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      <title>Negozianteの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Negozianteから厳選した7点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[#film | Yuya]]></title>
          <link>https://www.cizucu.com/photos/z70cttcOW6jH5V8lY1Gm</link>
          <description><![CDATA[Yuyaが撮影した高品質で無料の白黒の商店街の風景に看板が並び、店主が外で作業している写真をcizucuでダウンロードしましょう。]]></description>
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            <name>Yuya</name>
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          <pubDate>Wed, 26 Feb 2025 07:33:13 GMT</pubDate>
          <atom:updated>2025-03-09T09:28:11+09:00</atom:updated>
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            <media:title><![CDATA[#film | Yuya]]></media:title>
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          <title><![CDATA[古き良き。   #history | tk]]></title>
          <link>https://www.cizucu.com/photos/NkOMwdbZMDAiNTKtJOCT</link>
          <description><![CDATA[tkが撮影した高品質で無料の古い陶器や雑貨が並ぶ店内で作業する店主写真をcizucuでダウンロードしましょう。]]></description>
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            <name>tk</name>
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          <pubDate>Fri, 08 Nov 2024 08:44:07 GMT</pubDate>
          <atom:updated>2025-03-27T23:55:48+09:00</atom:updated>
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          <title><![CDATA[#フィルム | Yuya]]></title>
          <link>https://www.cizucu.com/photos/l87TYaTiiH82DdQ3ex4o</link>
          <description><![CDATA[Yuyaが撮影した高品質で無料の夜の街角で通行人が歩く中、白い帽子をかぶった老舗の店主が立つ風景写真をcizucuでダウンロードしましょう。]]></description>
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            <name>Yuya</name>
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          <pubDate>Wed, 01 Jan 2025 16:29:11 GMT</pubDate>
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            <media:title><![CDATA[#フィルム | Yuya]]></media:title>
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          <title><![CDATA[#フィルム | Yuya]]></title>
          <link>https://www.cizucu.com/photos/ri9j9g0uXZF0bFPf9Fnd</link>
          <description><![CDATA[Yuyaが撮影した高品質で無料の夜の街角にあるフルーツショップの外観と店員写真をcizucuでダウンロードしましょう。]]></description>
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            <name>Yuya</name>
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          <pubDate>Wed, 01 Jan 2025 16:07:49 GMT</pubDate>
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            <media:title><![CDATA[#フィルム | Yuya]]></media:title>
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            <media:description><![CDATA[Yuyaが撮影した高品質で無料の夜の街角にあるフルーツショップの外観と店員写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[伝統的な日本の店舗の外観で、木箱が並べられた前面に店主が立っている | akira tomiguchi]]></title>
          <link>https://www.cizucu.com/photos/SCsP4fWiHAIsaBe0hsLX</link>
          <description><![CDATA[akira tomiguchiが撮影した高品質で無料の伝統的な日本の店舗の外観で、木箱が並べられた前面に店主が立っている写真をcizucuでダウンロードしましょう。]]></description>
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            <name>akira tomiguchi</name>
            <uri>https://www.cizucu.com/users/8JO4VmhxhxVE2BhjmIvMgCTYwjv2</uri>
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          <pubDate>Tue, 17 Dec 2024 21:49:24 GMT</pubDate>
          <atom:updated>2024-12-17T21:49:43+09:00</atom:updated>
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            <media:title><![CDATA[伝統的な日本の店舗の外観で、木箱が並べられた前面に店主が立っている | akira tomiguchi]]></media:title>
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            <media:description><![CDATA[akira tomiguchiが撮影した高品質で無料の伝統的な日本の店舗の外観で、木箱が並べられた前面に店主が立っている写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[kyoto snap  #streetphotography #streetsnap #street #snap #お写んぽ #嵐山 | Yukihiro]]></title>
          <link>https://www.cizucu.com/photos/q9dQyasOiC2hqhbUmIwA</link>
          <description><![CDATA[cizucuでYukihiroさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Yukihiro</name>
            <uri>https://www.cizucu.com/users/FBvCwBv323eMdJzMEUbxHaMbIq92</uri>
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          <pubDate>Sat, 13 Sep 2025 06:47:54 GMT</pubDate>
          <atom:updated>2025-09-13T06:47:54+09:00</atom:updated>
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            <media:title><![CDATA[kyoto snap  #streetphotography #streetsnap #street #snap #お写んぽ #嵐山 | Yukihiro]]></media:title>
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            <media:description><![CDATA[cizucuでYukihiroさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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