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      <description><![CDATA[Lerengから厳選した17点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[COSTA SERENA  #船　#神戸　#夜　#港 | neuronnyoro]]></title>
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          <title><![CDATA[天空テラスから望む冬の天の川  2025/02/28 再現時刻 19:46 eos6D HKIR ＋ Samyang12㎜ f2.8 fisheye　LeeNo.1（1/2） iso12800 f2.8 15秒 × 64枚  #星 #星空 #星景 #星景写真 #新星景写真 #夜空 #天の川 #銀河 #天の川銀河 #オリオン座 #スキー場 #雪原 #雪 | Makoto.S204]]></title>
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          <description><![CDATA[Makoto.S204が撮影した高品質で無料の夜空に広がる天の川とブランコがある美しい風景写真をcizucuでダウンロードしましょう。]]></description>
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          <title><![CDATA[A serene view of layered mountain ranges at sunrise, with soft blue and orange hues in the sky. | Matthieu]]></title>
          <link>https://www.cizucu.com/photos/WEgK4cDttMYJVHws18ft</link>
          <description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Matthieu</name>
            <uri>https://www.cizucu.com/matthieu</uri>
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            <media:description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[A dense forest of tall, slender trees with textured bark and sparse branches, creating a serene and natural landscape. | Matthieu]]></title>
          <link>https://www.cizucu.com/photos/fWXfbb7C8ltAkGlyU0I1</link>
          <description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Matthieu</name>
            <uri>https://www.cizucu.com/matthieu</uri>
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          <pubDate>Mon, 09 Feb 2026 01:03:21 GMT</pubDate>
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            <media:description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></title>
          <link>https://www.cizucu.com/photos/6uCpmEjJkySw2mqNfH48</link>
          <description><![CDATA[つばさ製作所が撮影した高品質で無料の黒と白の色調の屋外に立つマネキンたちと現代的な建物写真をcizucuでダウンロードしましょう。]]></description>
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            <name>つばさ製作所</name>
            <uri>https://www.cizucu.com/tsubasa_mfg</uri>
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          <pubDate>Thu, 08 Aug 2024 22:19:29 GMT</pubDate>
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            <media:title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></media:title>
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          <title><![CDATA[A serene landscape of mountains rising above a blanket of fog during sunrise, with soft pink and blue hues in the sky. | Matthieu]]></title>
          <link>https://www.cizucu.com/photos/VIJrDmHH8StleHlOuzNZ</link>
          <description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Matthieu</name>
            <uri>https://www.cizucu.com/matthieu</uri>
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          <pubDate>Mon, 09 Feb 2026 01:04:08 GMT</pubDate>
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            <media:description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[冬から春へ、再生 Bereite dich zu leben! Aufersteh’n wirst du in einem Nu! 生きるための準備をせよ お前は瞬時に復活するのだ  #びわ湖ホール #マーラー #交響曲 #復活 #Mahler #symphony #2 | 刈外モヤ]]></title>
          <link>https://www.cizucu.com/photos/ePwY6RkRuxrwpVBn7uvd</link>
          <description><![CDATA[cizucuで刈外モヤさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>刈外モヤ</name>
            <uri>https://www.cizucu.com/karisoto_moya</uri>
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          <pubDate>Wed, 30 Apr 2025 23:21:46 GMT</pubDate>
          <atom:updated>2025-04-30T23:22:11+09:00</atom:updated>
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            <media:description><![CDATA[cizucuで刈外モヤさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[雪の牧場から望む夏銀河  2025/03/01 再現時刻 04:33 eos6D HKIR ＋ Samyang12㎜ f2.8 fisheye　LeeNo.1（1/2） iso12800 f2.8 15秒 × 100枚  #星 #星空 #星景 #星景写真 #新星景写真 #夜空 #天の川 #銀河 #天の川銀河 #牧場 | Makoto.S204]]></title>
          <link>https://www.cizucu.com/photos/ViYAKPNQ8z7iDDNEvWyt</link>
          <description><![CDATA[cizucuでMakoto.S204さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Makoto.S204</name>
            <uri>https://www.cizucu.com/users/bpHqYNkANwhyeyrnedD8KbmcoUF2</uri>
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          <pubDate>Wed, 16 Apr 2025 23:13:48 GMT</pubDate>
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            <media:description><![CDATA[cizucuでMakoto.S204さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]></title>
          <link>https://www.cizucu.com/photos/0OiIoYuBJeFD7umOgQ40</link>
          <description><![CDATA[cizucuでaman.photos_さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>aman.photos_</name>
            <uri>https://www.cizucu.com/users/3wmG5WMIIKTuwvn2q8wR0bNp4s52</uri>
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          <pubDate>Sat, 03 Jan 2026 18:05:01 GMT</pubDate>
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            <media:title><![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]></media:title>
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            <media:description><![CDATA[cizucuでaman.photos_さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[cizucuでUrashaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Urasha</name>
            <uri>https://www.cizucu.com/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
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            <media:description><![CDATA[cizucuでUrashaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>a.da.md</name>
            <uri>https://www.cizucu.com/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
          <atom:updated>2026-01-18T15:17:34+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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            <media:description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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