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      <title>Boiledの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Boiledから厳選した17点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[仮設トイレがやたらとカッコよかった   #toilet #truck #transport #cityscape #tokyo | つばさ製作所]]></title>
          <link>https://www.cizucu.com/photos/RTVTBqUd7VflP1IJThFW</link>
          <description><![CDATA[cizucuでつばさ製作所さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>つばさ製作所</name>
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          <pubDate>Thu, 17 Apr 2025 22:15:57 GMT</pubDate>
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            <media:description><![CDATA[cizucuでつばさ製作所さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[【Scrap and Build】 廃車場のスクラップ...ちゃんと分解し整理され再構築「Build」される日も近い。※本来の意味とは違いますけどね...基本的に何かを変えるには何でも必要な「過程」だと思います...親友の写真や僕の私生活だったり(;´Д`A ```  #スクラップ #廃車場 #エンジン部品 #ドライブシャフト #リサイクル金属 #過剰現像 #部分レタッチ #Art | RYUURI]]></title>
          <link>https://www.cizucu.com/photos/6NWGw7teGn7wANCjgsiJ</link>
          <description><![CDATA[RYUURIが撮影した高品質で無料のエンジンと機械部品が密集した廃棄物の山写真をcizucuでダウンロードしましょう。]]></description>
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            <name>RYUURI</name>
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          <pubDate>Mon, 29 Jul 2024 21:49:38 GMT</pubDate>
          <atom:updated>2025-03-27T23:58:11+09:00</atom:updated>
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            <media:title><![CDATA[【Scrap and Build】 廃車場のスクラップ...ちゃんと分解し整理され再構築「Build」される日も近い。※本来の意味とは違いますけどね...基本的に何かを変えるには何でも必要な「過程」だと思います...親友の写真や僕の私生活だったり(;´Д`A ```  #スクラップ #廃車場 #エンジン部品 #ドライブシャフト #リサイクル金属 #過剰現像 #部分レタッチ #Art | RYUURI]]></media:title>
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            <media:description><![CDATA[RYUURIが撮影した高品質で無料のエンジンと機械部品が密集した廃棄物の山写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[餡子作り  #料理 #手料理 #手作り #小豆 #餡子 #和風 #和菓子 #japanese #food #boil #sweets #cooking #yummy #delicious #meal | eriko]]></title>
          <link>https://www.cizucu.com/photos/Epqo3VOUcnzum5jiovtA</link>
          <description><![CDATA[erikoが撮影した高品質で無料の鍋で煮込まれた小豆が木のスプーンで掬われている写真をcizucuでダウンロードしましょう。]]></description>
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            <uri>https://www.cizucu.com/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2</uri>
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          <pubDate>Sat, 02 Mar 2024 18:14:18 GMT</pubDate>
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            <media:description><![CDATA[erikoが撮影した高品質で無料の鍋で煮込まれた小豆が木のスプーンで掬われている写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[Snow-Veiled Heritage  #tokyophotography #snowday #winterjapan #nikonzr #nikkorz26mm #redbrickbuilding #japanwinter #landscapephotography #architecturephotography #moodyphotography​​​​​​​​​​​​​​​​ | wataru_pic]]></title>
          <link>https://www.cizucu.com/photos/t1yeJhTsJpDQbOtccMcA</link>
          <description><![CDATA[cizucuでwataru_picさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>wataru_pic</name>
            <uri>https://www.cizucu.com/users/edJTjHHoKhQNMLX50b5FuN5WBu93</uri>
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          <pubDate>Sat, 28 Mar 2026 15:31:02 GMT</pubDate>
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            <media:title><![CDATA[Snow-Veiled Heritage  #tokyophotography #snowday #winterjapan #nikonzr #nikkorz26mm #redbrickbuilding #japanwinter #landscapephotography #architecturephotography #moodyphotography​​​​​​​​​​​​​​​​ | wataru_pic]]></media:title>
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            <media:description><![CDATA[cizucuでwataru_picさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[We build our lives, and the Earth quietly holds them. 私たちは日々を築き、地球はそれを静かに抱いている。 | Meg.Sose]]></title>
          <link>https://www.cizucu.com/photos/sFea8irWaLOHAVwaDz5W</link>
          <description><![CDATA[cizucuでMeg.Soseさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Meg.Sose</name>
            <uri>https://www.cizucu.com/users/HgjOZIUW8zckNaIM3aCNAnBvQtD2</uri>
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          <pubDate>Sat, 11 Apr 2026 08:59:56 GMT</pubDate>
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            <media:title><![CDATA[We build our lives, and the Earth quietly holds them. 私たちは日々を築き、地球はそれを静かに抱いている。 | Meg.Sose]]></media:title>
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            <media:description><![CDATA[cizucuでMeg.Soseさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[A late-night mind, full of bottled-up words after a long day that was good and bad at the same time, and then I saw this light. A simple backlight that captured what I’ve been feeling this month: a constellation, almost a galaxy in warm tones, made of so many moments and intense emotions.  Canon 6D Mark II  | Rebecca Doracio]]></title>
          <link>https://www.cizucu.com/photos/GWm3JDguQueY5RB3ejAH</link>
          <description><![CDATA[cizucuでRebecca Doracioさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Rebecca Doracio</name>
            <uri>https://www.cizucu.com/rebeccadoracio</uri>
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          <pubDate>Sun, 22 Mar 2026 01:47:12 GMT</pubDate>
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            <media:title><![CDATA[A late-night mind, full of bottled-up words after a long day that was good and bad at the same time, and then I saw this light. A simple backlight that captured what I’ve been feeling this month: a constellation, almost a galaxy in warm tones, made of so many moments and intense emotions.  Canon 6D Mark II  | Rebecca Doracio]]></media:title>
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            <media:description><![CDATA[cizucuでRebecca Doracioさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Solitude in the rain — A fleeting moment: What started as a failed plan ended with this scene outside the station. A reminder to stay curious and head out without expectations, life has its own quiet turns. | kevouthere]]></title>
          <link>https://www.cizucu.com/photos/hwZJJVNbvyZXmt0ReV2g</link>
          <description><![CDATA[cizucuでkevouthereさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <uri>https://www.cizucu.com/users/vAKSb90hfjR5d00YSCW8pmxtTHp2</uri>
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          <pubDate>Sat, 10 Jan 2026 17:38:47 GMT</pubDate>
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            <media:title><![CDATA[Solitude in the rain — A fleeting moment: What started as a failed plan ended with this scene outside the station. A reminder to stay curious and head out without expectations, life has its own quiet turns. | kevouthere]]></media:title>
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            <media:description><![CDATA[cizucuでkevouthereさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[It was a gloomy evening in the City of London when the fog suddenly rolled in, thicker and lower than anything I had ever experienced before. I had my Nikon F80 loaded with CineStill 800T, and the film captured the atmosphere perfectly, turning the red aviation lights into something almost otherworldly. One of those rare evenings where everything just comes together in the most unexpected way. | jan.onfilm]]></title>
          <link>https://www.cizucu.com/photos/BFygWEW5tiUY8HZyMWZt</link>
          <description><![CDATA[cizucuでjan.onfilmさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>jan.onfilm</name>
            <uri>https://www.cizucu.com/users/1ImxtRpVhSVMpna3Y7cjjyOCIKQ2</uri>
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          <pubDate>Tue, 31 Mar 2026 16:33:37 GMT</pubDate>
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            <media:title><![CDATA[It was a gloomy evening in the City of London when the fog suddenly rolled in, thicker and lower than anything I had ever experienced before. I had my Nikon F80 loaded with CineStill 800T, and the film captured the atmosphere perfectly, turning the red aviation lights into something almost otherworldly. One of those rare evenings where everything just comes together in the most unexpected way. | jan.onfilm]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/BFygWEW5tiUY8HZyMWZt.jpg?fm=jpg" type="image/jpeg" width="2433" height="3637" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/BFygWEW5tiUY8HZyMWZt.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/BFygWEW5tiUY8HZyMWZt.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/BFygWEW5tiUY8HZyMWZt.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでjan.onfilmさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></title>
          <link>https://www.cizucu.com/photos/TNon9gQsrRUcEDkkbmvm</link>
          <description><![CDATA[cizucuでBrennan Chin (Visual Moments)さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Brennan Chin (Visual Moments)</name>
            <uri>https://www.cizucu.com/users/4z7hnzu4eLWVA8srEIi98U62JHT2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/TNon9gQsrRUcEDkkbmvm</guid>
          <pubDate>Wed, 14 Jan 2026 03:41:32 GMT</pubDate>
          <atom:updated>2026-01-14T03:41:32+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?fm=jpg" type="image/jpeg" width="3630" height="5082" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでBrennan Chin (Visual Moments)さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[This is one of 21 photos from an amazing failed adventure in the Lake District with my two best friends.  Final year of university. Three best friends. No car, no plan, and jackets that lied about being waterproof. The goal? Reach the lake at Lake District National Park. The reality? The best failed attempt.   We rented a tiny cabin on the park’s edge and set off like adventurers… who forgot to read the instructions. We marched through sideways rain, squelchy grass, and somehow… a factory? We climbed hills, jumped questionable fences, greeted sheep like old friends, and pretended we knew where we were going.  We never made it to the lake. But we did soak our “waterproof” jackets, barbecue in the rain, and laugh until our faces hurt.  Sometimes the best trips aren’t about the destination. They’re about soaking wet socks, smoke in your eyes, and that moment when everyone’s laughing too hard to keep walking.  I love my friends any trip with them will always be memorable! | Patrick Carlo Bangit]]></title>
          <link>https://www.cizucu.com/photos/489ojYZwfFZ0LHzofXTI</link>
          <description><![CDATA[cizucuでPatrick Carlo Bangitさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Patrick Carlo Bangit</name>
            <uri>https://www.cizucu.com/users/qgyVzJTj5LQf9EUnf8kU6MyH2ck2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/489ojYZwfFZ0LHzofXTI</guid>
          <pubDate>Wed, 13 Aug 2025 19:17:10 GMT</pubDate>
          <atom:updated>2025-08-13T19:17:10+09:00</atom:updated>
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            <media:title><![CDATA[This is one of 21 photos from an amazing failed adventure in the Lake District with my two best friends.  Final year of university. Three best friends. No car, no plan, and jackets that lied about being waterproof. The goal? Reach the lake at Lake District National Park. The reality? The best failed attempt.   We rented a tiny cabin on the park’s edge and set off like adventurers… who forgot to read the instructions. We marched through sideways rain, squelchy grass, and somehow… a factory? We climbed hills, jumped questionable fences, greeted sheep like old friends, and pretended we knew where we were going.  We never made it to the lake. But we did soak our “waterproof” jackets, barbecue in the rain, and laugh until our faces hurt.  Sometimes the best trips aren’t about the destination. They’re about soaking wet socks, smoke in your eyes, and that moment when everyone’s laughing too hard to keep walking.  I love my friends any trip with them will always be memorable! | Patrick Carlo Bangit]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/489ojYZwfFZ0LHzofXTI.jpg?fm=jpg" type="image/jpeg" width="2000" height="3001" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/489ojYZwfFZ0LHzofXTI.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/489ojYZwfFZ0LHzofXTI.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/489ojYZwfFZ0LHzofXTI.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでPatrick Carlo Bangitさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[This photograph was taken in Yunnan at a place called Lugu Lake. It's home to the Mosuo, an ethnic matriarchal tribe.  The subject is a Mosuo boat rower enjoying a smoke while waiting for his next ride. Each boat ride is physically demanding, as the boats are hand-rowed and the total distance spans just over a kilometer. To prevent exhaustion, each rower is limited to 6 trips a week and all proceeds are pooled into the village's communal fund to be distributed equally. | beanuptosomething]]></title>
          <link>https://www.cizucu.com/photos/fKjDjBEVTpOETCfW4SAz</link>
          <description><![CDATA[cizucuでbeanuptosomethingさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>beanuptosomething</name>
            <uri>https://www.cizucu.com/users/yNaVBlQLbLayxpnViBhjAvASoMo1</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/fKjDjBEVTpOETCfW4SAz</guid>
          <pubDate>Sat, 17 Jan 2026 00:37:10 GMT</pubDate>
          <atom:updated>2026-01-17T00:37:10+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken in Yunnan at a place called Lugu Lake. It's home to the Mosuo, an ethnic matriarchal tribe.  The subject is a Mosuo boat rower enjoying a smoke while waiting for his next ride. Each boat ride is physically demanding, as the boats are hand-rowed and the total distance spans just over a kilometer. To prevent exhaustion, each rower is limited to 6 trips a week and all proceeds are pooled into the village's communal fund to be distributed equally. | beanuptosomething]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/fKjDjBEVTpOETCfW4SAz.jpg?fm=jpg" type="image/jpeg" width="4160" height="6240" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/fKjDjBEVTpOETCfW4SAz.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/fKjDjBEVTpOETCfW4SAz.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/fKjDjBEVTpOETCfW4SAz.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでbeanuptosomethingさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[cizucuでUrashaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Urasha</name>
            <uri>https://www.cizucu.com/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/c4l8EClWI13vYtOt0C54</guid>
          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでUrashaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is one of the back streets of central Madrid. Joined a group-turned-one on one historical walking tour and captured this moment. My tour guide was probably telling me the history of the Church in front of me, but what stuck with me more is how the sun was setting nicely at this moment. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/photos/fSrPFnnCB2gf07kryEIp</link>
          <description><![CDATA[cizucuで_jotriessomethingさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>_jotriessomething</name>
            <uri>https://www.cizucu.com/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/fSrPFnnCB2gf07kryEIp</guid>
          <pubDate>Sat, 21 Mar 2026 17:40:51 GMT</pubDate>
          <atom:updated>2026-03-21T17:40:51+09:00</atom:updated>
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            <media:title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is one of the back streets of central Madrid. Joined a group-turned-one on one historical walking tour and captured this moment. My tour guide was probably telling me the history of the Church in front of me, but what stuck with me more is how the sun was setting nicely at this moment. | _jotriessomething]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/fSrPFnnCB2gf07kryEIp.jpg?fm=jpg" type="image/jpeg" width="6000" height="4000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/fSrPFnnCB2gf07kryEIp.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/fSrPFnnCB2gf07kryEIp.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/fSrPFnnCB2gf07kryEIp.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuで_jotriessomethingさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></title>
          <link>https://www.cizucu.com/photos/uwvj8lq11KXp18A8xkWV</link>
          <description><![CDATA[cizucuでZhi Hengさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Zhi Heng</name>
            <uri>https://www.cizucu.com/users/jj3BdCn1YxVrCdFL995iWfIDMY63</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/uwvj8lq11KXp18A8xkWV</guid>
          <pubDate>Sat, 10 Jan 2026 17:11:31 GMT</pubDate>
          <atom:updated>2026-01-10T17:11:31+09:00</atom:updated>
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            <media:title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?fm=jpg" type="image/jpeg" width="2792" height="3490" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでZhi Hengさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></title>
          <link>https://www.cizucu.com/photos/TZwAqaxggJkW3ZVK8vLW</link>
          <description><![CDATA[cizucuでBhavik Solankiさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Bhavik Solanki</name>
            <uri>https://www.cizucu.com/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/photos/TZwAqaxggJkW3ZVK8vLW</guid>
          <pubDate>Sat, 14 Mar 2026 11:37:09 GMT</pubDate>
          <atom:updated>2026-03-14T11:37:09+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?fm=jpg" type="image/jpeg" width="3073" height="4096" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでBhavik Solankiさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></title>
          <link>https://www.cizucu.com/photos/PX9Bj4iUmBnjDhCqkLVD</link>
          <description><![CDATA[cizucuでKentledgerさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Kentledger</name>
            <uri>https://www.cizucu.com/users/VAX9ZsNxAsUqISCWDLI5s5TwTWp2</uri>
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          <pubDate>Mon, 06 Apr 2026 07:52:56 GMT</pubDate>
          <atom:updated>2026-04-06T07:52:56+09:00</atom:updated>
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            <media:title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></media:title>
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            <media:description><![CDATA[cizucuでKentledgerさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでLucho Dávilaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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