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      <title>Modernerの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Modernerから厳選した19点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[modern architecture | k.2SSD]]></title>
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          <description><![CDATA[k.2SSDが撮影した高品質で無料の夜空の星々を背景にした近代的な建物のファサードとコラム写真をcizucuでダウンロードしましょう。]]></description>
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          <title><![CDATA[modern architecture | k.2SSD]]></title>
          <link>https://www.cizucu.com/photos/N7moUcChX6wIAgI1WLGo</link>
          <description><![CDATA[k.2SSDが撮影した高品質で無料の夜空に星が輝く中のモダンな建物の外観と円柱写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Fri, 28 Jun 2024 14:43:11 GMT</pubDate>
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          <title><![CDATA[modern architecture | k.2SSD]]></title>
          <link>https://www.cizucu.com/photos/7Xl7rQFxKGamz4KOcAwX</link>
          <description><![CDATA[k.2SSDが撮影した高品質で無料の夜空に輝く星々の下にある近代的な建物の外観写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Fri, 28 Jun 2024 14:42:49 GMT</pubDate>
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          <title><![CDATA[白黒の風景写真に映る川と建物 bare tree branches and a modern building | ゆう]]></title>
          <link>https://www.cizucu.com/photos/MWSFduZo7HfFwSyPJOm1</link>
          <description><![CDATA[ゆうが撮影した高品質で無料の白黒の風景写真に映る川と建物 bare tree branches and a modern building写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Mon, 20 Jan 2025 16:25:21 GMT</pubDate>
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          <title><![CDATA[#丹鉄 #西舞鶴 #タンゴエクスプローラー | morissy]]></title>
          <link>https://www.cizucu.com/photos/JH4WIx8mdBH8OeagipQk</link>
          <description><![CDATA[morissyが撮影した高品質で無料の古い電車と新しい電車が並んでいる様子 rusted train modern train写真をcizucuでダウンロードしましょう。]]></description>
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            <name>morissy</name>
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          <pubDate>Sat, 18 May 2024 08:49:45 GMT</pubDate>
          <atom:updated>2024-05-18T12:55:03+09:00</atom:updated>
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            <media:title><![CDATA[#丹鉄 #西舞鶴 #タンゴエクスプローラー | morissy]]></media:title>
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          <title><![CDATA[modern #日本庭園 | Amo]]></title>
          <link>https://www.cizucu.com/photos/mz0zNokwGhkR70zieyGf</link>
          <description><![CDATA[cizucuでAmoさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Amo</name>
            <uri>https://www.cizucu.com/amo</uri>
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          <pubDate>Fri, 24 May 2024 19:08:43 GMT</pubDate>
          <atom:updated>2024-07-03T22:59:36+09:00</atom:updated>
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            <media:description><![CDATA[cizucuでAmoさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Framed in the City  #urban #architecture #urbanart #installation #framing #layers #contrast #cityscape #modern #visualstory #composition #street #art #space  | dz a.k.a dashan]]></title>
          <link>https://www.cizucu.com/photos/gCUuOhb4UVarO5TQrouf</link>
          <description><![CDATA[cizucuでdz a.k.a dashanさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>dz a.k.a dashan</name>
            <uri>https://www.cizucu.com/dz</uri>
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          <pubDate>Sun, 22 Mar 2026 18:13:55 GMT</pubDate>
          <atom:updated>2026-03-22T18:13:55+09:00</atom:updated>
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            <media:description><![CDATA[cizucuでdz a.k.a dashanさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA["Modern Isolation" | Hurairah Saleem]]></title>
          <link>https://www.cizucu.com/photos/O8naqaqawcAQfsouGpTA</link>
          <description><![CDATA[cizucuでHurairah Saleemさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Hurairah Saleem</name>
            <uri>https://www.cizucu.com/users/ptNzCkgS6RgGqXQ6ENBs8AVDc2H3</uri>
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          <pubDate>Sat, 14 Mar 2026 21:45:56 GMT</pubDate>
          <atom:updated>2026-03-14T21:45:56+09:00</atom:updated>
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            <media:description><![CDATA[cizucuでHurairah Saleemさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Partnering with a friend of who is a Fashionista and executing an idea about recreating a modern Victorian style fashion  shoot.  Manage to get a perfect shot in St Andrew’s Cathedral. | Shahrizal]]></title>
          <link>https://www.cizucu.com/photos/davd2CSqV0QKN6ONwzAA</link>
          <description><![CDATA[cizucuでShahrizalさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Shahrizal</name>
            <uri>https://www.cizucu.com/users/wlwt0Px4JnM5lk8mtnhDltFwBOk1</uri>
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          <pubDate>Thu, 15 Jan 2026 02:41:32 GMT</pubDate>
          <atom:updated>2026-01-15T02:41:32+09:00</atom:updated>
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            <media:title><![CDATA[Partnering with a friend of who is a Fashionista and executing an idea about recreating a modern Victorian style fashion  shoot.  Manage to get a perfect shot in St Andrew’s Cathedral. | Shahrizal]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/davd2CSqV0QKN6ONwzAA.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/davd2CSqV0QKN6ONwzAA.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでShahrizalさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[While exploring a rainy West Lake in Hangzhou, the vivid red against the grey mist caught my eye as this man stood motionless in his Hanfu. To me, this scene visually represents a moment of timelessness amidst the modern crowd. | Samuel Sze]]></title>
          <link>https://www.cizucu.com/photos/Euxc8AGNtXvBqK53bTEx</link>
          <description><![CDATA[cizucuでSamuel Szeさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Samuel Sze</name>
            <uri>https://www.cizucu.com/users/gKr8SsRAEma8IIVoZHxOGBB4U4I3</uri>
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          <pubDate>Sun, 18 Jan 2026 13:37:25 GMT</pubDate>
          <atom:updated>2026-01-18T13:37:25+09:00</atom:updated>
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            <media:title><![CDATA[While exploring a rainy West Lake in Hangzhou, the vivid red against the grey mist caught my eye as this man stood motionless in his Hanfu. To me, this scene visually represents a moment of timelessness amidst the modern crowd. | Samuel Sze]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Euxc8AGNtXvBqK53bTEx.jpg?fm=jpg" type="image/jpeg" width="4032" height="5040" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Euxc8AGNtXvBqK53bTEx.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Euxc8AGNtXvBqK53bTEx.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Euxc8AGNtXvBqK53bTEx.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでSamuel Szeさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in morning 5:30 am and shot is taken at dusk in Mumbai, India. | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/photos/iOerMj75ehHjCHzlXqMM</link>
          <description><![CDATA[cizucuでJeet Khagramさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Jeet Khagram</name>
            <uri>https://www.cizucu.com/users/2A1GVfWLq0hWlRz0FQnWSeK88I12</uri>
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          <pubDate>Fri, 13 Mar 2026 20:00:07 GMT</pubDate>
          <atom:updated>2026-03-13T20:00:07+09:00</atom:updated>
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            <media:title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in morning 5:30 am and shot is taken at dusk in Mumbai, India. | Jeet Khagram]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/iOerMj75ehHjCHzlXqMM.jpg?fm=jpg" type="image/jpeg" width="5464" height="8192" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/iOerMj75ehHjCHzlXqMM.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/iOerMj75ehHjCHzlXqMM.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[cizucuでJeet Khagramさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in Morning 5:30 am and shot is taken at dusk in Mumbai, India | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/photos/eMTgUvcqtliN8W4NlLnm</link>
          <description><![CDATA[cizucuでJeet Khagramさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Jeet Khagram</name>
            <uri>https://www.cizucu.com/users/2A1GVfWLq0hWlRz0FQnWSeK88I12</uri>
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          <pubDate>Fri, 13 Mar 2026 20:04:01 GMT</pubDate>
          <atom:updated>2026-03-13T20:04:01+09:00</atom:updated>
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            <media:content url="https://cdn.cizucu.com/images/photos/eMTgUvcqtliN8W4NlLnm.jpg?fm=jpg" type="image/jpeg" width="5464" height="8192" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/eMTgUvcqtliN8W4NlLnm.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/eMTgUvcqtliN8W4NlLnm.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/eMTgUvcqtliN8W4NlLnm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでJeet Khagramさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/photos/tNvj9nrgQC5d5SljdyVw</link>
          <description><![CDATA[cizucuでGautami Golaniさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Gautami Golani</name>
            <uri>https://www.cizucu.com/users/bFG0G5hunNUksWb1Xw5wXNFzYXC3</uri>
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          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:58+09:00</atom:updated>
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            <media:title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでGautami Golaniさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/Ytnb12FBlbK88ss0n1aC</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
          <atom:updated>2026-03-05T03:55:29+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/Jnx8ZtJKhekws72e8Vrq</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
          <atom:updated>2026-02-26T19:22:02+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/IemCQRfOA2gw9KrhLd3m</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
          <atom:updated>2026-03-05T03:14:04+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/photos/BTPbTcVh6XvRHMAZaqsB</link>
          <description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
          <atom:updated>2026-02-26T18:25:42+09:00</atom:updated>
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            <media:description><![CDATA[cizucuでEk Cheeze Dikhauさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/photos/6DbTw6LLaMPcXGOIJ9iS</link>
          <description><![CDATA[cizucuでCorinne Vallienneさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/japantokyodaybyday</uri>
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          <pubDate>Sat, 31 Jan 2026 17:12:14 GMT</pubDate>
          <atom:updated>2026-01-31T17:12:14+09:00</atom:updated>
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            <media:title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/6DbTw6LLaMPcXGOIJ9iS.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[cizucuでCorinne Vallienneさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></title>
          <link>https://www.cizucu.com/photos/SaattyEITUWZ19MyOfcT</link>
          <description><![CDATA[cizucuでShetty Karthikさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Shetty Karthik</name>
            <uri>https://www.cizucu.com/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232</uri>
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          <pubDate>Tue, 24 Feb 2026 18:17:48 GMT</pubDate>
          <atom:updated>2026-02-24T18:17:48+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></media:title>
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            <media:description><![CDATA[cizucuでShetty Karthikさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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