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      <title>Prunesの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Prunesから厳選した11点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[【points and planes】 #blackandwhite #monochrome | KBT]]></title>
          <link>https://www.cizucu.com/photos/RaD677zT7KZdKrMioxMD</link>
          <description><![CDATA[KBTが撮影した高品質で無料の空を飛ぶ小さな鳥と斜めの黒い影のコントラスト写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Tue, 25 Mar 2025 01:12:17 GMT</pubDate>
          <atom:updated>2025-04-01T08:14:01+09:00</atom:updated>
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            <media:title><![CDATA[【points and planes】 #blackandwhite #monochrome | KBT]]></media:title>
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            <media:description><![CDATA[KBTが撮影した高品質で無料の空を飛ぶ小さな鳥と斜めの黒い影のコントラスト写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[Sunset in Tottori Sand Dunes | Goki Sawada]]></title>
          <link>https://www.cizucu.com/photos/CeJVzeLJcvPc0RAMFA6A</link>
          <description><![CDATA[Goki Sawadaが撮影した高品質で無料の美しい海の景色と太陽が輝く空写真をcizucuでダウンロードしましょう。]]></description>
          <author>
            <name>Goki Sawada</name>
            <uri>https://www.cizucu.com/users/UFCfurfSvVZkcun9j6dPzXdzbw82</uri>
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          <pubDate>Mon, 17 Jul 2023 18:09:43 GMT</pubDate>
          <atom:updated>2024-09-09T17:40:06+09:00</atom:updated>
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            <media:title><![CDATA[Sunset in Tottori Sand Dunes | Goki Sawada]]></media:title>
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            <media:description><![CDATA[Goki Sawadaが撮影した高品質で無料の美しい海の景色と太陽が輝く空写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[明日への光。  📍: Ulu Temburong National Park, Brunei 📸: Canon EOS 5D MarkⅣ  | Yuki]]></title>
          <link>https://www.cizucu.com/photos/Gz4tDVnoGfbvf5NOP7YC</link>
          <description><![CDATA[cizucuでYukiさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Yuki</name>
            <uri>https://www.cizucu.com/users/C6KwvsHfPVaajUkjN0Ua06m7t6N2</uri>
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          <pubDate>Sun, 13 Jul 2025 16:20:24 GMT</pubDate>
          <atom:updated>2025-07-13T16:20:24+09:00</atom:updated>
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            <media:title><![CDATA[明日への光。  📍: Ulu Temburong National Park, Brunei 📸: Canon EOS 5D MarkⅣ  | Yuki]]></media:title>
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            <media:description><![CDATA[cizucuでYukiさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[A moment suspended in light, where time pauses just long enough to be remembered. | Adriane Lee]]></title>
          <link>https://www.cizucu.com/photos/DbDRhjgHAhpDnvtaLqx7</link>
          <description><![CDATA[cizucuでAdriane Leeさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Adriane Lee</name>
            <uri>https://www.cizucu.com/users/i8mDjn4a3IbAoK3xLosUybItxv03</uri>
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          <pubDate>Sun, 12 Apr 2026 11:34:41 GMT</pubDate>
          <atom:updated>2026-04-12T11:34:41+09:00</atom:updated>
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            <media:title><![CDATA[A moment suspended in light, where time pauses just long enough to be remembered. | Adriane Lee]]></media:title>
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            <media:description><![CDATA[cizucuでAdriane Leeさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[A moment suspended in light, where time pauses just long enough to be remembered. | Adriane Lee]]></title>
          <link>https://www.cizucu.com/photos/Cqj4zRjxKUxadBA46wDf</link>
          <description><![CDATA[cizucuでAdriane Leeさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Adriane Lee</name>
            <uri>https://www.cizucu.com/users/i8mDjn4a3IbAoK3xLosUybItxv03</uri>
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          <pubDate>Sun, 12 Apr 2026 11:32:13 GMT</pubDate>
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            <media:title><![CDATA[A moment suspended in light, where time pauses just long enough to be remembered. | Adriane Lee]]></media:title>
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            <media:description><![CDATA[cizucuでAdriane Leeさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[One of the most incredible places I’ve been. Sandwich Harbour, Namibia. The vastness of the desert dunes that meet the vastness of the ocean was u real.  | Shayden Cathro]]></title>
          <link>https://www.cizucu.com/photos/fhVWhisx7c9aZsSZLtG5</link>
          <description><![CDATA[cizucuでShayden Cathroさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Shayden Cathro</name>
            <uri>https://www.cizucu.com/users/OxjnRhC0ayThgh6q7y1CCVhAOQ92</uri>
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          <pubDate>Wed, 30 Oct 2024 00:49:13 GMT</pubDate>
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            <media:title><![CDATA[One of the most incredible places I’ve been. Sandwich Harbour, Namibia. The vastness of the desert dunes that meet the vastness of the ocean was u real.  | Shayden Cathro]]></media:title>
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            <media:description><![CDATA[cizucuでShayden Cathroさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[I saw him sitting there long before the boarding call. Not rushing. Not scrolling endlessly. Just reading, as the planes moved outside. Everyone else was in transit he already seemed at peace with it.  #shotonfilm #visualstorytelling #quietmoments #inbetweenplaces #streetphotography | Akshob Ram Kumar]]></title>
          <link>https://www.cizucu.com/photos/vnRZsnqnEDA7c3jWZT9p</link>
          <description><![CDATA[cizucuでAkshob Ram Kumarさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Akshob Ram Kumar</name>
            <uri>https://www.cizucu.com/akvisuals04</uri>
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          <pubDate>Sat, 17 Jan 2026 01:05:07 GMT</pubDate>
          <atom:updated>2026-01-17T01:05:07+09:00</atom:updated>
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            <media:title><![CDATA[I saw him sitting there long before the boarding call. Not rushing. Not scrolling endlessly. Just reading, as the planes moved outside. Everyone else was in transit he already seemed at peace with it.  #shotonfilm #visualstorytelling #quietmoments #inbetweenplaces #streetphotography | Akshob Ram Kumar]]></media:title>
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            <media:description><![CDATA[cizucuでAkshob Ram Kumarさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[In a city where ownership is rare and expression is regulated, this photograph captures the quiet reverence of Singapore’s car culture. Shaped by strict modification laws, soaring COE prices, and rising costs, each car becomes more than a machine — it is a symbol of devotion, restraint, and identity. What survives here is not excess, but intention: a sacred culture forged under limitation. | DORI]]></title>
          <link>https://www.cizucu.com/photos/lUrE5MibITOs7WRzW9cq</link>
          <description><![CDATA[cizucuでDORIさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>DORI</name>
            <uri>https://www.cizucu.com/users/rBtgck6LohNr32NPWArgW9eXBCv2</uri>
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          <pubDate>Sat, 10 Jan 2026 14:29:13 GMT</pubDate>
          <atom:updated>2026-01-10T14:29:13+09:00</atom:updated>
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            <media:title><![CDATA[In a city where ownership is rare and expression is regulated, this photograph captures the quiet reverence of Singapore’s car culture. Shaped by strict modification laws, soaring COE prices, and rising costs, each car becomes more than a machine — it is a symbol of devotion, restraint, and identity. What survives here is not excess, but intention: a sacred culture forged under limitation. | DORI]]></media:title>
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            <media:description><![CDATA[cizucuでDORIさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></title>
          <link>https://www.cizucu.com/photos/TZwAqaxggJkW3ZVK8vLW</link>
          <description><![CDATA[cizucuでBhavik Solankiさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Bhavik Solanki</name>
            <uri>https://www.cizucu.com/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63</uri>
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          <pubDate>Sat, 14 Mar 2026 11:37:09 GMT</pubDate>
          <atom:updated>2026-03-14T11:37:09+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></media:title>
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            <media:description><![CDATA[cizucuでBhavik Solankiさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Just when I thought the day was a wash with its overcast sky, the sun burst through a gap in the clouds, turning the sea to gold. In that fleeting light, I saw her. A small silhouette against the vast ocean, completely absorbed in the ebb and flow of the tide. It was a sight so pure it felt like a memory. It took me back to my own childhood, when the world wasn’t a sum of numbers and rules, but a place of pure, unspoiled wonder waiting to be discovered. In that moment, the girl, the sea, and I were all connected. It reminded me that no matter how far we go, there will always be a part of us that stands on the shore, gazing at the horizon with a heart full of endless possibilities. | Stefan Kho]]></title>
          <link>https://www.cizucu.com/photos/LVPZautohfdFiazj8c1u</link>
          <description><![CDATA[cizucuでStefan Khoさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Stefan Kho</name>
            <uri>https://www.cizucu.com/users/fo6R74rFMKbOzMyEK2i0gbEr9563</uri>
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          <pubDate>Tue, 10 Mar 2026 04:27:16 GMT</pubDate>
          <atom:updated>2026-03-10T04:27:16+09:00</atom:updated>
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            <media:title><![CDATA[Just when I thought the day was a wash with its overcast sky, the sun burst through a gap in the clouds, turning the sea to gold. In that fleeting light, I saw her. A small silhouette against the vast ocean, completely absorbed in the ebb and flow of the tide. It was a sight so pure it felt like a memory. It took me back to my own childhood, when the world wasn’t a sum of numbers and rules, but a place of pure, unspoiled wonder waiting to be discovered. In that moment, the girl, the sea, and I were all connected. It reminded me that no matter how far we go, there will always be a part of us that stands on the shore, gazing at the horizon with a heart full of endless possibilities. | Stefan Kho]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LVPZautohfdFiazj8c1u.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LVPZautohfdFiazj8c1u.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでStefan Khoさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[cizucuでVictor Tan KHさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Victor Tan KH</name>
            <uri>https://www.cizucu.com/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/5rLps4AdmWu1rEHn4sQW</guid>
          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:43:45+09:00</atom:updated>
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            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
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            <media:description><![CDATA[cizucuでVictor Tan KHさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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