Collectibleの写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/collectible ja 2026-04-11T11:02:37+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[ホテルコレクティブのエントランスにある大きなハート型の装飾と人が歩いている風景 | 玄海2024]]> https://www.cizucu.com/photos/NoCQOf6jHfJTuWmilT6n 玄海2024 https://www.cizucu.com/users/qKDoyJSIGbXmmnGjb04LltlOpdi1 https://www.cizucu.com/photos/NoCQOf6jHfJTuWmilT6n Mon, 12 Feb 2024 18:54:09 GMT 2024-02-12T18:54:09+09:00 https://cdn.cizucu.com/images/photos/NoCQOf6jHfJTuWmilT6n.jpg?auto=compress,format <![CDATA[Watching the students, I was reminded of a shared past of school days, repetition, and the quiet innocence embedded in routine. The photograph explores how nostalgia is not tied to a specific person, but to collective experiences we once lived without noticing. | puzzlehobs]]> https://www.cizucu.com/photos/2SDE2Ijs4TmHPQJzcnlT puzzlehobs https://www.cizucu.com/users/mBtNNkgfdLdxqhG7QjA2jnRNKul1 https://www.cizucu.com/photos/2SDE2Ijs4TmHPQJzcnlT Tue, 06 Jan 2026 22:12:40 GMT 2026-01-06T22:12:40+09:00 https://cdn.cizucu.com/images/photos/2SDE2Ijs4TmHPQJzcnlT.jpg?auto=compress,format <![CDATA[Memory is an abstract concept. We usually associate the term with being personal. However, the concept is much broader; memory can be a collective one. This image represents both sides of memory: my memory of a place and a time, and also memory of the place. | Pieng-Or P.]]> https://www.cizucu.com/photos/9yy9haU4w6ycGqKCC6OY Pieng-Or P. https://www.cizucu.com/protectpuffins https://www.cizucu.com/photos/9yy9haU4w6ycGqKCC6OY Sun, 01 Mar 2026 15:29:31 GMT 2026-03-01T15:29:31+09:00 https://cdn.cizucu.com/images/photos/9yy9haU4w6ycGqKCC6OY.jpg?auto=compress,format <![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]> https://www.cizucu.com/photos/0OiIoYuBJeFD7umOgQ40 aman.photos_ https://www.cizucu.com/users/3wmG5WMIIKTuwvn2q8wR0bNp4s52 https://www.cizucu.com/photos/0OiIoYuBJeFD7umOgQ40 Sat, 03 Jan 2026 18:05:01 GMT 2026-01-03T18:05:01+09:00 https://cdn.cizucu.com/images/photos/0OiIoYuBJeFD7umOgQ40.jpg?auto=compress,format <![CDATA[The Last Interred I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]> https://www.cizucu.com/photos/p4nmJi7ozAJ0V0pp0po0 Kitty Chirapongse https://www.cizucu.com/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2 https://www.cizucu.com/photos/p4nmJi7ozAJ0V0pp0po0 Mon, 06 Apr 2026 13:35:44 GMT 2026-04-06T13:35:44+09:00 https://cdn.cizucu.com/images/photos/p4nmJi7ozAJ0V0pp0po0.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format