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      <title>Dackelの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Dackelから厳選した7点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[I miss jacket season. | Charlie]]></title>
          <link>https://www.cizucu.com/photos/B6ANAn6yAfdPIVIXTS8X</link>
          <description><![CDATA[cizucuでCharlieさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Charlie</name>
            <uri>https://www.cizucu.com/users/7YVslll4vMSfuIQulIqwEtAtzuF2</uri>
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          <pubDate>Mon, 15 Jan 2024 22:13:38 GMT</pubDate>
          <atom:updated>2024-11-25T12:10:22+09:00</atom:updated>
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            <media:title><![CDATA[I miss jacket season. | Charlie]]></media:title>
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            <media:description><![CDATA[cizucuでCharlieさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[My heart sank when this baby olive-backed sunbird outside my unit fell to the ground. Worried it might fall again, I chose not to return it to the nest and instead built a small temporary nest to keep the chick safe. | jasongohce]]></title>
          <link>https://www.cizucu.com/photos/Z64CAydjFfth9dgBxTgE</link>
          <description><![CDATA[cizucuでjasongohceさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>jasongohce</name>
            <uri>https://www.cizucu.com/users/SUJaIgS8Ang535SK1treOWBj2l52</uri>
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          <pubDate>Wed, 14 Jan 2026 23:42:48 GMT</pubDate>
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            <media:title><![CDATA[My heart sank when this baby olive-backed sunbird outside my unit fell to the ground. Worried it might fall again, I chose not to return it to the nest and instead built a small temporary nest to keep the chick safe. | jasongohce]]></media:title>
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            <media:description><![CDATA[cizucuでjasongohceさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[My heart sank when this baby olive-backed sunbird outside my unit fell to the ground. Worried it might fall again, I chose not to return it to the nest and instead built a small temporary nest to keep the chick safe. | jasongohce]]></title>
          <link>https://www.cizucu.com/photos/Hk4f0Q2BS0XG073nwio9</link>
          <description><![CDATA[cizucuでjasongohceさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>jasongohce</name>
            <uri>https://www.cizucu.com/users/SUJaIgS8Ang535SK1treOWBj2l52</uri>
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          <pubDate>Wed, 14 Jan 2026 23:25:24 GMT</pubDate>
          <atom:updated>2026-01-14T23:25:24+09:00</atom:updated>
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            <media:title><![CDATA[My heart sank when this baby olive-backed sunbird outside my unit fell to the ground. Worried it might fall again, I chose not to return it to the nest and instead built a small temporary nest to keep the chick safe. | jasongohce]]></media:title>
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            <media:description><![CDATA[cizucuでjasongohceさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Daniel Caesar - Touching God (feat. Yebba & Blood Orange)  この写真を撮った時はまだニートだった昨年の12月のある日の14時の頃、ある公園に着いて、あるベンチに座り、耳にイヤフォンをつけてのDaniel CaesarのTouching Godという楽曲を聴きながら、葉っぱが８割ほど落ちてしまった木をゆっくり眺め、ぼーっとしていた時です。  日本の冬は自分が生まれた韓国と違って真冬でもなんかアンバーっぽいというか、そういう暖かい冬のイメージが頭から浮かべます。それで日本で撮った冬の写真は「冷たい」イメージより「暖かい」イメージとして写真を撮るかもしれません。自分が感じた日本の冬というのはただ温度の差だけではなく、暖かい雰囲気を感じることが多いですからね。  他の日本の方はどう思うんですかね。それがある意味で「冬の日常」かもしれませんが、私が今まで生きてきた「冬の日常」の色は真っ青のグレーっぽく、川が凍っているような印象でした。  それで私は日常を撮るのが多いですが、その撮影を行う意味は「日常ではない日常を撮る」ということじゃないかと思いました。その理由で私は人混みで賑やかなところより、とこにもあるような、静かなところでフラフラしながらある日常の中でシャッターを押し続けているかも知れません。 | lofiseoul]]></title>
          <link>https://www.cizucu.com/photos/l8auZeYfIuLOAxY9QlyO</link>
          <description><![CDATA[cizucuでlofiseoulさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>lofiseoul</name>
            <uri>https://www.cizucu.com/users/CDawurS35pQlPqkuFWNgc5n1ufP2</uri>
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          <pubDate>Wed, 28 Jan 2026 00:35:10 GMT</pubDate>
          <atom:updated>2026-01-28T00:35:10+09:00</atom:updated>
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            <media:title><![CDATA[Daniel Caesar - Touching God (feat. Yebba & Blood Orange)  この写真を撮った時はまだニートだった昨年の12月のある日の14時の頃、ある公園に着いて、あるベンチに座り、耳にイヤフォンをつけてのDaniel CaesarのTouching Godという楽曲を聴きながら、葉っぱが８割ほど落ちてしまった木をゆっくり眺め、ぼーっとしていた時です。  日本の冬は自分が生まれた韓国と違って真冬でもなんかアンバーっぽいというか、そういう暖かい冬のイメージが頭から浮かべます。それで日本で撮った冬の写真は「冷たい」イメージより「暖かい」イメージとして写真を撮るかもしれません。自分が感じた日本の冬というのはただ温度の差だけではなく、暖かい雰囲気を感じることが多いですからね。  他の日本の方はどう思うんですかね。それがある意味で「冬の日常」かもしれませんが、私が今まで生きてきた「冬の日常」の色は真っ青のグレーっぽく、川が凍っているような印象でした。  それで私は日常を撮るのが多いですが、その撮影を行う意味は「日常ではない日常を撮る」ということじゃないかと思いました。その理由で私は人混みで賑やかなところより、とこにもあるような、静かなところでフラフラしながらある日常の中でシャッターを押し続けているかも知れません。 | lofiseoul]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l8auZeYfIuLOAxY9QlyO.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l8auZeYfIuLOAxY9QlyO.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでlofiseoulさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[cizucuでJohn Hupaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
          <atom:updated>2026-02-11T12:29:25+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[cizucuでJohn Hupaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[cizucuでJohn Hupaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
          <atom:updated>2026-02-11T12:30:12+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[cizucuでJohn Hupaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[なんかいつからですかね。  「ぼーっとしながら時間を潰す」  という行為を、20代後半から続けてきました。  もちろん、飲み会とか友達とか（いないけど）に会ったら結構「うるやいやつ」と言われていますが、意外と一人でいる時は静かにいる時は多いです。一番好きな日本語は「静寂」という言葉ですから。  当然、美味しいものを食べたり、必要なものを買ったり、愛している人とお時間を過ごしたりすることも「人生を豊かにするもの」になると思いますが、現時点の私では美味しいものは朝マックで良くて、必要なものは最悪手元に50mmさえあればなんとか撮れますし、愛している人はもういなくなったので自分のご機嫌で動けばいいということですね。  何も考えず、近くの公園のベンチに座って自分が好きなdaniel caesarのアルバムを聴きながら、日差しで体を溶かし、ぼーっとしながら時間潰す瞬間が私的には「人生を豊かにする」行為だと思います。  余計なことやっているように見えるかもしれないけど、私としたら「豊かにする」というのは何かを受け入れる行為より、何かを落とす行為ではないかと思います。 | lofiseoul]]></title>
          <link>https://www.cizucu.com/photos/9V6NPMG4ClNb0y4puuYR</link>
          <description><![CDATA[cizucuでlofiseoulさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>lofiseoul</name>
            <uri>https://www.cizucu.com/users/CDawurS35pQlPqkuFWNgc5n1ufP2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/9V6NPMG4ClNb0y4puuYR</guid>
          <pubDate>Tue, 09 Dec 2025 21:05:39 GMT</pubDate>
          <atom:updated>2025-12-09T21:05:39+09:00</atom:updated>
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            <media:title><![CDATA[なんかいつからですかね。  「ぼーっとしながら時間を潰す」  という行為を、20代後半から続けてきました。  もちろん、飲み会とか友達とか（いないけど）に会ったら結構「うるやいやつ」と言われていますが、意外と一人でいる時は静かにいる時は多いです。一番好きな日本語は「静寂」という言葉ですから。  当然、美味しいものを食べたり、必要なものを買ったり、愛している人とお時間を過ごしたりすることも「人生を豊かにするもの」になると思いますが、現時点の私では美味しいものは朝マックで良くて、必要なものは最悪手元に50mmさえあればなんとか撮れますし、愛している人はもういなくなったので自分のご機嫌で動けばいいということですね。  何も考えず、近くの公園のベンチに座って自分が好きなdaniel caesarのアルバムを聴きながら、日差しで体を溶かし、ぼーっとしながら時間潰す瞬間が私的には「人生を豊かにする」行為だと思います。  余計なことやっているように見えるかもしれないけど、私としたら「豊かにする」というのは何かを受け入れる行為より、何かを落とす行為ではないかと思います。 | lofiseoul]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/9V6NPMG4ClNb0y4puuYR.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9V6NPMG4ClNb0y4puuYR.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9V6NPMG4ClNb0y4puuYR.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでlofiseoulさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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