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      <title>Merceの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Merceから厳選した8点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[Merci | ザワ]]></title>
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          <description><![CDATA[ザワが撮影した高品質で無料の黒白の肖像画で微笑むシェフのペルシの写真写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Mon, 04 Dec 2023 13:14:11 GMT</pubDate>
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          <title><![CDATA[青いバケツに「MERCO」と書かれたラベルが付いている | つばさ製作所]]></title>
          <link>https://www.cizucu.com/photos/XdDHZq3KvhnAc66IfxXN</link>
          <description><![CDATA[つばさ製作所が撮影した高品質で無料の青いバケツに「MERCO」と書かれたラベルが付いている写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Mon, 13 May 2024 20:12:13 GMT</pubDate>
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            <media:description><![CDATA[つばさ製作所が撮影した高品質で無料の青いバケツに「MERCO」と書かれたラベルが付いている写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[白い木製のスタンドに置かれたサボテンの鉢 Merci Paris の文字が見える | mire2024]]></title>
          <link>https://www.cizucu.com/photos/dI1NJ5GbalQljFbnrg7m</link>
          <description><![CDATA[mire2024が撮影した高品質で無料の白い木製のスタンドに置かれたサボテンの鉢 Merci Paris の文字が見える写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Mon, 20 May 2024 16:45:07 GMT</pubDate>
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            <media:description><![CDATA[mire2024が撮影した高品質で無料の白い木製のスタンドに置かれたサボテンの鉢 Merci Paris の文字が見える写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[風に揺れる白いススキの穂と色づいた木々の背景 | しずか]]></title>
          <link>https://www.cizucu.com/photos/imyOI1mtla7UA9C0peFJ</link>
          <description><![CDATA[しずかが撮影した高品質で無料の風に揺れる白いススキの穂と色づいた木々の背景写真をcizucuでダウンロードしましょう。]]></description>
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            <name>しずか</name>
            <uri>https://www.cizucu.com/calm739sea</uri>
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          <pubDate>Mon, 06 Jan 2025 09:11:40 GMT</pubDate>
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            <media:title><![CDATA[風に揺れる白いススキの穂と色づいた木々の背景 | しずか]]></media:title>
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            <media:description><![CDATA[しずかが撮影した高品質で無料の風に揺れる白いススキの穂と色づいた木々の背景写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[Close-up of a lush green barley field with detailed focus on the spikes and stems. | Matthieu]]></title>
          <link>https://www.cizucu.com/photos/aIpmISUF1oEVQwC51aMx</link>
          <description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Matthieu</name>
            <uri>https://www.cizucu.com/matthieu</uri>
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          <pubDate>Mon, 09 Feb 2026 00:53:17 GMT</pubDate>
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            <media:title><![CDATA[Close-up of a lush green barley field with detailed focus on the spikes and stems. | Matthieu]]></media:title>
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            <media:description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></title>
          <link>https://www.cizucu.com/photos/V5JHBW1HDaXNSD8IsPHt</link>
          <description><![CDATA[cizucuでSaikiran Kesariさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Saikiran Kesari</name>
            <uri>https://www.cizucu.com/users/7yxwA3chDThYdBy723P8VLpXbGP2</uri>
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          <pubDate>Sun, 15 Mar 2026 19:21:10 GMT</pubDate>
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            <media:title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></media:title>
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            <media:description><![CDATA[cizucuでSaikiran Kesariさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[cizucuでEli Mastaineさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Eli Mastaine</name>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[cizucuでEli Mastaineさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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