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      <description><![CDATA[Abstractaから厳選した9点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[桜巡りの途中で立ち寄った グランビルアイランド。 建物を結ぶ外通路の屋根を見上げてみた  #屋根 #シンメトリー #グランビルイランド #バンクーバー #4月 #symmetry #abstract #granvilleisland #vancouver #april #dailylife #diary #cityscape | littlekiss photography]]></title>
          <link>https://www.cizucu.com/photos/T8xQ4S0QwUwdUSHxMpM6</link>
          <description><![CDATA[littlekiss photographyが撮影した高品質で無料の赤と緑の色合いのテントの内部構造を見上げた視点写真をcizucuでダウンロードしましょう。]]></description>
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          <title><![CDATA[影が面白い模様を創り出してくれました。  #葉 #影 #光 #自然 #グリーン #5月 #日記 #abstract #leaves #shadow #light #sunlight #green #may #maydiary | littlekiss photography]]></title>
          <link>https://www.cizucu.com/photos/HDNMIY8NVO9lqqWKd3PX</link>
          <description><![CDATA[littlekiss photographyが撮影した高品質で無料の緑色のシダの葉が重なり合い、影を作っている写真をcizucuでダウンロードしましょう。]]></description>
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            <media:description><![CDATA[littlekiss photographyが撮影した高品質で無料の緑色のシダの葉が重なり合い、影を作っている写真をcizucuでダウンロードしましょう。]]></media:description>
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          <title><![CDATA[#抽象 #abstract #red #passion #情熱 #赤 #線香 #春節  | YuKoreeda ]]></title>
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          <description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <media:description><![CDATA[cizucuでYuKoreeda さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Memory is an abstract concept. We usually associate the term with being personal. However, the concept is much broader; memory can be a collective one. This image represents both sides of memory: my memory of a place and a time, and also memory of the place. | Pieng-Or P.]]></title>
          <link>https://www.cizucu.com/photos/9yy9haU4w6ycGqKCC6OY</link>
          <description><![CDATA[cizucuでPieng-Or P.さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Sun, 01 Mar 2026 15:29:31 GMT</pubDate>
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            <media:title><![CDATA[Memory is an abstract concept. We usually associate the term with being personal. However, the concept is much broader; memory can be a collective one. This image represents both sides of memory: my memory of a place and a time, and also memory of the place. | Pieng-Or P.]]></media:title>
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            <media:description><![CDATA[cizucuでPieng-Or P.さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This film photograph was taken at Old Harry Rocks, Southern England. It captures the dramatic cliffs and the rhythmic motion of ocean waves, highlighting the abstract textures crafted by nature. The journey to this site was unforgettable, amidst this scene, I was reminded of the true beauty of our Earth—a moment of awe preserved on film. | Mjay Lai]]></title>
          <link>https://www.cizucu.com/photos/aKidRqEPkIosp1AvrtkM</link>
          <description><![CDATA[cizucuでMjay Laiさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Sun, 05 Apr 2026 07:34:45 GMT</pubDate>
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            <media:title><![CDATA[This film photograph was taken at Old Harry Rocks, Southern England. It captures the dramatic cliffs and the rhythmic motion of ocean waves, highlighting the abstract textures crafted by nature. The journey to this site was unforgettable, amidst this scene, I was reminded of the true beauty of our Earth—a moment of awe preserved on film. | Mjay Lai]]></media:title>
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            <media:description><![CDATA[cizucuでMjay Laiさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo taken in Suzhou, China reminds of the quiet geometry of canals and alleys of the city. Taken in black-and-white, the edges dissolve and familiar forms become abstracted echoes. It is a small, personal testimony of feeling out of place and creating in that dislocation. | Darren Low]]></title>
          <link>https://www.cizucu.com/photos/nZhFOLWeTups0HFJuNBJ</link>
          <description><![CDATA[cizucuでDarren Lowさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <uri>https://www.cizucu.com/users/8JLOzi8u1ocu6rE9SzLlkpjxVzn2</uri>
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          <pubDate>Sun, 15 Mar 2026 11:44:02 GMT</pubDate>
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            <media:title><![CDATA[This photo taken in Suzhou, China reminds of the quiet geometry of canals and alleys of the city. Taken in black-and-white, the edges dissolve and familiar forms become abstracted echoes. It is a small, personal testimony of feeling out of place and creating in that dislocation. | Darren Low]]></media:title>
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            <media:description><![CDATA[cizucuでDarren Lowさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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            <media:description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <uri>https://www.cizucu.com/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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            <media:description><![CDATA[cizucuでa.da.mdさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/photos/6DbTw6LLaMPcXGOIJ9iS</link>
          <description><![CDATA[cizucuでCorinne Vallienneさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/japantokyodaybyday</uri>
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          <pubDate>Sat, 31 Jan 2026 17:12:14 GMT</pubDate>
          <atom:updated>2026-01-31T17:12:14+09:00</atom:updated>
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            <media:title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></media:title>
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            <media:description><![CDATA[cizucuでCorinne Vallienneさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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