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      <title>Lokalesの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Lokalesから厳選した5点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[This was a picture taken in Hoi A depicting the everyday life of the locals here. | Keira Low]]></title>
          <link>https://www.cizucu.com/photos/gn7rBr4E4Rnq01aQpzUi</link>
          <description><![CDATA[cizucuでKeira Lowさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Keira Low</name>
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          <pubDate>Mon, 02 Feb 2026 17:51:21 GMT</pubDate>
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            <media:description><![CDATA[cizucuでKeira Lowさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Buddhist monks take a daily trip downriver to receive alms from locals at a morning market. | Alexander Strandlien]]></title>
          <link>https://www.cizucu.com/photos/K0PTCcObxrEKvf9LHyHV</link>
          <description><![CDATA[cizucuでAlexander Strandlienさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Alexander Strandlien</name>
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          <pubDate>Tue, 07 Apr 2026 13:22:12 GMT</pubDate>
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            <media:title><![CDATA[Buddhist monks take a daily trip downriver to receive alms from locals at a morning market. | Alexander Strandlien]]></media:title>
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            <media:description><![CDATA[cizucuでAlexander Strandlienさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This was taken at the forbidden palace, and shows the aspects of people and locals going there.  | Keira Low]]></title>
          <link>https://www.cizucu.com/photos/hPyM2YnxtWqjr7t1CTBk</link>
          <description><![CDATA[cizucuでKeira Lowさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Keira Low</name>
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          <pubDate>Tue, 03 Feb 2026 07:55:37 GMT</pubDate>
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            <media:title><![CDATA[This was taken at the forbidden palace, and shows the aspects of people and locals going there.  | Keira Low]]></media:title>
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            <media:description><![CDATA[cizucuでKeira Lowさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]></title>
          <link>https://www.cizucu.com/photos/p5LpWRZZdSfzF4LfqujX</link>
          <description><![CDATA[cizucuでtoot_a_lootさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Tue, 13 Jan 2026 16:48:53 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]></media:title>
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            <media:description><![CDATA[cizucuでtoot_a_lootさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
          <link>https://www.cizucu.com/photos/RsubPbXXibrVGCnrOtp8</link>
          <description><![CDATA[cizucuでYash Raneさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Yash Rane</name>
            <uri>https://www.cizucu.com/users/p4C2inUv1ih89epMzxU1Djvz4B03</uri>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
          <atom:updated>2026-03-13T17:52:43+09:00</atom:updated>
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            <media:title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></media:title>
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            <media:description><![CDATA[cizucuでYash Raneさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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