Curtainの写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/curtain ja 2026-04-13T03:42:44+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[猫とカーテン #猫 #動物 #生き物 #ペット #モノクロ #白黒 #カーテン #animal #love #cat #pet #kitty #cute #curtain #monochrome | eriko]]> https://www.cizucu.com/photos/AOW9NVp1gs4UEkzYNaPN eriko https://www.cizucu.com/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2 https://www.cizucu.com/photos/AOW9NVp1gs4UEkzYNaPN Wed, 28 Feb 2024 10:30:10 GMT 2024-02-28T16:49:08+09:00 https://cdn.cizucu.com/images/photos/AOW9NVp1gs4UEkzYNaPN.jpg?auto=compress,format <![CDATA[伝統的な寺院の内部装飾 colorful curtains ornate lanterns altar with offerings | fyonetsu]]> https://www.cizucu.com/photos/wNNnwWo09kO7XNx4dQHa fyonetsu https://www.cizucu.com/users/axdz6UovsTVPhSTai5jh28JIQe62 https://www.cizucu.com/photos/wNNnwWo09kO7XNx4dQHa Sat, 20 Jan 2024 11:16:40 GMT 2024-11-25T05:33:17+09:00 https://cdn.cizucu.com/images/photos/wNNnwWo09kO7XNx4dQHa.jpg?auto=compress,format <![CDATA[No wind serves him who addresses his voyage to no certain port. | Yosuke0312]]> https://www.cizucu.com/photos/dMUgnvR1jlAcNwm7t1n3 Yosuke0312 https://www.cizucu.com/users/Wq6tVKsLfQM2RvL8nqY7YJQCtX12 https://www.cizucu.com/photos/dMUgnvR1jlAcNwm7t1n3 Sun, 05 Oct 2025 08:46:19 GMT 2025-10-05T08:46:19+09:00 https://cdn.cizucu.com/images/photos/dMUgnvR1jlAcNwm7t1n3.jpg?auto=compress,format <![CDATA[Light finds its way through the leaves, like it always does. Slow, quiet, certain. | benjamin]]> https://www.cizucu.com/photos/JPn0qkAepFOXMNTuTgSv benjamin https://www.cizucu.com/benjamin https://www.cizucu.com/photos/JPn0qkAepFOXMNTuTgSv Mon, 23 Mar 2026 20:52:22 GMT 2026-03-23T20:52:22+09:00 https://cdn.cizucu.com/images/photos/JPn0qkAepFOXMNTuTgSv.jpg?auto=compress,format <![CDATA["There was a certain harmony with nature that I sensed in this unexpected arrangement of discarded items." この粗大ゴミの絶妙な組み合わせに、わたしは自然との融合を感じた | つばさ製作所]]> https://www.cizucu.com/photos/OiqmXJ7YWO9p9bIMcI0m つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/OiqmXJ7YWO9p9bIMcI0m Sat, 19 Apr 2025 20:58:48 GMT 2025-04-19T20:59:10+09:00 https://cdn.cizucu.com/images/photos/OiqmXJ7YWO9p9bIMcI0m.jpg?auto=compress,format <![CDATA[This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day? This is a core memory for me, as it was the first time I experimented with double exposures on film. | Migolta]]> https://www.cizucu.com/photos/t0Y7job5PknlvQujOE2I Migolta https://www.cizucu.com/users/7FvVRn3zzfhRJ1OnvpFsKhyvEs03 https://www.cizucu.com/photos/t0Y7job5PknlvQujOE2I Fri, 03 Apr 2026 09:36:04 GMT 2026-04-03T09:36:04+09:00 https://cdn.cizucu.com/images/photos/t0Y7job5PknlvQujOE2I.jpg?auto=compress,format <![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory. Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]> https://www.cizucu.com/photos/AT0547TetpyjwEl35ryF Franco Volpi https://www.cizucu.com/users/koYtNqNSKaZsk6JSlEAEA3jrODf2 https://www.cizucu.com/photos/AT0547TetpyjwEl35ryF Tue, 31 Mar 2026 02:52:38 GMT 2026-03-31T02:52:38+09:00 https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format <![CDATA[This photograph was taken at 萬里海灘 in Taiwan. On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him. I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears. This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world. This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]> https://www.cizucu.com/photos/f18ScarEIZLJgxhe8xOy Erica_林瑋瑜 https://www.cizucu.com/erica09174 https://www.cizucu.com/photos/f18ScarEIZLJgxhe8xOy Wed, 18 Feb 2026 13:09:43 GMT 2026-02-18T13:09:43+09:00 https://cdn.cizucu.com/images/photos/f18ScarEIZLJgxhe8xOy.jpg?auto=compress,format <![CDATA[March, Unlived I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence. In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls. Here, where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between. And yet I find myself missing that fragile hesitation. The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months. I traded that uncertainty for endless warmth, for skies that do not question themselves. But March— March was never about certainty. It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return. Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole. And here, palm leaves move without memory. I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility. And maybe that is what I miss most: not the cold, not the country— but the feeling of something beginning without knowing if it will last. | analogbysissi]]> https://www.cizucu.com/photos/ZGnqRjAS6NTCzWe3Irv5 analogbysissi https://www.cizucu.com/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/photos/ZGnqRjAS6NTCzWe3Irv5 Wed, 25 Mar 2026 15:24:24 GMT 2026-03-25T15:24:24+09:00 https://cdn.cizucu.com/images/photos/ZGnqRjAS6NTCzWe3Irv5.jpg?auto=compress,format <![CDATA[Title: The Willow Veil Viewed through the timeless curtain of a weeping willow, the frantic megalopolis is pushed into the distance, small and harmless. Nature reclaims the frame, offering a moment of 'Ma' (negative space) and stillness. The concrete remains, but the spirit has found its drift. This work is currently competing in the 23rd International Photography Awards (IPA). タイトル : The Willow Veil (柳の帳) 作品解説 : 枝垂れ柳の時を超えた帳（とばり）越しに眺めると、狂騒の巨大都市は彼方へと追いやられ、小さく無害なものへと変わります。自然が再び主役となり、「間」と静寂のひとときをもたらすのです。コンクリートは依然としてそこに在りますが、心はついにその漂うべき場所を見出したのです。 備考 : 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]> https://www.cizucu.com/photos/u6ua0Jxsn1pE4fXLb5Yh Corinne Vallienne https://www.cizucu.com/japantokyodaybyday https://www.cizucu.com/photos/u6ua0Jxsn1pE4fXLb5Yh Sat, 31 Jan 2026 17:58:07 GMT 2026-01-31T17:58:07+09:00 https://cdn.cizucu.com/images/photos/u6ua0Jxsn1pE4fXLb5Yh.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format