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          <title><![CDATA[OLD TIME  #AKS #cityscape #board  | つばさ製作所]]></title>
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          <description><![CDATA[Download this high-quality free Blank signboard and orange cone at a street corner image by つばさ製作所 on cizucu.]]></description>
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          <pubDate>Thu, 30 Jan 2025 23:40:13 GMT</pubDate>
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          <title><![CDATA[#retro  The everyday life of the old lanes of Mumbai. | Shradhac]]></title>
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          <description><![CDATA[See more of Shradhac's photography on cizucu.]]></description>
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            <name>Shradhac</name>
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          <pubDate>Wed, 01 Apr 2026 15:50:07 GMT</pubDate>
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            <media:title><![CDATA[#retro  The everyday life of the old lanes of Mumbai. | Shradhac]]></media:title>
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          <title><![CDATA[If a city’s neon could breathe, it would be here in Dotonbori, lingering like a quiet thought. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/en/photos/LYgd5hUgVfm54JwdWNh5</link>
          <description><![CDATA[See more of Lawrence Liou's photography on cizucu.]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Sat, 21 Mar 2026 16:34:05 GMT</pubDate>
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          <title><![CDATA[They could fight us like an army if they chose to. | qwace.c]]></title>
          <link>https://www.cizucu.com/en/photos/txLmiTEjqlq4e53GPNSR</link>
          <description><![CDATA[See more of qwace.c's photography on cizucu.]]></description>
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          <pubDate>Sat, 18 Apr 2026 01:33:59 GMT</pubDate>
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          <title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
          <link>https://www.cizucu.com/en/photos/zeQBG1PWRCcLsqxhUIaK</link>
          <description><![CDATA[See more of Sam Ting's photography on cizucu.]]></description>
          <author>
            <name>Sam Ting</name>
            <uri>https://www.cizucu.com/en/users/S4JiP3bMWXdhjAT70s84hhyZHQE3</uri>
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          <pubDate>Wed, 04 Mar 2026 21:51:13 GMT</pubDate>
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            <media:title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></media:title>
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            <media:description><![CDATA[See more of Sam Ting's photography on cizucu.]]></media:description>
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          <title><![CDATA[Title: Midnight  The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
          <link>https://www.cizucu.com/en/photos/wVpXzN0qEuF4aZ4VjKcX</link>
          <description><![CDATA[See more of Sam Ting's photography on cizucu.]]></description>
          <author>
            <name>Sam Ting</name>
            <uri>https://www.cizucu.com/en/users/S4JiP3bMWXdhjAT70s84hhyZHQE3</uri>
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          <pubDate>Wed, 04 Mar 2026 21:49:14 GMT</pubDate>
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          <title><![CDATA[A typical afternoon in Kyoto in April where the old town soften by the arrival of cherry blossom season. Amid the movement of daily life, there is a subtle shift, a moment where people slow down to enjoy the beauty of the blossom.  | Felicity Gan]]></title>
          <link>https://www.cizucu.com/en/photos/fwb0ocveAgB84EBcbIJj</link>
          <description><![CDATA[See more of Felicity Gan's photography on cizucu.]]></description>
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            <name>Felicity Gan</name>
            <uri>https://www.cizucu.com/en/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:57:15 GMT</pubDate>
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            <media:title><![CDATA[A typical afternoon in Kyoto in April where the old town soften by the arrival of cherry blossom season. Amid the movement of daily life, there is a subtle shift, a moment where people slow down to enjoy the beauty of the blossom.  | Felicity Gan]]></media:title>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/en/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[See more of 熊寶's photography on cizucu.]]></description>
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            <name>熊寶</name>
            <uri>https://www.cizucu.com/en/users/zdddXarNsJdBtAS3ArljH0VHCDA2</uri>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[See more of 熊寶's photography on cizucu.]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/en/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[See more of analogbysissi's photography on cizucu.]]></description>
          <author>
            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/en/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
          <atom:updated>2026-03-25T15:24:24+09:00</atom:updated>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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            <media:description><![CDATA[See more of analogbysissi's photography on cizucu.]]></media:description>
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          <title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></title>
          <link>https://www.cizucu.com/en/photos/PX9Bj4iUmBnjDhCqkLVD</link>
          <description><![CDATA[See more of Kentledger's photography on cizucu.]]></description>
          <author>
            <name>Kentledger</name>
            <uri>https://www.cizucu.com/en/users/VAX9ZsNxAsUqISCWDLI5s5TwTWp2</uri>
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          <pubDate>Mon, 06 Apr 2026 07:52:56 GMT</pubDate>
          <atom:updated>2026-04-06T07:52:56+09:00</atom:updated>
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            <media:title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PX9Bj4iUmBnjDhCqkLVD.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[See more of Kentledger's photography on cizucu.]]></media:description>
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          <title><![CDATA[Mont Saint Michel, taken from Saint Jean Le Thomas where one of my dear friend used to live before he passed away on 2010. Thousand of memories have been made since then until now. Waves that have been rushing to shore over and over like memories that come up and replace the old ones, but yet not completely. | varaporn (cafedeparis)]]></title>
          <link>https://www.cizucu.com/en/photos/7xN5HDBqrIaVE8aoJIRj</link>
          <description><![CDATA[See more of varaporn (cafedeparis)'s photography on cizucu.]]></description>
          <author>
            <name>varaporn (cafedeparis)</name>
            <uri>https://www.cizucu.com/en/users/WXh76qW5BCc3G8zU9YVJjrjnVwM2</uri>
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          <pubDate>Sun, 22 Mar 2026 01:40:09 GMT</pubDate>
          <atom:updated>2026-03-22T01:40:09+09:00</atom:updated>
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            <media:title><![CDATA[Mont Saint Michel, taken from Saint Jean Le Thomas where one of my dear friend used to live before he passed away on 2010. Thousand of memories have been made since then until now. Waves that have been rushing to shore over and over like memories that come up and replace the old ones, but yet not completely. | varaporn (cafedeparis)]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/7xN5HDBqrIaVE8aoJIRj.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[See more of varaporn (cafedeparis)'s photography on cizucu.]]></media:description>
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          <title><![CDATA[You’re 23, young, passionate and in love both figuratively and quite literally in the city of your dreams. A time where you can be exuberantly drunk on wine on a cold December night setting out with your lover, with rose tinted cheeks on your way to get a glimpse of what your life soon might look like. That night you sip on cocktails, steal kisses as you leave your bootprints on the snow covered New York streets, walk into book stores only to imagine your name on the ‘Pulitzer Prize’ shelf and end the night by breathing in the intoxication of your dreams taking form into reality.  | Drishti Gowda]]></title>
          <link>https://www.cizucu.com/en/photos/4bFg20Ue04dl04XIROsq</link>
          <description><![CDATA[See more of Drishti Gowda's photography on cizucu.]]></description>
          <author>
            <name>Drishti Gowda</name>
            <uri>https://www.cizucu.com/en/users/pz5fnme1yVgVSeHjB4YtCunhYCC3</uri>
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          <pubDate>Mon, 16 Mar 2026 23:23:15 GMT</pubDate>
          <atom:updated>2026-03-16T23:23:15+09:00</atom:updated>
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            <media:title><![CDATA[You’re 23, young, passionate and in love both figuratively and quite literally in the city of your dreams. A time where you can be exuberantly drunk on wine on a cold December night setting out with your lover, with rose tinted cheeks on your way to get a glimpse of what your life soon might look like. That night you sip on cocktails, steal kisses as you leave your bootprints on the snow covered New York streets, walk into book stores only to imagine your name on the ‘Pulitzer Prize’ shelf and end the night by breathing in the intoxication of your dreams taking form into reality.  | Drishti Gowda]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/4bFg20Ue04dl04XIROsq.jpg?fm=jpg" type="image/jpeg" width="1536" height="2048" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4bFg20Ue04dl04XIROsq.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4bFg20Ue04dl04XIROsq.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[See more of Drishti Gowda's photography on cizucu.]]></media:description>
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          <title><![CDATA[I took this photo almost 20 years ago. It's already a memory. A little girl and her grandmother, like a connection between generations. The old house - how many people it remembers, how much happiness, sorrow, and joy it's experienced - we can only imagine, peering into those windows. | Evgeny Andreev]]></title>
          <link>https://www.cizucu.com/en/photos/cfNa0eQQq0iSwBUWTQTU</link>
          <description><![CDATA[See more of Evgeny Andreev's photography on cizucu.]]></description>
          <author>
            <name>Evgeny Andreev</name>
            <uri>https://www.cizucu.com/en/users/T2AFmenIy9QstDLcfbocVq4tA0q1</uri>
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          <pubDate>Sun, 12 Apr 2026 14:04:28 GMT</pubDate>
          <atom:updated>2026-04-12T14:04:28+09:00</atom:updated>
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            <media:title><![CDATA[I took this photo almost 20 years ago. It's already a memory. A little girl and her grandmother, like a connection between generations. The old house - how many people it remembers, how much happiness, sorrow, and joy it's experienced - we can only imagine, peering into those windows. | Evgeny Andreev]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cfNa0eQQq0iSwBUWTQTU.jpg?fm=jpg" type="image/jpeg" width="2500" height="3535" />
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            <media:description><![CDATA[See more of Evgeny Andreev's photography on cizucu.]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/en/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[See more of Eli Mastaine's photography on cizucu.]]></description>
          <author>
            <name>Eli Mastaine</name>
            <uri>https://www.cizucu.com/en/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3</uri>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[See more of Eli Mastaine's photography on cizucu.]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/en/photos/jrUyyDVwvyIJ5TtiMGXS</link>
          <description><![CDATA[See more of Moodeeprincess's photography on cizucu.]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/en/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:44:38 GMT</pubDate>
          <atom:updated>2026-04-05T06:44:38+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:description><![CDATA[See more of Moodeeprincess's photography on cizucu.]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
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          <pubDate>Sun, 05 Apr 2026 06:46:15 GMT</pubDate>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
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          <title><![CDATA[This photo was taken with my first camera, a second-hand Nikon D5100 that my dad bought for me after I told him I wanted to make movies.  The girl in this photo was my best friend. She was the reason I felt brave enough to try so many new things,  because I knew she always had my back.  She’s still out there, living her life… we just don’t talk anymore.  On the surface, this photo feels ordinary. But to me, it holds everything, the camera, the place, and the dreams I used to have. It’s a quiet reminder of a version of my life I still miss. | NAREE W.]]></title>
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          <title><![CDATA[This photo was taken outside Vauxhall Station on a foggy day. I used my phone first. When I tried my camera, the bird was already gone. This moment could easily be lost.  For me, memory works the same way. It is fast, unclear, and we don’t have time to control it. We catch it with instinct, or we miss it.  This image became very popular online, more than many photos I carefully planned. It made me realise that being present is more important than being perfect. Sometimes instinct sees before we think. | Miha Spring]]></title>
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          <pubDate>Sat, 04 Apr 2026 20:54:09 GMT</pubDate>
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          <title><![CDATA[When I was 22 and fresh out of college, I spent every cent of my savings from part-time jobs on a 10-day solo trip to Japan. I only had my camera and a vintage lens—it was all I could afford back then. In Taiwan, I’d usually sleep until noon, but on that first solo journey, I was already out walking at 6 AM. I looked back and saw this scene... and I’ve never been able to forget it.  Camera Sony A7 Lens Pentax super takumar 55mm F1.8 | enzos.fotography]]></title>
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          <pubDate>Fri, 20 Feb 2026 12:33:31 GMT</pubDate>
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