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          <title><![CDATA[Hong Kong Tai Hang Incense Dragon dance performance #beyond | LukyPhotoDiary]]></title>
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          <title><![CDATA[がんばれ  #旅行　#卒業旅行　#沖縄　#日本　#琉球  #観光　#道路　#交通　#免許　#教習　#教習車　#仮免許　#路上教習　#応援　#trip #Okinawa #Japan #Ryukyu #traffic #license  #yell #canon | NOBU]]></title>
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          <description><![CDATA[NOBUが撮影した高品質で無料の白いタクシーが道路を走っている街の風景写真をcizucuでダウンロードしましょう。]]></description>
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          <title><![CDATA[#asia #incense #vietnam #ベトナム #線香 #春節 #テト #線香村 | YuKoreeda ]]></title>
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          <description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Tue, 20 Feb 2024 11:16:58 GMT</pubDate>
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            <media:description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[ベトナム、ハノイ近郊の線香を作る村  #テクスチャ #背景 #線香 #カラフル #ビビッド #red #yellow #green #insence #color #vivid | YuKoreeda ]]></title>
          <link>https://www.cizucu.com/photos/do80gn3JGQl0R5DKE6iP</link>
          <description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Wed, 07 Feb 2024 16:22:17 GMT</pubDate>
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          <title><![CDATA[#テクスチャ #背景 #線香 #カラフル #ビビッド #red #yellow #green #insence #color #vivid | YuKoreeda ]]></title>
          <link>https://www.cizucu.com/photos/MMoReZ5Es6kfje8PVXZQ</link>
          <description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Wed, 07 Feb 2024 16:21:52 GMT</pubDate>
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          <title><![CDATA[#vietnam #asia #incense #ベトナム #線香 #線香村 #春節 #東南アジア #生活 | YuKoreeda ]]></title>
          <link>https://www.cizucu.com/photos/nuW4PZrrcIe75oFPZNSj</link>
          <description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Tue, 20 Feb 2024 11:18:01 GMT</pubDate>
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          <title><![CDATA[ベトナム、ハノイの郊外にひたすら線香を作り続ける村があると聞いて。  #テクスチャ #背景 #線香 #カラフル #ビビッド #red #yellow #green #insence #color #vivid | YuKoreeda ]]></title>
          <link>https://www.cizucu.com/photos/88E4W0kcVJ4IK14pSx3s</link>
          <description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Wed, 07 Feb 2024 16:22:26 GMT</pubDate>
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          <title><![CDATA[A late-night mind, full of bottled-up words after a long day that was good and bad at the same time, and then I saw this light. A simple backlight that captured what I’ve been feeling this month: a constellation, almost a galaxy in warm tones, made of so many moments and intense emotions.  Canon 6D Mark II  | Rebecca Doracio]]></title>
          <link>https://www.cizucu.com/photos/GWm3JDguQueY5RB3ejAH</link>
          <description><![CDATA[cizucuでRebecca Doracioさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Sun, 22 Mar 2026 01:47:12 GMT</pubDate>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/photos/2Qk09EFhCZ79yTviARjw</link>
          <description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>kelvintetsuya</name>
            <uri>https://www.cizucu.com/users/Y9dOOQ3yyXfiOjiYVyOhdfZOanS2</uri>
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          <pubDate>Wed, 18 Feb 2026 02:17:53 GMT</pubDate>
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            <media:description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/photos/nzPjCStIaDaI13iYDJl2</link>
          <description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>kelvintetsuya</name>
            <uri>https://www.cizucu.com/users/Y9dOOQ3yyXfiOjiYVyOhdfZOanS2</uri>
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          <pubDate>Wed, 18 Feb 2026 02:32:54 GMT</pubDate>
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            <media:description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[cizucuでJasmine Ee (Wildlife with Jas)さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-03-16T19:26:03+09:00</atom:updated>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[cizucuでJasmine Ee (Wildlife with Jas)さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/photos/1eyhxZQn4uTXWO7fHhv6</link>
          <description><![CDATA[cizucuでJasmine Ee (Wildlife with Jas)さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Sat, 24 Jan 2026 20:08:23 GMT</pubDate>
          <atom:updated>2026-01-24T20:08:23+09:00</atom:updated>
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            <media:description><![CDATA[cizucuでJasmine Ee (Wildlife with Jas)さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[cizucuでEli Mastaineさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Eli Mastaine</name>
            <uri>https://www.cizucu.com/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3</uri>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[cizucuでEli Mastaineさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[I had always wanted to visit Leh. I just didn’t expect my first time to be this intense—or this unforgettable. I was invited by Mahindra Adventure for the Mahindra Snow Expedition. –20°C. 17,000 feet above sea level. Miles of snow, silence, and uncertainty. My only job was to capture the moment. But at that altitude, even standing still feels like work. Physically and mentally, it pushed me harder than I imagined. Hot water, constant breaks, and very little margin for error. And then this frame happened. A bucket-list shot, in conditions I may never experience again. I didn’t expect it to be this beautiful. I didn’t expect it to feel like heaven. Some journeys don’t repeat themselves. They just stay with you. | Yash dhoka]]></title>
          <link>https://www.cizucu.com/photos/JzhWkzcCN1WHPw5rV3jN</link>
          <description><![CDATA[cizucuでYash dhokaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Yash dhoka</name>
            <uri>https://www.cizucu.com/users/G7oVNAUqu4hYyNzO4uVRIM6tPd43</uri>
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          <pubDate>Wed, 04 Mar 2026 18:28:46 GMT</pubDate>
          <atom:updated>2026-03-04T18:28:46+09:00</atom:updated>
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            <media:title><![CDATA[I had always wanted to visit Leh. I just didn’t expect my first time to be this intense—or this unforgettable. I was invited by Mahindra Adventure for the Mahindra Snow Expedition. –20°C. 17,000 feet above sea level. Miles of snow, silence, and uncertainty. My only job was to capture the moment. But at that altitude, even standing still feels like work. Physically and mentally, it pushed me harder than I imagined. Hot water, constant breaks, and very little margin for error. And then this frame happened. A bucket-list shot, in conditions I may never experience again. I didn’t expect it to be this beautiful. I didn’t expect it to feel like heaven. Some journeys don’t repeat themselves. They just stay with you. | Yash dhoka]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでYash dhokaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>a.da.md</name>
            <uri>https://www.cizucu.com/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
          <atom:updated>2026-01-18T15:17:34+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?fm=jpg" type="image/jpeg" width="2498" height="4000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>a.da.md</name>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
          <atom:updated>2026-01-18T16:03:24+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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          <title><![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]></title>
          <link>https://www.cizucu.com/photos/ZnyO3IOFX2BuEHliyvOr</link>
          <description><![CDATA[cizucuでDanielさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Daniel</name>
            <uri>https://www.cizucu.com/users/ZaW40P2crvZXPdx6NEX1YL6WGrp1</uri>
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          <pubDate>Sun, 05 Apr 2026 19:57:46 GMT</pubDate>
          <atom:updated>2026-04-05T19:57:46+09:00</atom:updated>
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            <media:title><![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]></media:title>
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            <media:description><![CDATA[cizucuでDanielさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photograph was taken at Badwater Basin in Death Valley National Park, USA, at around 6:30 in the evening during golden hour. In the distance, three people sat quietly on the vast salt flats. Before them stood a mountain range, with the sun slowly descending behind it. Seeing this scene, I instinctively raised my camera and pressed the shutter.  What moved me in that moment was the quiet power of nature, its scale, its stillness, and its beauty.  Standing there, I felt how small we are in comparison, and how many of the worries we carry in daily life fade when placed against something so immense.  Compared to the world, to nature, or even to the universe, those concerns suddenly feel insignificant. | josecheang]]></title>
          <link>https://www.cizucu.com/photos/zk1DPuOPqv65Z91GXk21</link>
          <description><![CDATA[cizucuでjosecheangさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>josecheang</name>
            <uri>https://www.cizucu.com/users/z5wugtbtv9f74MnC8uEpqUTGj1U2</uri>
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          <pubDate>Thu, 15 Jan 2026 11:24:24 GMT</pubDate>
          <atom:updated>2026-01-15T11:24:24+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken at Badwater Basin in Death Valley National Park, USA, at around 6:30 in the evening during golden hour. In the distance, three people sat quietly on the vast salt flats. Before them stood a mountain range, with the sun slowly descending behind it. Seeing this scene, I instinctively raised my camera and pressed the shutter.  What moved me in that moment was the quiet power of nature, its scale, its stillness, and its beauty.  Standing there, I felt how small we are in comparison, and how many of the worries we carry in daily life fade when placed against something so immense.  Compared to the world, to nature, or even to the universe, those concerns suddenly feel insignificant. | josecheang]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zk1DPuOPqv65Z91GXk21.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zk1DPuOPqv65Z91GXk21.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでjosecheangさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/photos/bm1s4iqsLRZClLEvpQxw</link>
          <description><![CDATA[cizucuでNishikantsnapsさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
          <atom:updated>2026-03-13T13:43:41+09:00</atom:updated>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/bm1s4iqsLRZClLEvpQxw.jpg?fm=jpg" type="image/jpeg" width="2000" height="2500" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bm1s4iqsLRZClLEvpQxw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[cizucuでNishikantsnapsさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></title>
          <link>https://www.cizucu.com/photos/MCq2HUqc07Cf0tkiHfQs</link>
          <description><![CDATA[cizucuでNicholasさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Nicholas</name>
            <uri>https://www.cizucu.com/nickkloo</uri>
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          <pubDate>Sat, 17 Jan 2026 23:42:28 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></media:title>
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            <media:description><![CDATA[cizucuでNicholasさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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