Icônesの写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/ic%C3%B4nes ja 2026-04-15T22:12:16+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Behind the scenes | 好 | Kodai Yamashita]]> https://www.cizucu.com/photos/zcvBXFmvfaQKun1KDySh 好 | Kodai Yamashita https://www.cizucu.com/hao https://www.cizucu.com/photos/zcvBXFmvfaQKun1KDySh Wed, 15 Jan 2025 22:58:09 GMT 2025-01-16T19:20:32+09:00 https://cdn.cizucu.com/images/photos/zcvBXFmvfaQKun1KDySh.jpg?auto=compress,format <![CDATA[奥武島ハーリー #Water Scenes #モノクロ #奥武島ハーリー #爬竜船 ＃海神祭 #祭 ＃夏 #black and white | 永山敏也]]> https://www.cizucu.com/photos/ohpGllwziudunAvWKQX0 永山敏也 https://www.cizucu.com/users/NxPT7gZFqBMAkPJ6llWqPpyYzGC3 https://www.cizucu.com/photos/ohpGllwziudunAvWKQX0 Tue, 11 Jun 2024 08:44:19 GMT 2024-12-24T17:16:46+09:00 https://cdn.cizucu.com/images/photos/ohpGllwziudunAvWKQX0.jpg?auto=compress,format <![CDATA[海神祭 沖縄県南城市玉城の奥武島で行われた爬龍船競争。審判の合図で船をひっくり返し、再び体勢を立て直して競い合う転覆競争 #Water Scenes #奥武島ハーリー #ケンケーラーシー（転覆競争） | 永山敏也]]> https://www.cizucu.com/photos/ozuRx7dfNNsDDWPyk8Sk 永山敏也 https://www.cizucu.com/users/NxPT7gZFqBMAkPJ6llWqPpyYzGC3 https://www.cizucu.com/photos/ozuRx7dfNNsDDWPyk8Sk Tue, 18 Jun 2024 00:24:20 GMT 2024-06-18T18:37:50+09:00 https://cdn.cizucu.com/images/photos/ozuRx7dfNNsDDWPyk8Sk.jpg?auto=compress,format <![CDATA[クンケーラーシー(転覆競争) 旧暦5月4日 （ユッカヌヒー）の6月9日は、豊漁と航海安全を祈願する海神祭 沖縄県南城市玉城の奥武島で行われた爬龍船競争。審判の合図で船をひっくり返し、再び体勢を立て直して競い合う転覆競争（クンケーラーシー）に歓声 #Water Scenes #奥武島ハーリー #ケンケーラーシー(転覆競争) #海神祭 #祭 | 永山敏也]]> https://www.cizucu.com/photos/D2zVcAOUEtd4NSxc7Fcx 永山敏也 https://www.cizucu.com/users/NxPT7gZFqBMAkPJ6llWqPpyYzGC3 https://www.cizucu.com/photos/D2zVcAOUEtd4NSxc7Fcx Sun, 09 Jun 2024 17:19:39 GMT 2024-07-25T06:07:57+09:00 https://cdn.cizucu.com/images/photos/D2zVcAOUEtd4NSxc7Fcx.jpg?auto=compress,format <![CDATA[This image is from a music video by FahProud. I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer. I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]> https://www.cizucu.com/photos/wPDTNPZo39s5BEYDr2EV michaelsirachuch https://www.cizucu.com/michaelsirachuch https://www.cizucu.com/photos/wPDTNPZo39s5BEYDr2EV Fri, 10 Apr 2026 01:55:23 GMT 2026-04-10T01:55:23+09:00 https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?auto=compress,format <![CDATA[This was taken in a quiet Tokyo neighborhood at sunset. A delivery rider pausing for a moment between work and evening. I’m drawn to scenes like this, where ordinary life feels cinematic without trying to be. | verduyo]]> https://www.cizucu.com/photos/SkS1lCeyIKE8ppLHc4p8 verduyo https://www.cizucu.com/users/OqA7FRkK3pSMFeYF7yMGyjIC9IF3 https://www.cizucu.com/photos/SkS1lCeyIKE8ppLHc4p8 Fri, 10 Oct 2025 13:25:12 GMT 2025-10-10T13:25:12+09:00 https://cdn.cizucu.com/images/photos/SkS1lCeyIKE8ppLHc4p8.jpg?auto=compress,format <![CDATA[A shoreline moment where proximity and distance coexist. I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame. Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]> https://www.cizucu.com/photos/Zj6P1fgkM9oPCMFAGuev Adisatrya Johari https://www.cizucu.com/adisatryajohari https://www.cizucu.com/photos/Zj6P1fgkM9oPCMFAGuev Mon, 16 Mar 2026 13:12:44 GMT 2026-03-16T13:12:44+09:00 https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?auto=compress,format <![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]> https://www.cizucu.com/photos/FOivrtLqJYASxtRrBAel Joshua Chiew https://www.cizucu.com/users/lsHOdpuaCKci2liwdAwjQsD2Rja2 https://www.cizucu.com/photos/FOivrtLqJYASxtRrBAel Sun, 22 Mar 2026 23:07:39 GMT 2026-03-22T23:07:39+09:00 https://cdn.cizucu.com/images/photos/FOivrtLqJYASxtRrBAel.jpg?auto=compress,format <![CDATA[Although my work as a photographer usually leans toward more dynamic candid scenes, this photograph was taken in the quiet surroundings near my home in Vienna, Austria. In the morning, this is a time when working people and children on their way to school share the same streets. As I stepped out of my apartment, I captured the silhouette of a child standing still, watching a worker cleaning the windows of a tall building in the distance. | Chansik Park]]> https://www.cizucu.com/photos/DE50eyellrjhoyXSMp5E Chansik Park https://www.cizucu.com/musikael https://www.cizucu.com/photos/DE50eyellrjhoyXSMp5E Mon, 09 Feb 2026 18:56:56 GMT 2026-02-09T18:56:56+09:00 https://cdn.cizucu.com/images/photos/DE50eyellrjhoyXSMp5E.jpg?auto=compress,format <![CDATA[This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments. | Akshob Ram Kumar]]> https://www.cizucu.com/photos/1qSCLDbLWpeAHsWXsQ2o Akshob Ram Kumar https://www.cizucu.com/akvisuals04 https://www.cizucu.com/photos/1qSCLDbLWpeAHsWXsQ2o Mon, 26 Jan 2026 12:06:44 GMT 2026-01-26T12:06:44+09:00 https://cdn.cizucu.com/images/photos/1qSCLDbLWpeAHsWXsQ2o.jpg?auto=compress,format <![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]> https://www.cizucu.com/photos/SnkJJ24O9HQfvsmxIg1M Lee Mia https://www.cizucu.com/users/MknbfnePALYkgmaciy5ZWKr2Hi22 https://www.cizucu.com/photos/SnkJJ24O9HQfvsmxIg1M Sun, 11 Jan 2026 20:20:38 GMT 2026-01-11T20:20:38+09:00 https://cdn.cizucu.com/images/photos/SnkJJ24O9HQfvsmxIg1M.jpg?auto=compress,format <![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory. Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]> https://www.cizucu.com/photos/AT0547TetpyjwEl35ryF Franco Volpi https://www.cizucu.com/users/koYtNqNSKaZsk6JSlEAEA3jrODf2 https://www.cizucu.com/photos/AT0547TetpyjwEl35ryF Tue, 31 Mar 2026 02:52:38 GMT 2026-03-31T02:52:38+09:00 https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format <![CDATA[那天沒有特別的預兆，人們照常經過，步伐穩定而急促，像各自趕往既定的下一幕。 顏色被收進低調的灰與黑裡，連時間也顯得安靜而順從。 只有中央那一點紅，停在原地，像還沒被寫進故事的角色。 於是所有人繼續前行，而那個尚未開始的片段，被留在原處，等待被想起。 There was no omen that day. People passed by as usual, their steps steady and hurried, as if rushing toward their own predetermined next scenes. Colors were tucked away into muted grays and blacks; even time seemed quiet and submissive. Only that single speck of red in the center remained still—like a character yet to be written into the story. And so, everyone moved on, leaving that unbegun fragment behind, waiting to be remembered. | SSU JUNG-LIN]]> https://www.cizucu.com/photos/nrmMSu53qtACfC79tYUG SSU JUNG-LIN https://www.cizucu.com/users/3Gt1sECFJgTHYNVKKNZk1guHeOv1 https://www.cizucu.com/photos/nrmMSu53qtACfC79tYUG Sat, 11 Apr 2026 18:29:42 GMT 2026-04-11T18:29:42+09:00 https://cdn.cizucu.com/images/photos/nrmMSu53qtACfC79tYUG.jpg?auto=compress,format <![CDATA[There was a time when I truly loved working as a behind-the-scenes photographer. But I wasn’t just capturing moments, I was chasing stories, experimenting with new techniques, trying to see how far I could push a frame. This photo came from that phase. It almost looks like a hand reaching out, about to grab the woman’s head, something straight out of a horror film. But in reality, it was from a heartbreaking music video. I think that contrast says a lot about where my mind was back then. I miss that version of me, the one who kept trying, who wasn’t afraid to explore, even if the outcome was uncertain. That’s why I chose this as one of my memory photos. | NAREE W.]]> https://www.cizucu.com/photos/iKqqshPR8xDzThyxXEmt NAREE W. https://www.cizucu.com/users/kAsp1sNUqEPCVWiiJAlx4F22ZQx1 https://www.cizucu.com/photos/iKqqshPR8xDzThyxXEmt Sun, 12 Apr 2026 11:49:13 GMT 2026-04-12T11:49:13+09:00 https://cdn.cizucu.com/images/photos/iKqqshPR8xDzThyxXEmt.jpg?auto=compress,format <![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]> https://www.cizucu.com/photos/hgTYSErakAPBxlkfS9Iv a.da.md https://www.cizucu.com/users/wLkRPPkJVNhxaYlznXVZoat6s4h1 https://www.cizucu.com/photos/hgTYSErakAPBxlkfS9Iv Sun, 18 Jan 2026 15:17:34 GMT 2026-01-18T15:17:34+09:00 https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?auto=compress,format <![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]> https://www.cizucu.com/photos/5uQprujr5kh3O40uW4oI a.da.md https://www.cizucu.com/users/wLkRPPkJVNhxaYlznXVZoat6s4h1 https://www.cizucu.com/photos/5uQprujr5kh3O40uW4oI Sun, 18 Jan 2026 16:03:24 GMT 2026-01-18T16:03:24+09:00 https://cdn.cizucu.com/images/photos/5uQprujr5kh3O40uW4oI.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format