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      <description><![CDATA[Encuentra las mejores 6 fotos Symmetrie en alta resolución en cizucu. Todas son libres de derechos, gratuitas para descargar y perfectas para cualquier proyecto, sin necesidad de atribución.]]></description>
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          <title><![CDATA[桜巡りの途中で立ち寄った グランビルアイランド。 建物を結ぶ外通路の屋根を見上げてみた  #屋根 #シンメトリー #グランビルイランド #バンクーバー #4月 #symmetry #abstract #granvilleisland #vancouver #april #dailylife #diary #cityscape | littlekiss photography]]></title>
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          <description><![CDATA[Descarga fotos Vista de la estructura interior de una tienda con colores rojos y verdes de alta calidad y gratuitas tomadas por littlekiss photography en cizucu.]]></description>
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          <pubDate>Thu, 11 Apr 2024 17:21:50 GMT</pubDate>
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            <media:title><![CDATA[桜巡りの途中で立ち寄った グランビルアイランド。 建物を結ぶ外通路の屋根を見上げてみた  #屋根 #シンメトリー #グランビルイランド #バンクーバー #4月 #symmetry #abstract #granvilleisland #vancouver #april #dailylife #diary #cityscape | littlekiss photography]]></media:title>
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            <media:description><![CDATA[Descarga fotos Vista de la estructura interior de una tienda con colores rojos y verdes de alta calidad y gratuitas tomadas por littlekiss photography en cizucu.]]></media:description>
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          <title><![CDATA[#yurakuchostation  #tokyointernationalforum  #symmetry  | yoshiokatomohiro]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de yoshiokatomohiro en cizucu.]]></description>
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          <pubDate>Sat, 14 Jun 2025 21:18:22 GMT</pubDate>
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            <media:title><![CDATA[#yurakuchostation  #tokyointernationalforum  #symmetry  | yoshiokatomohiro]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de yoshiokatomohiro en cizucu.]]></media:description>
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          <title><![CDATA[Surreal Echoes  A moment captured within the symmetry of Leadenhall Market, where architecture and human presence intersect. The lone figure introduces scale and emotion, while the enhanced reflection blurs reality, suggesting both solitude and clarity within the same space. | Reumel Brooks]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Reumel Brooks en cizucu.]]></description>
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            <name>Reumel Brooks</name>
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          <pubDate>Sun, 05 Apr 2026 21:37:15 GMT</pubDate>
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            <media:description><![CDATA[Explora más de las increíbles obras de Reumel Brooks en cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken at The Bombay Samachar building during a photo walk with my friend, Senora. Having been on several photo walks earlier, I always aimed for perfect, symmetrical shots. However, on this day, at this instant, I let go and asked her to pose casually. We captured a photo that incorporated symmetry with a human touch of asymmetry. | Abhijit Dey]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Abhijit Dey en cizucu.]]></description>
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            <name>Abhijit Dey</name>
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          <pubDate>Sat, 14 Mar 2026 19:20:51 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken at The Bombay Samachar building during a photo walk with my friend, Senora. Having been on several photo walks earlier, I always aimed for perfect, symmetrical shots. However, on this day, at this instant, I let go and asked her to pose casually. We captured a photo that incorporated symmetry with a human touch of asymmetry. | Abhijit Dey]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Abhijit Dey en cizucu.]]></media:description>
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          <title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Gautami Golani en cizucu.]]></description>
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            <name>Gautami Golani</name>
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          <pubDate>Wed, 21 Jan 2026 01:20:57 GMT</pubDate>
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            <media:title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Gautami Golani en cizucu.]]></media:description>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Shikhar Bafna en cizucu.]]></description>
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            <name>Shikhar Bafna</name>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Shikhar Bafna en cizucu.]]></media:description>
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