Flavorの写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/flavor ja 2026-04-16T04:44:04+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[光りが差すビルの空間 #morning #TRM #MNT #TOKYO #building #floor #cityscape | つばさ製作所]]> https://www.cizucu.com/photos/ujd3euNkz4FNxDRgtW96 つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/ujd3euNkz4FNxDRgtW96 Thu, 12 Dec 2024 21:42:54 GMT 2024-12-14T08:56:16+09:00 https://cdn.cizucu.com/images/photos/ujd3euNkz4FNxDRgtW96.jpg?auto=compress,format <![CDATA[ひっくり返し #rain #floor #Akasaka | つばさ製作所]]> https://www.cizucu.com/photos/0kZBFBYphnyDtWC9p9YX つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/0kZBFBYphnyDtWC9p9YX Wed, 25 Jun 2025 22:28:47 GMT 2025-06-25T22:28:47+09:00 https://cdn.cizucu.com/images/photos/0kZBFBYphnyDtWC9p9YX.jpg?auto=compress,format <![CDATA[よく磨かれた床 #reflection #floor #objects #cityscape #RPG1 #building #RPG #tokyo | つばさ製作所]]> https://www.cizucu.com/photos/zJdFRx5CPy31TPJjCZIY つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/zJdFRx5CPy31TPJjCZIY Sat, 26 Apr 2025 21:23:44 GMT 2025-04-26T21:24:10+09:00 https://cdn.cizucu.com/images/photos/zJdFRx5CPy31TPJjCZIY.jpg?auto=compress,format <![CDATA[Light of labor #nightlandscape #industrial | 卯月 彩耀 / Irumi Uzuki]]> https://www.cizucu.com/photos/aaMXRHZQwfLIaBTKwhzt 卯月 彩耀 / Irumi Uzuki https://www.cizucu.com/ver_mico https://www.cizucu.com/photos/aaMXRHZQwfLIaBTKwhzt Wed, 16 Apr 2025 12:50:01 GMT 2025-04-16T12:50:25+09:00 https://cdn.cizucu.com/images/photos/aaMXRHZQwfLIaBTKwhzt.jpg?auto=compress,format <![CDATA[Sun-Etched Light is not just seen; it is felt—etching the rhythm of palm leaves onto the cold stone floor. | phyyy]]> https://www.cizucu.com/photos/dLkiIn9sIo8dxVUx3LAy phyyy https://www.cizucu.com/users/Lv7oe9F7clT3PO3FMoBUmiq7Aw03 https://www.cizucu.com/photos/dLkiIn9sIo8dxVUx3LAy Fri, 03 Apr 2026 17:43:02 GMT 2026-04-03T17:43:02+09:00 https://cdn.cizucu.com/images/photos/dLkiIn9sIo8dxVUx3LAy.jpg?auto=compress,format <![CDATA[This was the view of Hongkong from the 100th floor of a building. There is a distinct separation of the city landscape and river filled with boats, with mountains in the background. | Keira Low]]> https://www.cizucu.com/photos/zu6P5kwxwUo2gkLuMyf2 Keira Low https://www.cizucu.com/kwiechaen https://www.cizucu.com/photos/zu6P5kwxwUo2gkLuMyf2 Tue, 03 Feb 2026 16:15:41 GMT 2026-02-03T16:15:41+09:00 https://cdn.cizucu.com/images/photos/zu6P5kwxwUo2gkLuMyf2.jpg?auto=compress,format <![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life. Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]> https://www.cizucu.com/photos/QSmZJSkwkQbEHeB2lxtJ Lawrence Liou https://www.cizucu.com/momoliou https://www.cizucu.com/photos/QSmZJSkwkQbEHeB2lxtJ Sat, 21 Mar 2026 13:53:18 GMT 2026-03-21T13:53:18+09:00 https://cdn.cizucu.com/images/photos/QSmZJSkwkQbEHeB2lxtJ.jpg?auto=compress,format <![CDATA[This photograph was taken on a final hike my best friend and I did before she went solo travelling to Australia. I’ve always loved how her hair changes in the sun, and I wanted to capture the moment before we got to the top. The memory is bittersweet as we were both on the floor laughing, and then ended the hike and said our goodbyes at home. | Churchill]]> https://www.cizucu.com/photos/oUYHSeKrhIEBvEF97AHH Churchill https://www.cizucu.com/users/5TF7TJOSpWXmTYjgj0QMqK6HBAJ3 https://www.cizucu.com/photos/oUYHSeKrhIEBvEF97AHH Mon, 06 Apr 2026 07:59:12 GMT 2026-04-06T07:59:12+09:00 https://cdn.cizucu.com/images/photos/oUYHSeKrhIEBvEF97AHH.jpg?auto=compress,format <![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]> https://www.cizucu.com/photos/tsl1VRZ8bYFrRR9EBMyT Danish Yaqin https://www.cizucu.com/users/U0nicaF4PrNvQcEZ3BVhE2iMrp23 https://www.cizucu.com/photos/tsl1VRZ8bYFrRR9EBMyT Thu, 15 Jan 2026 17:03:51 GMT 2026-01-15T17:03:51+09:00 https://cdn.cizucu.com/images/photos/tsl1VRZ8bYFrRR9EBMyT.jpg?auto=compress,format <![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me. Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo. #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]> https://www.cizucu.com/photos/ONcdjCaE4a7tXO0fGQKO Giuliana E. Miceli https://www.cizucu.com/users/X0Uppurh6OXofv9sRiTUGtUb9x73 https://www.cizucu.com/photos/ONcdjCaE4a7tXO0fGQKO Sat, 06 Dec 2025 13:27:26 GMT 2025-12-06T13:27:26+09:00 https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format <![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five. They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day. We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself. This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]> https://www.cizucu.com/photos/1IuVoF2K24vT83YiYK40 熊寶 https://www.cizucu.com/users/zdddXarNsJdBtAS3ArljH0VHCDA2 https://www.cizucu.com/photos/1IuVoF2K24vT83YiYK40 Tue, 14 Apr 2026 12:44:16 GMT 2026-04-14T12:44:16+09:00 https://cdn.cizucu.com/images/photos/1IuVoF2K24vT83YiYK40.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/photos/v0tznKhGxq4p8f6QJS7I JoJo Tsai 蔡易蓁 https://www.cizucu.com/jojotsai https://www.cizucu.com/photos/v0tznKhGxq4p8f6QJS7I Thu, 19 Feb 2026 04:15:08 GMT 2026-02-19T04:15:08+09:00 https://cdn.cizucu.com/images/photos/v0tznKhGxq4p8f6QJS7I.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/photos/M1X8wUZ1MnOhWKaCnonb JoJo Tsai 蔡易蓁 https://www.cizucu.com/jojotsai https://www.cizucu.com/photos/M1X8wUZ1MnOhWKaCnonb Thu, 19 Feb 2026 04:18:22 GMT 2026-02-19T04:18:22+09:00 https://cdn.cizucu.com/images/photos/M1X8wUZ1MnOhWKaCnonb.jpg?auto=compress,format