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      <title>Praderaの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Praderaから厳選した15点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[PRADA 南青山  #crossing #cityscape #MAOY #OMS #MNT #TOKYO #MAOY5 | つばさ製作所]]></title>
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          <description><![CDATA[つばさ製作所が撮影した高品質で無料の現代的な建物のガラスファサードと歩行者の交差点写真をcizucuでダウンロードしましょう。]]></description>
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          <title><![CDATA[南青山、開店前のショップ  #PRADA #南青山 #TOKYO #cityscape | つばさ製作所]]></title>
          <link>https://www.cizucu.com/photos/QWyzjUYJjYcsqDMgkbkJ</link>
          <description><![CDATA[つばさ製作所が撮影した高品質で無料のダイヤモンド型のガラスから見えるモダンなインテリアとチェック柄の床写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Wed, 21 Aug 2024 22:58:37 GMT</pubDate>
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          <title><![CDATA[カトマンズのストゥーパの景観 colorful prayer flags and traditional architecture | fyonetsu]]></title>
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          <description><![CDATA[fyonetsuが撮影した高品質で無料のカトマンズのストゥーパの景観 colorful prayer flags and traditional architecture写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Mon, 22 Jan 2024 01:27:19 GMT</pubDate>
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          <title><![CDATA[「Deep prayer」 in Taipei | Takao@]]></title>
          <link>https://www.cizucu.com/photos/SL3rPXOod9NGCjil6ZtN</link>
          <description><![CDATA[cizucuでTakao@さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Sun, 01 Feb 2026 09:58:48 GMT</pubDate>
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            <media:description><![CDATA[cizucuでTakao@さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[#prada #mafa #texas | tovaio]]></title>
          <link>https://www.cizucu.com/photos/szawsaK3DIMBW8lZuaZ8</link>
          <description><![CDATA[cizucuでtovaioさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Sat, 03 May 2025 21:42:17 GMT</pubDate>
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            <media:description><![CDATA[cizucuでtovaioさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[#mafa #prada #texas | tovaio]]></title>
          <link>https://www.cizucu.com/photos/gagsjz3MObjnD1L75URQ</link>
          <description><![CDATA[cizucuでtovaioさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>tovaio</name>
            <uri>https://www.cizucu.com/tovio0428</uri>
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          <pubDate>Sat, 03 May 2025 21:06:11 GMT</pubDate>
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            <media:description><![CDATA[cizucuでtovaioさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[night of prayer 三篠神社 | なうち]]></title>
          <link>https://www.cizucu.com/photos/cI68TdlxB28bTFqbd71Q</link>
          <description><![CDATA[cizucuでなうちさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Tue, 17 Mar 2026 21:31:06 GMT</pubDate>
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            <media:description><![CDATA[cizucuでなうちさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[A prayer answered. Shot in Punjab, Anandpur sahib. | Nirvair Singh]]></title>
          <link>https://www.cizucu.com/photos/5U9p2UTVqm1btW5xD0z1</link>
          <description><![CDATA[cizucuでNirvair Singhさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Nirvair Singh</name>
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          <pubDate>Wed, 11 Mar 2026 21:27:25 GMT</pubDate>
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            <media:description><![CDATA[cizucuでNirvair Singhさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Like Father, Like Daughter  Just before prayer, a father sat beside his daughter as she played and imitated prayer in the quiet mosque. Watching her brought back memories of my own childhood visits, when the mosque was a place of comfort, safety, and familiarity. In that moment, far from home in Albania, the call to prayer brought those memories rushing back. | capturedbytashh]]></title>
          <link>https://www.cizucu.com/photos/QlokBK6l1DAK4O8bF8Gl</link>
          <description><![CDATA[cizucuでcapturedbytashhさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>capturedbytashh</name>
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          <pubDate>Sun, 05 Apr 2026 07:31:25 GMT</pubDate>
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            <media:title><![CDATA[Like Father, Like Daughter  Just before prayer, a father sat beside his daughter as she played and imitated prayer in the quiet mosque. Watching her brought back memories of my own childhood visits, when the mosque was a place of comfort, safety, and familiarity. In that moment, far from home in Albania, the call to prayer brought those memories rushing back. | capturedbytashh]]></media:title>
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            <media:description><![CDATA[cizucuでcapturedbytashhさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></title>
          <link>https://www.cizucu.com/photos/O797H3ePbKxuqGDdvLjo</link>
          <description><![CDATA[cizucuでAnamikaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Wed, 18 Feb 2026 11:16:35 GMT</pubDate>
          <atom:updated>2026-02-18T11:16:35+09:00</atom:updated>
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            <media:title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?fm=jpg" type="image/jpeg" width="4284" height="5712" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでAnamikaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/Ytnb12FBlbK88ss0n1aC</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
          <atom:updated>2026-03-05T03:55:29+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/Jnx8ZtJKhekws72e8Vrq</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
          <atom:updated>2026-02-26T19:22:02+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/IemCQRfOA2gw9KrhLd3m</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
          <atom:updated>2026-03-05T03:14:04+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/BTPbTcVh6XvRHMAZaqsB</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
          <atom:updated>2026-02-26T18:25:42+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>a.da.md</name>
            <uri>https://www.cizucu.com/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
          <atom:updated>2026-01-18T16:03:24+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/5uQprujr5kh3O40uW4oI.jpg?fm=jpg" type="image/jpeg" width="2856" height="4000" />
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            <media:description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>a.da.md</name>
            <uri>https://www.cizucu.com/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
          <atom:updated>2026-01-18T15:17:34+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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            <media:description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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