, life has its own quiet turns. | kevouthere]]></title>
          <link>https://www.cizucu.com/photos/hwZJJVNbvyZXmt0ReV2g</link>
          <description><![CDATA[cizucuでkevouthereさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>kevouthere</name>
            <uri>https://www.cizucu.com/users/vAKSb90hfjR5d00YSCW8pmxtTHp2</uri>
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          <pubDate>Sat, 10 Jan 2026 17:38:47 GMT</pubDate>
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            <media:title><![CDATA[Solitude in the rain — A fleeting moment: What started as a failed plan ended with this scene outside the station. A reminder to stay curious and head out without expectations, life has its own quiet turns. | kevouthere]]></media:title>
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            <media:description><![CDATA[cizucuでkevouthereさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[LOCKED EYES  The moment I encountered this fox, I waited behind the camera for the perfect split second. He paused and locked eyes with mine; I hit the shutter to immortalise that gaze.  In that brief silence, the distance between us seemed to disappear. This portrait is a reminder of the quiet, fleeting connections that happen when we truly stop to look. | Hasan Eslik]]></title>
          <link>https://www.cizucu.com/photos/hJ2vz9cMtUeeBlm0gkTr</link>
          <description><![CDATA[cizucuでHasan Eslikさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Hasan Eslik</name>
            <uri>https://www.cizucu.com/users/DQTgoZfG0BgQ9wDmfVo8AqcHKN53</uri>
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          <pubDate>Thu, 02 Apr 2026 23:13:57 GMT</pubDate>
          <atom:updated>2026-04-02T23:13:57+09:00</atom:updated>
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            <media:title><![CDATA[LOCKED EYES  The moment I encountered this fox, I waited behind the camera for the perfect split second. He paused and locked eyes with mine; I hit the shutter to immortalise that gaze.  In that brief silence, the distance between us seemed to disappear. This portrait is a reminder of the quiet, fleeting connections that happen when we truly stop to look. | Hasan Eslik]]></media:title>
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            <media:description><![CDATA[cizucuでHasan Eslikさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo is of my maternal grandmother, Ila. I This image is my favourite representation of her because in it, I see all the women that came before her, and all the women that came from her. It is a reminder of how her sense of self has persevered, untouched by the burden of all the other identities she has carried through life. | Prachi21]]></title>
          <link>https://www.cizucu.com/photos/WjIERfIZnKTsGjLNFP7V</link>
          <description><![CDATA[cizucuでPrachi21さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Prachi21</name>
            <uri>https://www.cizucu.com/users/vw9CYBSAgPZSKVkXHKwEDbPAFEB3</uri>
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          <pubDate>Sun, 15 Mar 2026 23:46:29 GMT</pubDate>
          <atom:updated>2026-03-15T23:46:29+09:00</atom:updated>
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            <media:title><![CDATA[This photo is of my maternal grandmother, Ila. I This image is my favourite representation of her because in it, I see all the women that came before her, and all the women that came from her. It is a reminder of how her sense of self has persevered, untouched by the burden of all the other identities she has carried through life. | Prachi21]]></media:title>
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            <media:description><![CDATA[cizucuでPrachi21さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[LOCKED EYES  The moment I encountered this fox, I waited behind the viewfinder for the perfect split second. He paused and locked eyes with mine; I hit the shutter to immortalise that gaze.  In that brief silence, the distance between us seemed to disappear. This portrait is a reminder of the quiet, fleeting connections that happen when we truly stop to look. | Hasan Eslik]]></title>
          <link>https://www.cizucu.com/photos/5dEZKHev0TvM7lmyLmbM</link>
          <description><![CDATA[cizucuでHasan Eslikさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Hasan Eslik</name>
            <uri>https://www.cizucu.com/users/DQTgoZfG0BgQ9wDmfVo8AqcHKN53</uri>
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          <pubDate>Thu, 02 Apr 2026 22:51:06 GMT</pubDate>
          <atom:updated>2026-04-02T22:51:06+09:00</atom:updated>
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            <media:title><![CDATA[LOCKED EYES  The moment I encountered this fox, I waited behind the viewfinder for the perfect split second. He paused and locked eyes with mine; I hit the shutter to immortalise that gaze.  In that brief silence, the distance between us seemed to disappear. This portrait is a reminder of the quiet, fleeting connections that happen when we truly stop to look. | Hasan Eslik]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/5dEZKHev0TvM7lmyLmbM.jpg?fm=jpg" type="image/jpeg" width="2607" height="3697" />
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            <media:description><![CDATA[cizucuでHasan Eslikさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></title>
          <link>https://www.cizucu.com/photos/8l7VNsvjX8wvnO4eI9rs</link>
          <description><![CDATA[cizucuでhelloocherylさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>helloocheryl</name>
            <uri>https://www.cizucu.com/users/fZsvJr0XchbUBYHFf4Jx5BYsJyC3</uri>
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          <pubDate>Mon, 16 Mar 2026 13:34:59 GMT</pubDate>
          <atom:updated>2026-03-16T13:34:59+09:00</atom:updated>
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            <media:title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/8l7VNsvjX8wvnO4eI9rs.jpg?fm=jpg" type="image/jpeg" width="4966" height="7020" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/8l7VNsvjX8wvnO4eI9rs.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/8l7VNsvjX8wvnO4eI9rs.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでhelloocherylさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></title>
          <link>https://www.cizucu.com/photos/H8kjUw4s4hrqBulgGNLl</link>
          <description><![CDATA[cizucuでNayoungさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Nayoung</name>
            <uri>https://www.cizucu.com/users/dG3PxV81AtbvL9OB3hitUDX5O2E3</uri>
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          <pubDate>Mon, 30 Mar 2026 10:00:56 GMT</pubDate>
          <atom:updated>2026-03-30T10:00:56+09:00</atom:updated>
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            <media:title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでNayoungさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Twin Peaks, San Francisco, CA - March 2026 Views like this are part of why I love to travel. Seeing San Francisco from Twin Peaks at golden hour has a way of putting the chaos of life into perspective. In the foreground, two people sit on the wall, quietly taking in the scene. I try to imagine their story, and what this moment means to them. For me, it’s a reminder to pause and appreciate where you are, wherever you go. | Elly Deakin]]></title>
          <link>https://www.cizucu.com/photos/j64apV67KkbyrO3eUxWs</link>
          <description><![CDATA[cizucuでElly Deakinさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Elly Deakin</name>
            <uri>https://www.cizucu.com/users/EXrgBHzrVeOdqjoLE8IaZvwYoGx2</uri>
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          <pubDate>Fri, 03 Apr 2026 21:24:02 GMT</pubDate>
          <atom:updated>2026-04-03T21:24:02+09:00</atom:updated>
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            <media:title><![CDATA[Twin Peaks, San Francisco, CA - March 2026 Views like this are part of why I love to travel. Seeing San Francisco from Twin Peaks at golden hour has a way of putting the chaos of life into perspective. In the foreground, two people sit on the wall, quietly taking in the scene. I try to imagine their story, and what this moment means to them. For me, it’s a reminder to pause and appreciate where you are, wherever you go. | Elly Deakin]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/j64apV67KkbyrO3eUxWs.jpg?fm=jpg" type="image/jpeg" width="3102" height="4387" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/j64apV67KkbyrO3eUxWs.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/j64apV67KkbyrO3eUxWs.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでElly Deakinさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[That day, there was little to no crowd at this restaurant. I first noticed the light, then the geometrical lines drew my eyes in.  The service staff was doing his job diligently under the natural spotlight.  I asked myself, "Would you do what you did if the world isn't watching?"   That day, I was glad to capture this moment as a reminder that whether or not your effort gets seen, at the end of the day you only have yourself to answer to. | pixbypegs]]></title>
          <link>https://www.cizucu.com/photos/bcnJrhXyEiATvXZ5kT35</link>
          <description><![CDATA[cizucuでpixbypegsさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>pixbypegs</name>
            <uri>https://www.cizucu.com/users/TFKReaHvuIU4wbuNVtgTioJFY3S2</uri>
          </author>
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          <pubDate>Sun, 15 Mar 2026 18:45:56 GMT</pubDate>
          <atom:updated>2026-03-15T18:45:56+09:00</atom:updated>
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            <media:title><![CDATA[That day, there was little to no crowd at this restaurant. I first noticed the light, then the geometrical lines drew my eyes in.  The service staff was doing his job diligently under the natural spotlight.  I asked myself, "Would you do what you did if the world isn't watching?"   That day, I was glad to capture this moment as a reminder that whether or not your effort gets seen, at the end of the day you only have yourself to answer to. | pixbypegs]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/bcnJrhXyEiATvXZ5kT35.jpg?fm=jpg" type="image/jpeg" width="3072" height="4096" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bcnJrhXyEiATvXZ5kT35.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bcnJrhXyEiATvXZ5kT35.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bcnJrhXyEiATvXZ5kT35.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでpixbypegsさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/photos/dcfORlyKmnH1LiUHfiKc</link>
          <description><![CDATA[cizucuでnicoleakanikkikoさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>nicoleakanikkiko</name>
            <uri>https://www.cizucu.com/users/OYX7hrVO6WWnggzng32aEgu2AFD3</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/dcfORlyKmnH1LiUHfiKc</guid>
          <pubDate>Tue, 13 Jan 2026 15:32:03 GMT</pubDate>
          <atom:updated>2026-01-13T15:32:03+09:00</atom:updated>
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          <media:group>
            <media:title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/dcfORlyKmnH1LiUHfiKc.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/dcfORlyKmnH1LiUHfiKc.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/dcfORlyKmnH1LiUHfiKc.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/dcfORlyKmnH1LiUHfiKc.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでnicoleakanikkikoさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/photos/VmClkI1Pa2cn3PZ2Aruh</link>
          <description><![CDATA[cizucuでnicoleakanikkikoさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>nicoleakanikkiko</name>
            <uri>https://www.cizucu.com/users/OYX7hrVO6WWnggzng32aEgu2AFD3</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/VmClkI1Pa2cn3PZ2Aruh</guid>
          <pubDate>Tue, 13 Jan 2026 15:32:54 GMT</pubDate>
          <atom:updated>2026-01-13T15:32:54+09:00</atom:updated>
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          <media:group>
            <media:title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/VmClkI1Pa2cn3PZ2Aruh.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VmClkI1Pa2cn3PZ2Aruh.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VmClkI1Pa2cn3PZ2Aruh.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VmClkI1Pa2cn3PZ2Aruh.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでnicoleakanikkikoさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/photos/ZQHacQXu07BRd1Co53gt</link>
          <description><![CDATA[cizucuでLousycameramanさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/lousycameraman</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/ZQHacQXu07BRd1Co53gt</guid>
          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
          <atom:updated>2026-01-20T13:05:15+09:00</atom:updated>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ZQHacQXu07BRd1Co53gt.jpg?fm=jpg" type="image/jpeg" width="8192" height="8192" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZQHacQXu07BRd1Co53gt.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZQHacQXu07BRd1Co53gt.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZQHacQXu07BRd1Co53gt.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでLousycameramanさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[This photo was taken with my first camera, a second-hand Nikon D5100 that my dad bought for me after I told him I wanted to make movies.  The girl in this photo was my best friend. She was the reason I felt brave enough to try so many new things,  because I knew she always had my back.  She’s still out there, living her life… we just don’t talk anymore.  On the surface, this photo feels ordinary. But to me, it holds everything, the camera, the place, and the dreams I used to have. It’s a quiet reminder of a version of my life I still miss. | NAREE W.]]></title>
          <link>https://www.cizucu.com/photos/3OwPdpt2MO6lqVHuaGd0</link>
          <description><![CDATA[cizucuでNAREE W.さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>NAREE W.</name>
            <uri>https://www.cizucu.com/users/kAsp1sNUqEPCVWiiJAlx4F22ZQx1</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/3OwPdpt2MO6lqVHuaGd0</guid>
          <pubDate>Sun, 12 Apr 2026 11:56:38 GMT</pubDate>
          <atom:updated>2026-04-12T11:56:38+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken with my first camera, a second-hand Nikon D5100 that my dad bought for me after I told him I wanted to make movies.  The girl in this photo was my best friend. She was the reason I felt brave enough to try so many new things,  because I knew she always had my back.  She’s still out there, living her life… we just don’t talk anymore.  On the surface, this photo feels ordinary. But to me, it holds everything, the camera, the place, and the dreams I used to have. It’s a quiet reminder of a version of my life I still miss. | NAREE W.]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/3OwPdpt2MO6lqVHuaGd0.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3OwPdpt2MO6lqVHuaGd0.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3OwPdpt2MO6lqVHuaGd0.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3OwPdpt2MO6lqVHuaGd0.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでNAREE W.さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/photos/tNvj9nrgQC5d5SljdyVw</link>
          <description><![CDATA[cizucuでGautami Golaniさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Gautami Golani</name>
            <uri>https://www.cizucu.com/users/bFG0G5hunNUksWb1Xw5wXNFzYXC3</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/tNvj9nrgQC5d5SljdyVw</guid>
          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:58+09:00</atom:updated>
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            <media:title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?fm=jpg" type="image/jpeg" width="4000" height="5000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでGautami Golaniさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]></title>
          <link>https://www.cizucu.com/photos/Se3lrtIAXIFRzgSjNDRu</link>
          <description><![CDATA[cizucuでpoemsbyweiさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>poemsbywei</name>
            <uri>https://www.cizucu.com/users/jHET1UGt3QWo0XrWIYJG7sq3MUv1</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/Se3lrtIAXIFRzgSjNDRu</guid>
          <pubDate>Sun, 22 Mar 2026 22:48:21 GMT</pubDate>
          <atom:updated>2026-03-22T22:48:21+09:00</atom:updated>
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            <media:title><![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Se3lrtIAXIFRzgSjNDRu.jpg?fm=jpg" type="image/jpeg" width="2624" height="3936" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Se3lrtIAXIFRzgSjNDRu.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Se3lrtIAXIFRzgSjNDRu.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Se3lrtIAXIFRzgSjNDRu.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでpoemsbyweiさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/photos/z51tp1hZVa8RWblaxQor</link>
          <description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
          <atom:updated>2026-03-14T18:17:45+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
          <atom:updated>2026-03-16T03:16:14+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[cizucuでSouvik Royさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[cizucuでVictor Tan KHさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Victor Tan KH</name>
            <uri>https://www.cizucu.com/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2</uri>
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          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:43:45+09:00</atom:updated>
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            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
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            <media:description><![CDATA[cizucuでVictor Tan KHさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/photos/bm1s4iqsLRZClLEvpQxw</link>
          <description><![CDATA[cizucuでNishikantsnapsさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
          <atom:updated>2026-03-13T13:43:41+09:00</atom:updated>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[cizucuでNishikantsnapsさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[cizucuでTristan Tanさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Tristan Tan</name>
            <uri>https://www.cizucu.com/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2</uri>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[cizucuでTristan Tanさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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