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      <description><![CDATA[Finde die besten 13 hochauflösenden Carry On Fotos auf cizucu. Alle sind lizenzfrei, kostenlos herunterladbar und ideal für jedes Projekt ohne Quellenangabe.]]></description>
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          <title><![CDATA[Bild eines schwarzen und orangefarbenen Koffers, der mit einem Rucksack gestapelt ist | OOPS!!]]></title>
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          <title><![CDATA[Beige und schwarze Tasche auf einem orangefarbenen Koffer | OOPS!!]]></title>
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          <pubDate>Sat, 18 Nov 2023 03:53:16 GMT</pubDate>
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          <title><![CDATA[Eine vielfältige Sammlung von Gepäck, die übereinander gestapelt ist | EIJI]]></title>
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          <description><![CDATA[Laden Sie die hochwertigen und kostenlosen Eine vielfältige Sammlung von Gepäck, die übereinander gestapelt ist-Fotos von EIJI auf cizucu herunter.]]></description>
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          <pubDate>Mon, 11 Nov 2024 17:30:30 GMT</pubDate>
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          <title><![CDATA[山笠のあるけん博多たい！ | Yosuke0312]]></title>
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          <pubDate>Tue, 29 Jul 2025 04:41:49 GMT</pubDate>
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          <title><![CDATA[Every morning, thousands of people rush to work beneath the towering glass buildings of Singapore’s financial district. An elderly man with a bag over his shoulder steps into a beam of sunlight breaking through the skyscrapers, briefly isolated in light while the rest of the city remains in shadow. Even in old age, some still carry on, continuing their daily journey beneath the towering symbols of success. | Simon]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Simon auf cizucu an.]]></description>
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          <pubDate>Wed, 04 Mar 2026 23:28:47 GMT</pubDate>
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          <title><![CDATA[A young man with coconuts in the greenery. This photograph reminds me of the days when I lived on a tropical island and spent my time exploring rice terraces and dense green paths. Such unexpected encounters stay in memory, as they carry a sense of simplicity and everyday life that together shape the experience of living in a new place. They may not feel significant in the moment, but over time they become an important part of one’s memories. | Uliana Buravleva]]></title>
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          <pubDate>Sun, 12 Apr 2026 16:49:06 GMT</pubDate>
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          <title><![CDATA[This photograph captures a quiet moment of solitude. A young boy sits beneath a tree, absorbed in his own small world while the surrounding environment fades into shadow. The image explores the contrast between stillness and the larger world around him, highlighting how simple moments can carry deep meaning.  The photograph was created using natural light to emphasise the mood and intimacy of the scene. By using black and white, the focus shifts from colour to emotion, allowing the viewer to reflect on the subject’s quiet concentration and the calm atmosphere of the setting.  Through this work, I aim to present an honest and timeless moment of everyday life. It invites viewers to pause and reflect on the quiet spaces that exist within our busy world. | Akshob Ram Kumar]]></title>
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          <pubDate>Sat, 14 Mar 2026 10:47:05 GMT</pubDate>
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          <title><![CDATA[This photograph captures a quiet moment of solitude beneath a tree. A young boy sits absorbed in his own world, momentarily separated from the noise and movement of everyday life around him. The scene reflects the small spaces of stillness that exist even within busy environments.  Using black and white allows the image to focus on mood, light, and emotion rather than colour. The contrast between shadow and light highlights the boy’s concentration while the surrounding darkness frames the moment, creating a sense of calm and introspection.  Through this work, I aim to show how simple, ordinary moments can carry quiet depth. The photograph invites viewers to pause and reflect on the unnoticed moments of stillness that often exist in our everyday lives. | Akshob Ram Kumar]]></title>
          <link>https://www.cizucu.com/de/photos/LAPIO77FAZzvwhueWaVW</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Akshob Ram Kumar auf cizucu an.]]></description>
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          <pubDate>Sat, 14 Mar 2026 10:56:17 GMT</pubDate>
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          <title><![CDATA[This photograph was taken at Badwater Basin in Death Valley National Park, USA, at around 6:30 in the evening during golden hour. In the distance, three people sat quietly on the vast salt flats. Before them stood a mountain range, with the sun slowly descending behind it. Seeing this scene, I instinctively raised my camera and pressed the shutter.  What moved me in that moment was the quiet power of nature, its scale, its stillness, and its beauty.  Standing there, I felt how small we are in comparison, and how many of the worries we carry in daily life fade when placed against something so immense.  Compared to the world, to nature, or even to the universe, those concerns suddenly feel insignificant. | josecheang]]></title>
          <link>https://www.cizucu.com/de/photos/zk1DPuOPqv65Z91GXk21</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von josecheang auf cizucu an.]]></description>
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          <pubDate>Thu, 15 Jan 2026 11:24:24 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken at Badwater Basin in Death Valley National Park, USA, at around 6:30 in the evening during golden hour. In the distance, three people sat quietly on the vast salt flats. Before them stood a mountain range, with the sun slowly descending behind it. Seeing this scene, I instinctively raised my camera and pressed the shutter.  What moved me in that moment was the quiet power of nature, its scale, its stillness, and its beauty.  Standing there, I felt how small we are in comparison, and how many of the worries we carry in daily life fade when placed against something so immense.  Compared to the world, to nature, or even to the universe, those concerns suddenly feel insignificant. | josecheang]]></media:title>
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          <title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></title>
          <link>https://www.cizucu.com/de/photos/bqXUVMgMXBlAsPM7Qjwu</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Lanna Shuttered Moments auf cizucu an.]]></description>
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            <name>Lanna Shuttered Moments</name>
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          <pubDate>Sat, 14 Feb 2026 10:30:49 GMT</pubDate>
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            <media:title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></media:title>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/de/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Lucho Dávila auf cizucu an.]]></description>
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            <name>Lucho Dávila</name>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Lucho Dávila auf cizucu an.]]></media:description>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
          <link>https://www.cizucu.com/de/photos/v0tznKhGxq4p8f6QJS7I</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von JoJo Tsai  蔡易蓁 auf cizucu an.]]></description>
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            <name>JoJo Tsai  蔡易蓁</name>
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          <pubDate>Thu, 19 Feb 2026 04:15:08 GMT</pubDate>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
          <link>https://www.cizucu.com/de/photos/M1X8wUZ1MnOhWKaCnonb</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von JoJo Tsai  蔡易蓁 auf cizucu an.]]></description>
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            <name>JoJo Tsai  蔡易蓁</name>
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          <pubDate>Thu, 19 Feb 2026 04:18:22 GMT</pubDate>
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            <media:title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></media:title>
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