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      <title>Aboveの写真 | ロイヤリティフリー &amp; 高解像度画像を無料ダウンロード</title>
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      <description><![CDATA[Aboveから厳選した20点の高解像度写真を確認してみましょう。cizucuに投稿されたロイヤルティフリー素材は商業目的、非商業目的問わず無料でダウンロード・利用できます。]]></description>
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          <title><![CDATA[Painting Above the Clouds  #flight #clouds #airplane #illuminations  #orange #colors #painting #above #天空の光たち　#雲の上の絵画 | hayamihannah]]></title>
          <link>https://www.cizucu.com/photos/kc7iLVsTkQwRBjhcx1sg</link>
          <description><![CDATA[cizucuでhayamihannahさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>hayamihannah</name>
            <uri>https://www.cizucu.com/hayamihannah</uri>
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          <pubDate>Tue, 12 Mar 2024 23:37:12 GMT</pubDate>
          <atom:updated>2025-03-27T23:49:06+09:00</atom:updated>
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            <media:title><![CDATA[Painting Above the Clouds  #flight #clouds #airplane #illuminations  #orange #colors #painting #above #天空の光たち　#雲の上の絵画 | hayamihannah]]></media:title>
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            <media:description><![CDATA[cizucuでhayamihannahさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Winter, from above. | kim eunhyeok]]></title>
          <link>https://www.cizucu.com/photos/vZALbtqAe3iydZZhCPzC</link>
          <description><![CDATA[cizucuでkim eunhyeokさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>kim eunhyeok</name>
            <uri>https://www.cizucu.com/kimeunhyuk</uri>
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          <pubDate>Mon, 29 Dec 2025 14:49:46 GMT</pubDate>
          <atom:updated>2025-12-29T14:49:46+09:00</atom:updated>
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            <media:title><![CDATA[Winter, from above. | kim eunhyeok]]></media:title>
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            <media:description><![CDATA[cizucuでkim eunhyeokさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[love above the city | Noeul Film]]></title>
          <link>https://www.cizucu.com/photos/UNJPGMSh0EkhOirjJcO8</link>
          <description><![CDATA[cizucuでNoeul Filmさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Noeul Film</name>
            <uri>https://www.cizucu.com/noeulfilm</uri>
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          <pubDate>Sat, 01 Nov 2025 22:27:44 GMT</pubDate>
          <atom:updated>2025-11-01T22:27:44+09:00</atom:updated>
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            <media:title><![CDATA[love above the city | Noeul Film]]></media:title>
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            <media:description><![CDATA[cizucuでNoeul Filmさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[The world above and below  #美観地区 | たけらふ]]></title>
          <link>https://www.cizucu.com/photos/Yih0MY8UU3UfdCDDYxpg</link>
          <description><![CDATA[cizucuでたけらふさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>たけらふ</name>
            <uri>https://www.cizucu.com/takerafu</uri>
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          <pubDate>Tue, 22 Jul 2025 23:10:43 GMT</pubDate>
          <atom:updated>2025-07-22T23:10:43+09:00</atom:updated>
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            <media:title><![CDATA[The world above and below  #美観地区 | たけらふ]]></media:title>
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            <media:description><![CDATA[cizucuでたけらふさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[A serene landscape of mountains rising above a blanket of fog during sunrise, with soft pink and blue hues in the sky. | Matthieu]]></title>
          <link>https://www.cizucu.com/photos/VIJrDmHH8StleHlOuzNZ</link>
          <description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Matthieu</name>
            <uri>https://www.cizucu.com/matthieu</uri>
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          <pubDate>Mon, 09 Feb 2026 01:04:08 GMT</pubDate>
          <atom:updated>2026-02-09T01:04:08+09:00</atom:updated>
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            <media:title><![CDATA[A serene landscape of mountains rising above a blanket of fog during sunrise, with soft pink and blue hues in the sky. | Matthieu]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VIJrDmHH8StleHlOuzNZ.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VIJrDmHH8StleHlOuzNZ.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでMatthieuさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[From above, the world is naturally divided into proportions. The road occupies one third, the rest left to the sea and the wind.  A vehicle moves along the Aewol coast of Jeju Island, not to reach a destination, but to let the eye wander freely within the choice of one third. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/photos/grqy00opHf90rY5rdRkA</link>
          <description><![CDATA[cizucuでLawrence Liouさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/momoliou</uri>
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          <pubDate>Mon, 26 Jan 2026 09:37:23 GMT</pubDate>
          <atom:updated>2026-01-26T09:37:23+09:00</atom:updated>
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            <media:title><![CDATA[From above, the world is naturally divided into proportions. The road occupies one third, the rest left to the sea and the wind.  A vehicle moves along the Aewol coast of Jeju Island, not to reach a destination, but to let the eye wander freely within the choice of one third. | Lawrence Liou]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/grqy00opHf90rY5rdRkA.jpg?fm=jpg" type="image/jpeg" width="2126" height="1206" />
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            <media:description><![CDATA[cizucuでLawrence Liouさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[It's been five years since my first visit to Singapore. Yet every time I return, I'm mesmerised all over again—by the quiet beauty hidden in the little things. Captured during my third visit last year, high above the city on the SG Flyer.  Camera Info: Apple iPhone SE - 28mm | Anamika]]></title>
          <link>https://www.cizucu.com/photos/cZY7j2QSprtlfPl1AFnu</link>
          <description><![CDATA[cizucuでAnamikaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Tue, 20 Jan 2026 16:08:27 GMT</pubDate>
          <atom:updated>2026-01-20T16:08:27+09:00</atom:updated>
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            <media:title><![CDATA[It's been five years since my first visit to Singapore. Yet every time I return, I'm mesmerised all over again—by the quiet beauty hidden in the little things. Captured during my third visit last year, high above the city on the SG Flyer.  Camera Info: Apple iPhone SE - 28mm | Anamika]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cZY7j2QSprtlfPl1AFnu.jpg?fm=jpg" type="image/jpeg" width="2268" height="4032" />
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            <media:description><![CDATA[cizucuでAnamikaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[That night wasn’t about the building. It was about stillness in a city that never slows down.  I stood at the crossing as headlights carved through the dark, engines humming like a restless pulse. Steel and glass towered above like a portal in the sky.  For a moment, I didn’t move. I let the city perform.  The world rushes forward. Dreamers stay grounded.  Alan Ng— chasing light in the weight of night. | Alan Ng]]></title>
          <link>https://www.cizucu.com/photos/81r3xqsW6KWsDWn7AIQ1</link>
          <description><![CDATA[cizucuでAlan Ngさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Alan Ng</name>
            <uri>https://www.cizucu.com/5fivegraphy</uri>
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          <pubDate>Tue, 17 Feb 2026 16:26:55 GMT</pubDate>
          <atom:updated>2026-02-17T16:26:55+09:00</atom:updated>
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            <media:title><![CDATA[That night wasn’t about the building. It was about stillness in a city that never slows down.  I stood at the crossing as headlights carved through the dark, engines humming like a restless pulse. Steel and glass towered above like a portal in the sky.  For a moment, I didn’t move. I let the city perform.  The world rushes forward. Dreamers stay grounded.  Alan Ng— chasing light in the weight of night. | Alan Ng]]></media:title>
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            <media:description><![CDATA[cizucuでAlan Ngさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[I captured this photograph at CSMT station around 4–5 in the evening, when Mumbai slowly enters its peak rush hour and everyone is in a hurry to get somewhere. While observing the movement and chaos around me, I happened to look up and noticed a quiet moment above the moon slowly aligning with the tip of the dome. I waited for that brief moment when it seemed to rest perfectly on the spire, and that’s when I captured this frame. For me, it felt like a small pause of stillness between the fast pace of the city and the calmness of the sky. | Aniket Namdev]]></title>
          <link>https://www.cizucu.com/photos/ZInbKGE74r5X7BvGV7vi</link>
          <description><![CDATA[cizucuでAniket Namdevさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Aniket Namdev</name>
            <uri>https://www.cizucu.com/users/CzPXrGKcfYcuPsfRDbTAlQ974cg1</uri>
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          <pubDate>Sun, 15 Mar 2026 18:21:45 GMT</pubDate>
          <atom:updated>2026-03-15T18:21:45+09:00</atom:updated>
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            <media:title><![CDATA[I captured this photograph at CSMT station around 4–5 in the evening, when Mumbai slowly enters its peak rush hour and everyone is in a hurry to get somewhere. While observing the movement and chaos around me, I happened to look up and noticed a quiet moment above the moon slowly aligning with the tip of the dome. I waited for that brief moment when it seemed to rest perfectly on the spire, and that’s when I captured this frame. For me, it felt like a small pause of stillness between the fast pace of the city and the calmness of the sky. | Aniket Namdev]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ZInbKGE74r5X7BvGV7vi.jpg?fm=jpg" type="image/jpeg" width="2962" height="3949" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZInbKGE74r5X7BvGV7vi.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZInbKGE74r5X7BvGV7vi.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZInbKGE74r5X7BvGV7vi.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでAniket Namdevさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[Title: Sea of Flowers Beneath The Lenticular Cloud  Beneath a sky draped in soft hues and crowned by a rare lenticular cloud, Mount Fuji rises with quiet majesty above a vast sea of blooming flowers— a symbol of permanence amidst fleeting beauty.  柔らかな色合いに覆われ、珍しいレンズ雲を冠した空の下、広大な花の海の上に静かな威厳をもってそびえる富士山は、はかない美しさの中にある永続性の象徴です。 | Raku satsu]]></title>
          <link>https://www.cizucu.com/photos/XJdVSwQV67tldwCD6wcw</link>
          <description><![CDATA[cizucuでRaku satsuさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Raku satsu</name>
            <uri>https://www.cizucu.com/raku</uri>
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          <pubDate>Fri, 30 Jan 2026 01:25:53 GMT</pubDate>
          <atom:updated>2026-01-30T01:25:53+09:00</atom:updated>
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            <media:title><![CDATA[Title: Sea of Flowers Beneath The Lenticular Cloud  Beneath a sky draped in soft hues and crowned by a rare lenticular cloud, Mount Fuji rises with quiet majesty above a vast sea of blooming flowers— a symbol of permanence amidst fleeting beauty.  柔らかな色合いに覆われ、珍しいレンズ雲を冠した空の下、広大な花の海の上に静かな威厳をもってそびえる富士山は、はかない美しさの中にある永続性の象徴です。 | Raku satsu]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/XJdVSwQV67tldwCD6wcw.jpg?fm=jpg" type="image/jpeg" width="2799" height="3623" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/XJdVSwQV67tldwCD6wcw.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/XJdVSwQV67tldwCD6wcw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/XJdVSwQV67tldwCD6wcw.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでRaku satsuさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[I captured this photograph at CSMT station around 4–5 in the evening, when Mumbai slowly enters its peak rush hour and everyone is in a hurry to get somewhere. While observing the movement and chaos around me, I happened to look up and noticed a quiet moment above the moon slowly aligning with the tip of the dome. I waited for that brief moment when it seemed to rest perfectly on the spire, and that’s when I captured this frame. For me, it felt like a small pause of stillness between the fast pace of the city and the calmness of the sky. | Aniket Namdev]]></title>
          <link>https://www.cizucu.com/photos/Q8ElsIvcpyRKs1nuGtvr</link>
          <description><![CDATA[cizucuでAniket Namdevさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Aniket Namdev</name>
            <uri>https://www.cizucu.com/users/CzPXrGKcfYcuPsfRDbTAlQ974cg1</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/Q8ElsIvcpyRKs1nuGtvr</guid>
          <pubDate>Sat, 14 Mar 2026 20:38:11 GMT</pubDate>
          <atom:updated>2026-03-14T20:38:11+09:00</atom:updated>
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            <media:title><![CDATA[I captured this photograph at CSMT station around 4–5 in the evening, when Mumbai slowly enters its peak rush hour and everyone is in a hurry to get somewhere. While observing the movement and chaos around me, I happened to look up and noticed a quiet moment above the moon slowly aligning with the tip of the dome. I waited for that brief moment when it seemed to rest perfectly on the spire, and that’s when I captured this frame. For me, it felt like a small pause of stillness between the fast pace of the city and the calmness of the sky. | Aniket Namdev]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Q8ElsIvcpyRKs1nuGtvr.jpg?fm=jpg" type="image/jpeg" width="2962" height="3949" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q8ElsIvcpyRKs1nuGtvr.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q8ElsIvcpyRKs1nuGtvr.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q8ElsIvcpyRKs1nuGtvr.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでAniket Namdevさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></title>
          <link>https://www.cizucu.com/photos/1FnugL2afdkL2CuUBwio</link>
          <description><![CDATA[cizucuでArijit Dasさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Arijit Das</name>
            <uri>https://www.cizucu.com/users/tLqyycXyxrV9nzvrbsUePBeK9D12</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/1FnugL2afdkL2CuUBwio</guid>
          <pubDate>Fri, 13 Mar 2026 16:50:12 GMT</pubDate>
          <atom:updated>2026-03-13T16:50:12+09:00</atom:updated>
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            <media:title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでArijit Dasさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[I had always wanted to visit Leh. I just didn’t expect my first time to be this intense—or this unforgettable. I was invited by Mahindra Adventure for the Mahindra Snow Expedition. –20°C. 17,000 feet above sea level. Miles of snow, silence, and uncertainty. My only job was to capture the moment. But at that altitude, even standing still feels like work. Physically and mentally, it pushed me harder than I imagined. Hot water, constant breaks, and very little margin for error. And then this frame happened. A bucket-list shot, in conditions I may never experience again. I didn’t expect it to be this beautiful. I didn’t expect it to feel like heaven. Some journeys don’t repeat themselves. They just stay with you. | Yash dhoka]]></title>
          <link>https://www.cizucu.com/photos/JzhWkzcCN1WHPw5rV3jN</link>
          <description><![CDATA[cizucuでYash dhokaさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Yash dhoka</name>
            <uri>https://www.cizucu.com/users/G7oVNAUqu4hYyNzO4uVRIM6tPd43</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/JzhWkzcCN1WHPw5rV3jN</guid>
          <pubDate>Wed, 04 Mar 2026 18:28:46 GMT</pubDate>
          <atom:updated>2026-03-04T18:28:46+09:00</atom:updated>
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            <media:title><![CDATA[I had always wanted to visit Leh. I just didn’t expect my first time to be this intense—or this unforgettable. I was invited by Mahindra Adventure for the Mahindra Snow Expedition. –20°C. 17,000 feet above sea level. Miles of snow, silence, and uncertainty. My only job was to capture the moment. But at that altitude, even standing still feels like work. Physically and mentally, it pushed me harder than I imagined. Hot water, constant breaks, and very little margin for error. And then this frame happened. A bucket-list shot, in conditions I may never experience again. I didn’t expect it to be this beautiful. I didn’t expect it to feel like heaven. Some journeys don’t repeat themselves. They just stay with you. | Yash dhoka]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?fm=jpg" type="image/jpeg" width="2613" height="3510" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JzhWkzcCN1WHPw5rV3jN.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでYash dhokaさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Hello everyone, I’m Simon, a photographer from Taiwan. I’m honored to have been invited to exhibit in Japan. I’ve been thinking about how to introduce Taiwan to foreigners through this exhibition. I realized that Taipei 101 is often the first attraction for many foreigners visiting Taiwan. Therefore, I wanted to showcase the beauty of Taiwan through this photo titled 'Taipei 101 with the Moon.'  Above all , I emphasize that none of the elements in this photo have been photoshopped. On the contrary, I specifically researched the position of the moon rising beforehand and visited the location multiple times. In the end, I was fortunate to have excellent visibility that night, along with a perfectly timed airplane flying by. I hope you enjoy it!  If you like my photos, welcome to join me on my instagram: simon_lee_photographer Let’s become friends in the photography community! | 德威 李]]></title>
          <link>https://www.cizucu.com/photos/LeNpkFH6FjGpptgv0bOL</link>
          <description><![CDATA[cizucuで德威 李さんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>德威 李</name>
            <uri>https://www.cizucu.com/users/lngMJbqFXeMEQsbcofTWqD7w2ty2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/LeNpkFH6FjGpptgv0bOL</guid>
          <pubDate>Thu, 19 Feb 2026 16:51:52 GMT</pubDate>
          <atom:updated>2026-02-19T16:51:52+09:00</atom:updated>
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            <media:title><![CDATA[Hello everyone, I’m Simon, a photographer from Taiwan. I’m honored to have been invited to exhibit in Japan. I’ve been thinking about how to introduce Taiwan to foreigners through this exhibition. I realized that Taipei 101 is often the first attraction for many foreigners visiting Taiwan. Therefore, I wanted to showcase the beauty of Taiwan through this photo titled 'Taipei 101 with the Moon.'  Above all , I emphasize that none of the elements in this photo have been photoshopped. On the contrary, I specifically researched the position of the moon rising beforehand and visited the location multiple times. In the end, I was fortunate to have excellent visibility that night, along with a perfectly timed airplane flying by. I hope you enjoy it!  If you like my photos, welcome to join me on my instagram: simon_lee_photographer Let’s become friends in the photography community! | 德威 李]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/LeNpkFH6FjGpptgv0bOL.jpg?fm=jpg" type="image/jpeg" width="2997" height="4239" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LeNpkFH6FjGpptgv0bOL.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LeNpkFH6FjGpptgv0bOL.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/LeNpkFH6FjGpptgv0bOL.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuで德威 李さんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/photos/jrUyyDVwvyIJ5TtiMGXS</link>
          <description><![CDATA[cizucuでMoodeeprincessさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/photos/jrUyyDVwvyIJ5TtiMGXS</guid>
          <pubDate>Sun, 05 Apr 2026 06:44:38 GMT</pubDate>
          <atom:updated>2026-04-05T06:44:38+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?fm=jpg" type="image/jpeg" width="5152" height="7292" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでMoodeeprincessさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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        <item>
          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/photos/d7oBNJGRG3OmKgbsoSBc</link>
          <description><![CDATA[cizucuでMoodeeprincessさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:46:15 GMT</pubDate>
          <atom:updated>2026-04-05T06:46:15+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/d7oBNJGRG3OmKgbsoSBc.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでMoodeeprincessさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/photos/CxXrx2pjX0GCiSt7KmKs</link>
          <description><![CDATA[cizucuでMoodeeprincessさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:30:24 GMT</pubDate>
          <atom:updated>2026-04-05T06:30:24+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:description><![CDATA[cizucuでMoodeeprincessさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/photos/bm1s4iqsLRZClLEvpQxw</link>
          <description><![CDATA[cizucuでNishikantsnapsさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
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            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
          <atom:updated>2026-03-13T13:43:41+09:00</atom:updated>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/bm1s4iqsLRZClLEvpQxw.jpg?fm=jpg" type="image/jpeg" width="2000" height="2500" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bm1s4iqsLRZClLEvpQxw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[cizucuでNishikantsnapsさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[cizucuでChan Jian Liangさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
          <atom:updated>2026-01-20T22:11:12+09:00</atom:updated>
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            <media:title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?fm=jpg" type="image/jpeg" width="1170" height="2080" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでChan Jian Liangさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[cizucuでW Mickさんの素晴らしい作品の数々をもっと見てみましょう。]]></description>
          <author>
            <name>W Mick</name>
            <uri>https://www.cizucu.com/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucuでW Mickさんの素晴らしい作品の数々をもっと見てみましょう。]]></media:description>
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