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      <title>Ceremoniaの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Ceremoniaから厳選した5点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[【看板を背負う】 一時期そんなブランド品も流行りましたね。  #スナップ #SNAP #スナップショット #人物スナップ #Monochrome #モノクロ #m4/3 | RYUURI]]></title>
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          <description><![CDATA[RYUURIが撮影した高品質で無料の黒と白の街中でのファッションシーン バッグには「OPENING CEREMONY」のロゴが見える写真をcizucuでダウンロードしましょう。]]></description>
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          <title><![CDATA[#life Love ceremony イトトンボ | tamu1500]]></title>
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          <description><![CDATA[tamu1500が撮影した高品質で無料の緑の葉の間にいる昆虫のクローズアップ写真をcizucuでダウンロードしましょう。]]></description>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/photos/2Qk09EFhCZ79yTviARjw</link>
          <description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <media:description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/photos/nzPjCStIaDaI13iYDJl2</link>
          <description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <media:description><![CDATA[cizucuでkelvintetsuyaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
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          <description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <media:description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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