Familialの写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/familial ja 2026-04-13T03:44:13+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Families #crossing #AKS #MNT #TOKYO #cityscape | つばさ製作所]]> https://www.cizucu.com/photos/jdNcqsGlC6c2VeEuAX87 つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/jdNcqsGlC6c2VeEuAX87 Thu, 02 Jan 2025 20:18:37 GMT 2025-01-10T08:40:44+09:00 https://cdn.cizucu.com/images/photos/jdNcqsGlC6c2VeEuAX87.jpg?auto=compress,format <![CDATA[a familiar sight to me | Fuku]]> https://www.cizucu.com/photos/TILgL0uwnhkCsf208z1P Fuku https://www.cizucu.com/users/Lo4xAQwdapWoyx8TsG04rsQ1qef2 https://www.cizucu.com/photos/TILgL0uwnhkCsf208z1P Mon, 13 May 2024 00:13:00 GMT 2024-05-13T00:13:20+09:00 https://cdn.cizucu.com/images/photos/TILgL0uwnhkCsf208z1P.jpg?auto=compress,format <![CDATA[日常をもう一度見つける いつも通る道も、少しだけ違って見える Rediscover the everyday Even familiar streets can feel new again | benjamin]]> https://www.cizucu.com/photos/GSaA3tG4UVYRRzU9PI6V benjamin https://www.cizucu.com/benjamin https://www.cizucu.com/photos/GSaA3tG4UVYRRzU9PI6V Wed, 01 Apr 2026 20:08:01 GMT 2026-04-01T20:08:01+09:00 https://cdn.cizucu.com/images/photos/GSaA3tG4UVYRRzU9PI6V.jpg?auto=compress,format <![CDATA[This photo taken in Suzhou, China reminds of the quiet geometry of canals and alleys of the city. Taken in black-and-white, the edges dissolve and familiar forms become abstracted echoes. It is a small, personal testimony of feeling out of place and creating in that dislocation. | Darren Low]]> https://www.cizucu.com/photos/nZhFOLWeTups0HFJuNBJ Darren Low https://www.cizucu.com/users/8JLOzi8u1ocu6rE9SzLlkpjxVzn2 https://www.cizucu.com/photos/nZhFOLWeTups0HFJuNBJ Sun, 15 Mar 2026 11:44:02 GMT 2026-03-15T11:44:02+09:00 https://cdn.cizucu.com/images/photos/nZhFOLWeTups0HFJuNBJ.jpg?auto=compress,format <![CDATA[My visits to the temple at Outram always led me to see the uncle at the entrance. He’d sit in different spots within the entrance, always with his newspaper. For three weeks, I kept returning, waiting for the right moment. Finally, the familiar sight became something quietly unforgettable. | Akshob Ram Kumar]]> https://www.cizucu.com/photos/2dyfUd0oq2jQ8ucKQGjQ Akshob Ram Kumar https://www.cizucu.com/akvisuals04 https://www.cizucu.com/photos/2dyfUd0oq2jQ8ucKQGjQ Sat, 17 Jan 2026 01:43:58 GMT 2026-01-17T01:43:58+09:00 https://cdn.cizucu.com/images/photos/2dyfUd0oq2jQ8ucKQGjQ.jpg?auto=compress,format <![CDATA[Waiting at the threshold, a fleeting moment where time feels suspended. Captured at a quiet crossing, the scene reflects a familiar tension — the desire to move forward met by forces beyond our control. The passing train becomes both a literal and symbolic barrier, holding the subject in place. This work explores the space between intention and action, where hesitation, patience, and uncertainty intersect. | Watstory]]> https://www.cizucu.com/photos/v70dLjAT20dEzWH1yR6J Watstory https://www.cizucu.com/users/sZKmSLLjbeR3nrQBX2QuF6hUuAU2 https://www.cizucu.com/photos/v70dLjAT20dEzWH1yR6J Mon, 06 Apr 2026 03:52:17 GMT 2026-04-06T03:52:17+09:00 https://cdn.cizucu.com/images/photos/v70dLjAT20dEzWH1yR6J.jpg?auto=compress,format <![CDATA[March, Unlived I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence. In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls. Here, where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between. And yet I find myself missing that fragile hesitation. The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months. I traded that uncertainty for endless warmth, for skies that do not question themselves. But March— March was never about certainty. It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return. Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole. And here, palm leaves move without memory. I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility. And maybe that is what I miss most: not the cold, not the country— but the feeling of something beginning without knowing if it will last. | analogbysissi]]> https://www.cizucu.com/photos/ZGnqRjAS6NTCzWe3Irv5 analogbysissi https://www.cizucu.com/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/photos/ZGnqRjAS6NTCzWe3Irv5 Wed, 25 Mar 2026 15:24:24 GMT 2026-03-25T15:24:24+09:00 https://cdn.cizucu.com/images/photos/ZGnqRjAS6NTCzWe3Irv5.jpg?auto=compress,format <![CDATA[Most days blur into one another ordinary walks, familiar streets, nothing that feels remarkable. But sometimes, without warning, a moment breaks through the routine. A sudden beam of light, a solitary figure passing through it, and the ordinary transforms into something quietly unforgettable. This is why it becomes that day—not because something grand happened, but because for a brief second, the world aligned in a way that made the moment impossible to ignore. | suleler]]> https://www.cizucu.com/photos/FDxZwCtZlx5CsXn4DCZP suleler https://www.cizucu.com/users/nULyQxGLgJZeLFAru8Ybwfq4x4x2 https://www.cizucu.com/photos/FDxZwCtZlx5CsXn4DCZP Tue, 10 Mar 2026 00:03:03 GMT 2026-03-10T00:03:03+09:00 https://cdn.cizucu.com/images/photos/FDxZwCtZlx5CsXn4DCZP.jpg?auto=compress,format <![CDATA[Instead of waiting idly for my print at a café in Bras Basah Complex, I decided to bring my daughter Rey to a nearby camera shop to pick up a disposable camera for her. We wandered through the familiar corridors of Bras Basah Complex and out into the City Hall area, letting her photograph whatever caught her eye. When the photographs came back, I was surprised at how good they looked. Through them, I began to see the world from Rey’s perspective. | Rey Mok]]> https://www.cizucu.com/photos/qv7pWM7bZwR8cqe3tQOp Rey Mok https://www.cizucu.com/users/DTYczWff2eNITHA9i8IHSTICpOY2 https://www.cizucu.com/photos/qv7pWM7bZwR8cqe3tQOp Sun, 22 Mar 2026 01:51:46 GMT 2026-03-23T02:12:44+09:00 https://cdn.cizucu.com/images/photos/qv7pWM7bZwR8cqe3tQOp.jpg?auto=compress,format <![CDATA[The reflection of the church - On my daily walk between home and work, I pass one of Gothenburg’s most iconic churches. Rather than capturing its famous height, I focused on its reflection in the water to find a new perspective on a familiar sight. Choosing black and white helps strip away distractions, highlighting the quiet mood and the ripples in the surface. In these images, the solid stone of the city becomes fluid and dreamlike. This series is a tribute to the beauty we often overlook in our everyday routines. | Thitipong Sansanayuth]]> https://www.cizucu.com/photos/uwiKstK9T328uSDcyJ8T Thitipong Sansanayuth https://www.cizucu.com/users/w1yeoQHnipOQ3dvJB5zCRTsdpyr2 https://www.cizucu.com/photos/uwiKstK9T328uSDcyJ8T Tue, 03 Feb 2026 20:57:57 GMT 2026-02-03T20:57:57+09:00 https://cdn.cizucu.com/images/photos/uwiKstK9T328uSDcyJ8T.jpg?auto=compress,format <![CDATA[‘Defiance at Play’ Kiddos everywhere are the same - curious, playful and defiant. It was early morning when this 6–8-week-old lion cub wanted to leave the bush to play with its sibling. Each time they wandered too far, their mother would lift her head and call them back. The cycle repeated multiple times, testing boundaries and her patience. This moment was captured when one cub refused to listen. Instead of calling again, the mother walked over and lifted her cub, carrying it back to safety. The cub’s expression says it all - a brief flash of defiance, so familiar and relatable. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/photos/SUYObiXYLWQ1ISQ8Y6pt Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/photos/SUYObiXYLWQ1ISQ8Y6pt Sat, 10 Jan 2026 17:24:25 GMT 2026-01-10T17:24:25+09:00 https://cdn.cizucu.com/images/photos/SUYObiXYLWQ1ISQ8Y6pt.jpg?auto=compress,format <![CDATA[that day of play at the pool with 5 adults looking on. Nephew had no cousin to play with as his uncle (me) decided not to have any kids. A somewhat familiar sight in an aging society like Singapore. this was one of the few times he "dived" under as he was still building on his water confidence. Doing much better now! Photo was taken with a sports housing that was acquired due to the appeal of surfing photography - a genre that brings together my love for nature and sports at the same time. But never got to try to date. In the mean time, have always been looking for the opportunity to take half and half shots like these that capture moments in two separate worlds in the same frame. | nothatjon]]> https://www.cizucu.com/photos/K5m8PKwVJqxEaB4ZWpBU nothatjon https://www.cizucu.com/nothatjon https://www.cizucu.com/photos/K5m8PKwVJqxEaB4ZWpBU Thu, 19 Mar 2026 22:59:39 GMT 2026-03-19T22:59:39+09:00 https://cdn.cizucu.com/images/photos/K5m8PKwVJqxEaB4ZWpBU.jpg?auto=compress,format <![CDATA[This is a photo of my old neighbour, Sarah. Over the 15 years I spent living next to her we chatted & exchanged views on all sorts - politics, jokes & inevitably, sometimes the weather. Her stories about previous generations of people who lived on our road were fascinating - the lady who lived in the house before her said that, during the war, a bomb dropped in our garden! Sarah used to be part of the Portobello arts scene in the 60's, so understands creative expression. When I suggested a photoshoot she was very much up for it. She was the matriarch of the family of all our families on our road. She's still there, sharing stories & being interested in everyone & everything. | AlwaysSnapping]]> https://www.cizucu.com/photos/obAQDpTYHtg5TweSg4lX AlwaysSnapping https://www.cizucu.com/users/cQUPBmDwyqOa0Fj7kcYOmVyDbBK2 https://www.cizucu.com/photos/obAQDpTYHtg5TweSg4lX Wed, 01 Apr 2026 22:16:44 GMT 2026-04-01T22:16:44+09:00 https://cdn.cizucu.com/images/photos/obAQDpTYHtg5TweSg4lX.jpg?auto=compress,format <![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。 "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime. In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place. Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]> https://www.cizucu.com/photos/Y92zTpTXKNuBE4FSbUut 侯良和 https://www.cizucu.com/users/s1VdhOBjrFVvvUDStv3Pb3fEVRf1 https://www.cizucu.com/photos/Y92zTpTXKNuBE4FSbUut Sat, 04 Apr 2026 22:27:55 GMT 2026-04-04T22:27:55+09:00 https://cdn.cizucu.com/images/photos/Y92zTpTXKNuBE4FSbUut.jpg?auto=compress,format <![CDATA[Living in Happyland In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in. I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere. As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances. This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]> https://www.cizucu.com/photos/5rLps4AdmWu1rEHn4sQW Victor Tan KH https://www.cizucu.com/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2 https://www.cizucu.com/photos/5rLps4AdmWu1rEHn4sQW Sun, 18 Jan 2026 21:43:45 GMT 2026-01-18T21:43:45+09:00 https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format <![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align. In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying. There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines. This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic. A place where everyone meets—yet no one stays. | analogbysissi]]> https://www.cizucu.com/photos/T23GHpu4jeBibaaVi8wS analogbysissi https://www.cizucu.com/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/photos/T23GHpu4jeBibaaVi8wS Fri, 10 Apr 2026 15:23:09 GMT 2026-04-10T15:23:09+09:00 https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-07T23:00:52+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format