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      <title>Magazineの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Magazineから厳選した6点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[A cup of coffee  #coffee #magazine | Shimakou]]></title>
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          <description><![CDATA[Shimakouが撮影した高品質で無料の赤い表紙の本と白いコーヒーカップが黒い背景に置かれている写真をcizucuでダウンロードしましょう。]]></description>
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          <pubDate>Fri, 04 Aug 2023 13:51:16 GMT</pubDate>
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          <title><![CDATA[Interior in grey with VICTORY magazine #victorymagazine #interior #composition | hikaru masamiya]]></title>
          <link>https://www.cizucu.com/photos/eMznX1E9T9llsa1PsicP</link>
          <description><![CDATA[hikaru masamiyaが撮影した高品質で無料のテーブルの上に置かれた二冊の雑誌の表紙が見える 背景は木製のフロア写真をcizucuでダウンロードしましょう。]]></description>
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            <name>hikaru masamiya</name>
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          <pubDate>Thu, 09 Feb 2023 13:55:17 GMT</pubDate>
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          <title><![CDATA[#popeye #books #magazine | Yusei]]></title>
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          <description><![CDATA[cizucuでYuseiさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Yusei</name>
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          <pubDate>Thu, 23 Mar 2023 17:58:57 GMT</pubDate>
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            <media:description><![CDATA[cizucuでYuseiさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[「Threads × cizucu Magazine」「nature」 | 呂 榮烜]]></title>
          <link>https://www.cizucu.com/photos/psa0Flprt7pXnp8kTDbd</link>
          <description><![CDATA[cizucuで呂 榮烜さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>呂 榮烜</name>
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          <pubDate>Tue, 10 Feb 2026 12:27:33 GMT</pubDate>
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            <media:description><![CDATA[cizucuで呂 榮烜さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[<Before Frame One>  光落下的地方，剛好是開始。 把日子捲進片匣，也捲進自己的一部分。  Where the light fell, a beginning quietly took shape. Rolling the day into the film magazine, I tuck away a part of myself. | Roger Huang]]></title>
          <link>https://www.cizucu.com/photos/gAT4n7gA28NGwB8OhKz5</link>
          <description><![CDATA[cizucuでRoger Huangさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Roger Huang</name>
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          <pubDate>Tue, 18 Nov 2025 23:27:38 GMT</pubDate>
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            <media:description><![CDATA[cizucuでRoger Huangさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Lucho Dávila</name>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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