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      <title>Prideの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Prideから厳選した12点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[Ride on dad | Yosuke0312]]></title>
          <link>https://www.cizucu.com/photos/ZXeLyjnGNUex2dcK0rP3</link>
          <description><![CDATA[Yosuke0312が撮影した高品質で無料の夕日を背景に海岸を歩く親子のシルエット写真をcizucuでダウンロードしましょう。]]></description>
          <author>
            <name>Yosuke0312</name>
            <uri>https://www.cizucu.com/users/Wq6tVKsLfQM2RvL8nqY7YJQCtX12</uri>
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          <pubDate>Fri, 04 Apr 2025 21:19:51 GMT</pubDate>
          <atom:updated>2025-04-16T11:42:31+09:00</atom:updated>
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            <media:title><![CDATA[Ride on dad | Yosuke0312]]></media:title>
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            <media:description><![CDATA[Yosuke0312が撮影した高品質で無料の夕日を背景に海岸を歩く親子のシルエット写真をcizucuでダウンロードしましょう。]]></media:description>
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        <item>
          <title><![CDATA[JAPAN PRIDE | Yosuke0312]]></title>
          <link>https://www.cizucu.com/photos/fahfr21luiuVw3PvQBte</link>
          <description><![CDATA[cizucuでYosuke0312さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Yosuke0312</name>
            <uri>https://www.cizucu.com/users/Wq6tVKsLfQM2RvL8nqY7YJQCtX12</uri>
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          <pubDate>Sat, 24 Jan 2026 22:59:54 GMT</pubDate>
          <atom:updated>2026-01-24T22:59:54+09:00</atom:updated>
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            <media:title><![CDATA[JAPAN PRIDE | Yosuke0312]]></media:title>
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            <media:description><![CDATA[cizucuでYosuke0312さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Ride by | Sitti J]]></title>
          <link>https://www.cizucu.com/photos/blEIcK2F86MNLDgiewIa</link>
          <description><![CDATA[cizucuでSitti Jさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Sitti J</name>
            <uri>https://www.cizucu.com/sitti</uri>
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          <pubDate>Sat, 18 Oct 2025 20:21:39 GMT</pubDate>
          <atom:updated>2025-10-18T20:21:39+09:00</atom:updated>
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            <media:title><![CDATA[Ride by | Sitti J]]></media:title>
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            <media:description><![CDATA[cizucuでSitti Jさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Hopping on a ride.  | Big_Dins_Photos]]></title>
          <link>https://www.cizucu.com/photos/Q8jQ2Af229GsYRZ73gKX</link>
          <description><![CDATA[cizucuでBig_Dins_Photosさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Big_Dins_Photos</name>
            <uri>https://www.cizucu.com/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3</uri>
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          <pubDate>Thu, 22 Jan 2026 00:35:11 GMT</pubDate>
          <atom:updated>2026-01-22T00:35:11+09:00</atom:updated>
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            <media:title><![CDATA[Hopping on a ride.  | Big_Dins_Photos]]></media:title>
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            <media:description><![CDATA[cizucuでBig_Dins_Photosさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Last ride before night / enjoying the last lights  | Pikanchor]]></title>
          <link>https://www.cizucu.com/photos/t6do7ks28F7vCaFZehvY</link>
          <description><![CDATA[cizucuでPikanchorさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Pikanchor</name>
            <uri>https://www.cizucu.com/users/BGZ8WhAoOLbR8IbStD2ON5jI9wo1</uri>
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          <pubDate>Tue, 31 Mar 2026 16:30:00 GMT</pubDate>
          <atom:updated>2026-03-31T16:30:00+09:00</atom:updated>
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            <media:title><![CDATA[Last ride before night / enjoying the last lights  | Pikanchor]]></media:title>
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            <media:description><![CDATA[cizucuでPikanchorさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[( ride into the sun )  Olympus 35 DC ILFORD PAN 400 | uni.z3]]></title>
          <link>https://www.cizucu.com/photos/cC7HQoX4m8bs7f5HzkVd</link>
          <description><![CDATA[cizucuでuni.z3さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>uni.z3</name>
            <uri>https://www.cizucu.com/uniz3</uri>
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          <pubDate>Thu, 26 Mar 2026 20:11:53 GMT</pubDate>
          <atom:updated>2026-03-26T20:11:53+09:00</atom:updated>
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            <media:title><![CDATA[( ride into the sun )  Olympus 35 DC ILFORD PAN 400 | uni.z3]]></media:title>
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            <media:description><![CDATA[cizucuでuni.z3さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photograph was taken in Yunnan at a place called Lugu Lake. It's home to the Mosuo, an ethnic matriarchal tribe.  The subject is a Mosuo boat rower enjoying a smoke while waiting for his next ride. Each boat ride is physically demanding, as the boats are hand-rowed and the total distance spans just over a kilometer. To prevent exhaustion, each rower is limited to 6 trips a week and all proceeds are pooled into the village's communal fund to be distributed equally. | beanuptosomething]]></title>
          <link>https://www.cizucu.com/photos/fKjDjBEVTpOETCfW4SAz</link>
          <description><![CDATA[cizucuでbeanuptosomethingさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>beanuptosomething</name>
            <uri>https://www.cizucu.com/users/yNaVBlQLbLayxpnViBhjAvASoMo1</uri>
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          <pubDate>Sat, 17 Jan 2026 00:37:10 GMT</pubDate>
          <atom:updated>2026-01-17T00:37:10+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken in Yunnan at a place called Lugu Lake. It's home to the Mosuo, an ethnic matriarchal tribe.  The subject is a Mosuo boat rower enjoying a smoke while waiting for his next ride. Each boat ride is physically demanding, as the boats are hand-rowed and the total distance spans just over a kilometer. To prevent exhaustion, each rower is limited to 6 trips a week and all proceeds are pooled into the village's communal fund to be distributed equally. | beanuptosomething]]></media:title>
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            <media:description><![CDATA[cizucuでbeanuptosomethingさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
          <link>https://www.cizucu.com/photos/NyOeA5jkS61gAiFAZGZE</link>
          <description><![CDATA[cizucuでShikhar Bafnaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Shikhar Bafna</name>
            <uri>https://www.cizucu.com/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2</uri>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
          <atom:updated>2026-03-15T02:16:04+09:00</atom:updated>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
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            <media:description><![CDATA[cizucuでShikhar Bafnaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></title>
          <link>https://www.cizucu.com/photos/tsl1VRZ8bYFrRR9EBMyT</link>
          <description><![CDATA[cizucuでDanish Yaqinさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Danish Yaqin</name>
            <uri>https://www.cizucu.com/users/U0nicaF4PrNvQcEZ3BVhE2iMrp23</uri>
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          <pubDate>Thu, 15 Jan 2026 17:03:51 GMT</pubDate>
          <atom:updated>2026-01-15T17:03:51+09:00</atom:updated>
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            <media:title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></media:title>
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            <media:description><![CDATA[cizucuでDanish Yaqinさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[You’re 23, young, passionate and in love both figuratively and quite literally in the city of your dreams. A time where you can be exuberantly drunk on wine on a cold December night setting out with your lover, with rose tinted cheeks on your way to get a glimpse of what your life soon might look like. That night you sip on cocktails, steal kisses as you leave your bootprints on the snow covered New York streets, walk into book stores only to imagine your name on the ‘Pulitzer Prize’ shelf and end the night by breathing in the intoxication of your dreams taking form into reality.  | Drishti Gowda]]></title>
          <link>https://www.cizucu.com/photos/4bFg20Ue04dl04XIROsq</link>
          <description><![CDATA[cizucuでDrishti Gowdaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Drishti Gowda</name>
            <uri>https://www.cizucu.com/users/pz5fnme1yVgVSeHjB4YtCunhYCC3</uri>
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          <pubDate>Mon, 16 Mar 2026 23:23:15 GMT</pubDate>
          <atom:updated>2026-03-16T23:23:15+09:00</atom:updated>
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            <media:title><![CDATA[You’re 23, young, passionate and in love both figuratively and quite literally in the city of your dreams. A time where you can be exuberantly drunk on wine on a cold December night setting out with your lover, with rose tinted cheeks on your way to get a glimpse of what your life soon might look like. That night you sip on cocktails, steal kisses as you leave your bootprints on the snow covered New York streets, walk into book stores only to imagine your name on the ‘Pulitzer Prize’ shelf and end the night by breathing in the intoxication of your dreams taking form into reality.  | Drishti Gowda]]></media:title>
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            <media:description><![CDATA[cizucuでDrishti Gowdaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photograph marks the first friendship I made on my first trip to Japan. This is Ujiie Yoshihiro, owner of Black Sun Jazz Club in Kabukicho, Shinjuku. On my first evening in Shinjuku, I stumbled into his bar by chance. From our very first interaction, it became my local—somewhere I returned to every day. I took his portrait that first night, and it meant so much to him that when I returned to Japan, I made a second portrait. This image will always remind me of the warmth and kindness I experienced in a place I knew nothing about, completely on my own. I always admired Hiro’s pride in his work and the camaraderie he created around him. Hiro, as he likes to be called, welcomed me in on my first night and unknowingly gave me a place to belong. His warmth and kindness, turned a chance encounter into a lasting reason to return. | Kareem Berjaoui]]></title>
          <link>https://www.cizucu.com/photos/sOoasdotjJpjFnWuEqRS</link>
          <description><![CDATA[cizucuでKareem Berjaouiさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Kareem Berjaoui</name>
            <uri>https://www.cizucu.com/users/0fsUXs83nuesmcNc2p8jL7bOmD02</uri>
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          <pubDate>Mon, 09 Feb 2026 19:31:18 GMT</pubDate>
          <atom:updated>2026-02-09T19:31:18+09:00</atom:updated>
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            <media:title><![CDATA[This photograph marks the first friendship I made on my first trip to Japan. This is Ujiie Yoshihiro, owner of Black Sun Jazz Club in Kabukicho, Shinjuku. On my first evening in Shinjuku, I stumbled into his bar by chance. From our very first interaction, it became my local—somewhere I returned to every day. I took his portrait that first night, and it meant so much to him that when I returned to Japan, I made a second portrait. This image will always remind me of the warmth and kindness I experienced in a place I knew nothing about, completely on my own. I always admired Hiro’s pride in his work and the camaraderie he created around him. Hiro, as he likes to be called, welcomed me in on my first night and unknowingly gave me a place to belong. His warmth and kindness, turned a chance encounter into a lasting reason to return. | Kareem Berjaoui]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/sOoasdotjJpjFnWuEqRS.jpg?fm=jpg" type="image/jpeg" width="3056" height="4080" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sOoasdotjJpjFnWuEqRS.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sOoasdotjJpjFnWuEqRS.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでKareem Berjaouiさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></title>
          <link>https://www.cizucu.com/photos/SaattyEITUWZ19MyOfcT</link>
          <description><![CDATA[cizucuでShetty Karthikさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Shetty Karthik</name>
            <uri>https://www.cizucu.com/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232</uri>
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          <pubDate>Tue, 24 Feb 2026 18:17:48 GMT</pubDate>
          <atom:updated>2026-02-24T18:17:48+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
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            <media:description><![CDATA[cizucuでShetty Karthikさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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