Fotos von Human Movement | Lizenzfreie und hochauflösende Bilder herunterladen https://www.cizucu.com/de/explore/photos/human-movement de 2026-05-14T12:17:53+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. de https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[mysteriöse Silhouette einer Person unter Wasser, gedämpftes blaues Licht | Babalson]]> https://www.cizucu.com/de/photos/kaI7Whz840nI9dJ5o78v Babalson https://www.cizucu.com/de/users/hW8vg1EQ26duIVsphScvFoiDBWQ2 https://www.cizucu.com/de/photos/kaI7Whz840nI9dJ5o78v Tue, 03 Jun 2025 21:06:41 GMT 2026-05-04T07:32:15+09:00 https://cdn.cizucu.com/images/photos/kaI7Whz840nI9dJ5o78v.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt. Gentle Protection and the Loneliness of Being. An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.” Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects. Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated. The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness. Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence. To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world. Gentleness can be observed.Loneliness must be endured. | Wee]]> https://www.cizucu.com/de/photos/mXCKJcjBdjZJvYzybHbi Wee https://www.cizucu.com/de/users/canqHYy9pXY5B11gyQqx3jcPe5z1 https://www.cizucu.com/de/photos/mXCKJcjBdjZJvYzybHbi Sun, 22 Feb 2026 16:57:32 GMT 2026-05-03T14:44:45+09:00 https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=format%2Ccompress&cs=srgb <![CDATA["The Subconscious Screams" Motion surrounds us, continuous and indifferent. The scream folds inward, unheard. In this tension between movement and stillness, the subconscious becomes the only voice, holding what cannot be expressed and be revealed. | BettyGoh]]> https://www.cizucu.com/de/photos/MRsr1Qr8mIhm1XFg4mdV BettyGoh https://www.cizucu.com/de/users/dw1FS99rP3ZGd9YjUL311B9kGzS2 https://www.cizucu.com/de/photos/MRsr1Qr8mIhm1XFg4mdV Thu, 08 Jan 2026 23:25:19 GMT 2026-01-17T23:00:09+09:00 https://cdn.cizucu.com/images/photos/MRsr1Qr8mIhm1XFg4mdV.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[A machine in motion – but never just about speed. This frame was created as part of 'THE CAR IS NOT THE SUBJECT', a campaign initiative for the rebrad launch of TSX Media – one that explores what exists beyond the surface, the person behind the drive, the weigh they carry and the quiet moments between them. Presented for exhibition with PPP, this piece became more than just an image. It became a meeting point – where automotive enthusiasts and first-time viewers stepped into the same space, seeing the culture not just for what it looks like, but for what it feels like. The late night drives. Unspoken moments. And the shared understanding between strangers who somehow feel the same thing on the road. This roller shot captures one of those moments – movement, control and everything carried in between. As we continue this campaign, the challenge becomes bigger than visuals: How do we make automotive culture more human? More open. More relatable. More felt – even to those outside it? This is just the beginning, from TSX Media's "THE CAR IS NOT THE SUBJECT" campaign – first driver feature <CRAZY HOURS> for Justin Sng. | TSX Media by Tay Sheng Xian]]> https://www.cizucu.com/de/photos/FokOgV4sHOPfJgbNKdWa TSX Media by Tay Sheng Xian https://www.cizucu.com/de/users/ZQiaJbqKsnMjnIathS6v8a0gcyt2 https://www.cizucu.com/de/photos/FokOgV4sHOPfJgbNKdWa Thu, 30 Apr 2026 19:42:09 GMT 2026-05-03T09:55:05+09:00 for Justin Sng. | TSX Media by Tay Sheng Xian]]> https://cdn.cizucu.com/images/photos/FokOgV4sHOPfJgbNKdWa.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/de/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/de/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/de/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-05-03T14:06:24+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=format%2Ccompress&cs=srgb