Maresの写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/mares ja 2026-04-13T17:34:18+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Mars Attacks #monochrome #影 | Keiji]]> https://www.cizucu.com/photos/K3epbFfaRRCLwaA7TE7v Keiji https://www.cizucu.com/users/y5FSK3xKJebrNBghFnf0Ouc9R0A2 https://www.cizucu.com/photos/K3epbFfaRRCLwaA7TE7v Mon, 10 Mar 2025 14:12:33 GMT 2025-03-15T14:19:05+09:00 https://cdn.cizucu.com/images/photos/K3epbFfaRRCLwaA7TE7v.jpg?auto=compress,format <![CDATA[Beautiful twilight,which makes everything something great. | Yosuke0312]]> https://www.cizucu.com/photos/VBdCvQDCMNw6gUYCoO8n Yosuke0312 https://www.cizucu.com/users/Wq6tVKsLfQM2RvL8nqY7YJQCtX12 https://www.cizucu.com/photos/VBdCvQDCMNw6gUYCoO8n Wed, 20 Aug 2025 19:55:33 GMT 2025-08-20T19:55:33+09:00 https://cdn.cizucu.com/images/photos/VBdCvQDCMNw6gUYCoO8n.jpg?auto=compress,format <![CDATA[evoking a daydream on a long train journey.. an expansive view obscured by focal plane, wandering attention snagged by the marks on a window. a tactile frame with detail to explore. | Will Edgecombe]]> https://www.cizucu.com/photos/0OASxuDo1UZDiy38GrD8 Will Edgecombe https://www.cizucu.com/users/2Qruqu16Z6XaZWmxg3QduFWWW8N2 https://www.cizucu.com/photos/0OASxuDo1UZDiy38GrD8 Fri, 03 Apr 2026 19:15:28 GMT 2026-04-03T19:15:28+09:00 https://cdn.cizucu.com/images/photos/0OASxuDo1UZDiy38GrD8.jpg?auto=compress,format <![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love. Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at. Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]> https://www.cizucu.com/photos/ZQHacQXu07BRd1Co53gt Lousycameraman https://www.cizucu.com/lousycameraman https://www.cizucu.com/photos/ZQHacQXu07BRd1Co53gt Tue, 20 Jan 2026 13:05:15 GMT 2026-01-20T13:05:15+09:00 https://cdn.cizucu.com/images/photos/ZQHacQXu07BRd1Co53gt.jpg?auto=compress,format <![CDATA[As I explored Taiwan, I stumbled upon a quiet moment where everyone gathered to watch the sun set. The sky burned gold as the light softened the world into silhouettes. The kind of light that makes strangers pause , and for me, snap. I realised that day that some photographs simply aren’t planned. You just happen to be there to enjoy the moment when the whole world turns into shadows and gold. | katherine]]> https://www.cizucu.com/photos/tHvwyDigfPeMjxFym1yk katherine https://www.cizucu.com/users/v1guRGNcdDZYl0ZFCKVnyiYVO8u1 https://www.cizucu.com/photos/tHvwyDigfPeMjxFym1yk Fri, 06 Mar 2026 13:42:20 GMT 2026-03-06T13:42:20+09:00 https://cdn.cizucu.com/images/photos/tHvwyDigfPeMjxFym1yk.jpg?auto=compress,format <![CDATA[8/6 原爆の日 今年で被爆80周年🕊️ 緑に囲まれ静かにたたずむ原爆ドームに平和への祈りを込めて。 広島平和記念公園 原爆ドーム August 6 – Hiroshima Peace Memorial Day This year marks 80 years since the atomic bombing.🕊️ Surrounded by greenery, the Atomic Bomb Dome stands quietly— a symbol of peace and remembrance. | decomp3104]]> https://www.cizucu.com/photos/vdUuGtdVrTCv06zDWXms decomp3104 https://www.cizucu.com/users/lkDmAViQFXdT22UdWx6zk9WOUqt1 https://www.cizucu.com/photos/vdUuGtdVrTCv06zDWXms Wed, 06 Aug 2025 15:22:28 GMT 2025-08-06T15:22:28+09:00 https://cdn.cizucu.com/images/photos/vdUuGtdVrTCv06zDWXms.jpg?auto=compress,format <![CDATA[This is the very first photo I took in Bangkok. I started a new life 6 months ago. I was exploring the city by foot, trying to find my marks and get a feel of my new home. Walking past a camera store, I thought I might as well do that with a camera in my hand. Got my little Fuji, and took that picture that evening. That night, I fell in love with the city and the camera. | Simon]]> https://www.cizucu.com/photos/mvtLgeW39nYXmUVC8eS7 Simon https://www.cizucu.com/users/zDZjqKIYEqOdnV1Nof1oBTdK9dp2 https://www.cizucu.com/photos/mvtLgeW39nYXmUVC8eS7 Wed, 01 Apr 2026 13:14:36 GMT 2026-04-01T13:14:36+09:00 https://cdn.cizucu.com/images/photos/mvtLgeW39nYXmUVC8eS7.jpg?auto=compress,format <![CDATA[This is the very first photo I took in Bangkok. I started a new life 6 months ago. I was exploring the city by foot, trying to find my marks and get a feel of my new home. Walking past a camera store, I thought I might as well do that with a camera in my hand. Got my little Fuji, and took that picture that evening. That night, I fell in love with the city and the camera. | Simon]]> https://www.cizucu.com/photos/A16FhBq8c6PzKNA4bvYB Simon https://www.cizucu.com/users/zDZjqKIYEqOdnV1Nof1oBTdK9dp2 https://www.cizucu.com/photos/A16FhBq8c6PzKNA4bvYB Wed, 01 Apr 2026 13:07:38 GMT 2026-04-01T13:07:38+09:00 https://cdn.cizucu.com/images/photos/A16FhBq8c6PzKNA4bvYB.jpg?auto=compress,format <![CDATA[You are an ‘Art’ to Someone You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love” | Drishti Gowda]]> https://www.cizucu.com/photos/Q2UXrVZSja44vDkW9rcV Drishti Gowda https://www.cizucu.com/users/pz5fnme1yVgVSeHjB4YtCunhYCC3 https://www.cizucu.com/photos/Q2UXrVZSja44vDkW9rcV Fri, 20 Mar 2026 23:28:12 GMT 2026-03-20T23:28:12+09:00 https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=compress,format <![CDATA[As I explored the Blue Pools Track with my family in New Zealand, I remember standing on the bridge and taking the scenery in, until I looked down and was immediately drawn to the silhouettes of the people on the bridge. This moment was all that I wanted to capture - the calm amidst the chaos, the clear blue waters, and the people I love in a unique way. For now, I am still learning how to look - what catches my eye, what feels gentle, what makes me pause a little longer. This is just a glimpse into a collection of things I like, things I notice, and moments that make me feel warm. | chloeyoshi]]> https://www.cizucu.com/photos/Ba4TB7s4q4GfqChvKpfc chloeyoshi https://www.cizucu.com/users/2MxRZFpbNCV1cBQMPxMRXxhfYCp2 https://www.cizucu.com/photos/Ba4TB7s4q4GfqChvKpfc Mon, 19 Jan 2026 00:36:28 GMT 2026-01-19T00:36:28+09:00 https://cdn.cizucu.com/images/photos/Ba4TB7s4q4GfqChvKpfc.jpg?auto=compress,format <![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory. Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]> https://www.cizucu.com/photos/AT0547TetpyjwEl35ryF Franco Volpi https://www.cizucu.com/users/koYtNqNSKaZsk6JSlEAEA3jrODf2 https://www.cizucu.com/photos/AT0547TetpyjwEl35ryF Tue, 31 Mar 2026 02:52:38 GMT 2026-03-31T02:52:38+09:00 https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format <![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]> https://www.cizucu.com/photos/ChiMNFFJvPO2199Rv4U0 umani https://www.cizucu.com/users/kBz7T7zF1ORMKMkyf0Iqik5Tzqc2 https://www.cizucu.com/photos/ChiMNFFJvPO2199Rv4U0 Sun, 17 Aug 2025 21:47:14 GMT 2025-08-17T21:47:14+09:00 https://cdn.cizucu.com/images/photos/ChiMNFFJvPO2199Rv4U0.jpg?auto=compress,format <![CDATA[I chose this photograph for exhibition because it stands apart from the kind of work I usually create. I was in the middle of photographing a model for a fashion shoot when I noticed a man standing nearby, looking back for just a brief moment. Instinctively, I captured the frame and immediately returned to the shoot. That is what I love most about photography — sometimes you simply find yourself in the right place, at the right time, with the right equipment, and a fleeting moment turns into an image that stays. What makes this photograph special to me is its universality. Although it was taken in the port area of Abu Dhabi, the scene feels unbound by geography. It could exist anywhere in the world, allowing the viewer to project their own place, story, and emotion onto the image. | Sahil Behal]]> https://www.cizucu.com/photos/rjer55thHVMbtuBogoMH Sahil Behal https://www.cizucu.com/users/XeckC7xNCDYufqsqfsUSbhiyJX82 https://www.cizucu.com/photos/rjer55thHVMbtuBogoMH Mon, 02 Mar 2026 22:08:35 GMT 2026-03-02T22:08:35+09:00 https://cdn.cizucu.com/images/photos/rjer55thHVMbtuBogoMH.jpg?auto=compress,format <![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]> https://www.cizucu.com/photos/u35nF2vuBkD5ZcGa44FI Nandan Nabodit https://www.cizucu.com/nandannabodit https://www.cizucu.com/photos/u35nF2vuBkD5ZcGa44FI Fri, 13 Mar 2026 16:26:03 GMT 2026-03-13T16:26:03+09:00 https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format <![CDATA[This photograph marks the first friendship I made on my first trip to Japan. This is Ujiie Yoshihiro, owner of Black Sun Jazz Club in Kabukicho, Shinjuku. On my first evening in Shinjuku, I stumbled into his bar by chance. From our very first interaction, it became my local—somewhere I returned to every day. I took his portrait that first night, and it meant so much to him that when I returned to Japan, I made a second portrait. This image will always remind me of the warmth and kindness I experienced in a place I knew nothing about, completely on my own. I always admired Hiro’s pride in his work and the camaraderie he created around him. Hiro, as he likes to be called, welcomed me in on my first night and unknowingly gave me a place to belong. His warmth and kindness, turned a chance encounter into a lasting reason to return. | Kareem Berjaoui]]> https://www.cizucu.com/photos/sOoasdotjJpjFnWuEqRS Kareem Berjaoui https://www.cizucu.com/users/0fsUXs83nuesmcNc2p8jL7bOmD02 https://www.cizucu.com/photos/sOoasdotjJpjFnWuEqRS Mon, 09 Feb 2026 19:31:18 GMT 2026-02-09T19:31:18+09:00 https://cdn.cizucu.com/images/photos/sOoasdotjJpjFnWuEqRS.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/photos/v0tznKhGxq4p8f6QJS7I JoJo Tsai 蔡易蓁 https://www.cizucu.com/jojotsai https://www.cizucu.com/photos/v0tznKhGxq4p8f6QJS7I Thu, 19 Feb 2026 04:15:08 GMT 2026-02-19T04:15:08+09:00 https://cdn.cizucu.com/images/photos/v0tznKhGxq4p8f6QJS7I.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/photos/M1X8wUZ1MnOhWKaCnonb JoJo Tsai 蔡易蓁 https://www.cizucu.com/jojotsai https://www.cizucu.com/photos/M1X8wUZ1MnOhWKaCnonb Thu, 19 Feb 2026 04:18:22 GMT 2026-02-19T04:18:22+09:00 https://cdn.cizucu.com/images/photos/M1X8wUZ1MnOhWKaCnonb.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format