被囚禁の写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/%E8%A2%AB%E5%9B%9A%E7%A6%81 ja 2026-09-02T16:43:57+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[#snap | Yuya]]> https://www.cizucu.com/photos/JlxmlZadtxwoj80bQxay Yuya https://www.cizucu.com/yu6101photo https://www.cizucu.com/photos/JlxmlZadtxwoj80bQxay Mon, 27 Jan 2025 15:25:39 GMT 2026-01-19T12:58:59+09:00 https://cdn.cizucu.com/images/photos/JlxmlZadtxwoj80bQxay.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[檻の中で横たわる人々の姿 | kandz]]> https://www.cizucu.com/photos/jpGdLNjsZLjzQYpYK8a2 kandz https://www.cizucu.com/kandz https://www.cizucu.com/photos/jpGdLNjsZLjzQYpYK8a2 Wed, 18 Jun 2025 12:51:48 GMT 2026-05-04T06:17:36+09:00 https://cdn.cizucu.com/images/photos/jpGdLNjsZLjzQYpYK8a2.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[檻の中にいるライオンの顔がクローズアップされている画像 | daichichi]]> https://www.cizucu.com/photos/XrSBMgwzaepuCcvw9kns daichichi https://www.cizucu.com/users/r0492eAeuGYbDzavN3wdFdMnSHb2 https://www.cizucu.com/photos/XrSBMgwzaepuCcvw9kns Wed, 10 Apr 2024 16:48:21 GMT 2026-01-22T06:40:59+09:00 https://cdn.cizucu.com/images/photos/XrSBMgwzaepuCcvw9kns.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[金属製の檻と床に広がる煙のある薄暗い室内空間 | Yuichi Kasagami]]> https://www.cizucu.com/photos/lVyDmWmgvyZqjTVRmxFG Yuichi Kasagami https://www.cizucu.com/users/niS7WAgZzhUqZvTv5L66bxa4xC62 https://www.cizucu.com/photos/lVyDmWmgvyZqjTVRmxFG Tue, 19 Nov 2024 18:03:22 GMT 2026-05-06T09:19:37+09:00 https://cdn.cizucu.com/images/photos/lVyDmWmgvyZqjTVRmxFG.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[人は進入してもOKの道。この先が階段だから乗り物は進入禁止になっている。 #cityscape | つばさ製作所]]> https://www.cizucu.com/photos/VidwGymRUxzXLW4IDQEE つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/VidwGymRUxzXLW4IDQEE Tue, 06 May 2025 21:24:46 GMT 2026-01-18T15:50:42+09:00 https://cdn.cizucu.com/images/photos/VidwGymRUxzXLW4IDQEE.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[観光バスと観光地の看板 ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ ▸Leica M4-2 ▸Leica Summicron 50mm f2.0 3rd ▸Kodak Color Plus 200 ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ #嵐山 #京都 #フィルム　#film #LeicaM4-2 #フィルムで残す京都 #フィルムで残す嵐山 #streetphotography #street #streetsnap | Yukihiro]]> https://www.cizucu.com/photos/PuEX42Jc99TqkRtkClbM Yukihiro https://www.cizucu.com/kyoto_snap https://www.cizucu.com/photos/PuEX42Jc99TqkRtkClbM Sun, 29 Sep 2024 07:11:08 GMT 2026-01-21T04:44:00+09:00 https://cdn.cizucu.com/images/photos/PuEX42Jc99TqkRtkClbM.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[崩れた屋根と瓦のある被災建物の前景 | 清流の森]]> https://www.cizucu.com/photos/Rs1HHr1hEDLWZSBgFv95 清流の森 https://www.cizucu.com/users/BW0cam1hStazh91MDskUwNO3Hcf1 https://www.cizucu.com/photos/Rs1HHr1hEDLWZSBgFv95 Mon, 22 Jan 2024 18:24:07 GMT 2026-01-24T11:18:00+09:00 https://cdn.cizucu.com/images/photos/Rs1HHr1hEDLWZSBgFv95.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[ロープで立入禁止になった植栽のある歩道 | まさっちー]]> https://www.cizucu.com/photos/mM8gpoGKDU2HM71G2fhr まさっちー https://www.cizucu.com/users/r0z50dDbrXPqA6eEoGwjsCQ5yQr2 https://www.cizucu.com/photos/mM8gpoGKDU2HM71G2fhr Sat, 17 Jan 2026 10:27:20 GMT 2026-01-17T22:40:08+09:00 https://cdn.cizucu.com/images/photos/mM8gpoGKDU2HM71G2fhr.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[水辺の岩場と立入禁止のオレンジコーン | ちゃーりー]]> https://www.cizucu.com/photos/CsN2yFtf7UsChViDVydz ちゃーりー https://www.cizucu.com/charliephotograph https://www.cizucu.com/photos/CsN2yFtf7UsChViDVydz Thu, 06 Feb 2025 11:01:50 GMT 2026-01-19T10:35:29+09:00 https://cdn.cizucu.com/images/photos/CsN2yFtf7UsChViDVydz.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[出口 #nikon ZF #nikkor ais 50mm f1.8 | Max Wang]]> https://www.cizucu.com/photos/dOiqQ9dUDXNHHvwin7eg Max Wang https://www.cizucu.com/users/HF8iqWoVGiawQUJHpHHqqjtTwrE2 https://www.cizucu.com/photos/dOiqQ9dUDXNHHvwin7eg Mon, 08 Jun 2026 16:13:58 GMT 2026-06-08T16:14:17+09:00 https://cdn.cizucu.com/images/photos/dOiqQ9dUDXNHHvwin7eg.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[植物に囲まれた「犬の散歩禁止」看板 | 雪杜エリ｜Eri Yukimori]]> https://www.cizucu.com/photos/DuM2NYgS1T7cgICStCPd 雪杜エリ｜Eri Yukimori https://www.cizucu.com/mfmfppp_888 https://www.cizucu.com/photos/DuM2NYgS1T7cgICStCPd Tue, 27 May 2025 14:17:39 GMT 2026-05-04T08:17:42+09:00 https://cdn.cizucu.com/images/photos/DuM2NYgS1T7cgICStCPd.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[作品名稱：禁錮的靈魂 作品介紹：畫面中一格一格的玻璃很像沒有拔手的抽屜，裡面的人物象徵被禁錮在抽屜裡。給人一種身處在充滿高樓的都市中，靈魂深處被禁錮著，得不到心靈上的自由。 | 何婉埼]]> https://www.cizucu.com/photos/K9dtxBgcH3eHOf7daPn6 何婉埼 https://www.cizucu.com/users/p70b0CxFjaWRm8p3fG3r090sse62 https://www.cizucu.com/photos/K9dtxBgcH3eHOf7daPn6 Fri, 19 Jun 2026 21:19:05 GMT 2026-06-19T21:19:24+09:00 https://cdn.cizucu.com/images/photos/K9dtxBgcH3eHOf7daPn6.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[雪に覆われた道の脇に立つ人物と禁止の標識 | 悠河　haruka]]> https://www.cizucu.com/photos/wxRoBnjqafWuJkrU0uC6 悠河　haruka https://www.cizucu.com/users/A51BGn1Du9beVWcYQHqJss3VLYm2 https://www.cizucu.com/photos/wxRoBnjqafWuJkrU0uC6 Wed, 25 Dec 2024 11:15:43 GMT 2026-01-20T01:18:29+09:00 https://cdn.cizucu.com/images/photos/wxRoBnjqafWuJkrU0uC6.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[6月2日ーー 太陽とカモメと釣り船 洞爺湖の船釣りが解禁され、日の出を彩る3つの被写体が合わさった瞬間でした。 #日の出　#6月　#洞爺湖　#北海道　#支笏洞爺国立公園 | S.Yasu Photo]]> https://www.cizucu.com/photos/UcyBxUiloMfsn8Az0OlF S.Yasu Photo https://www.cizucu.com/users/efbGJOvSNuVOk457sVVfKpi7pAC2 https://www.cizucu.com/photos/UcyBxUiloMfsn8Az0OlF Mon, 02 Jun 2025 07:08:35 GMT 2026-01-18T13:17:57+09:00 https://cdn.cizucu.com/images/photos/UcyBxUiloMfsn8Az0OlF.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[攝影師與被攝者之間存在著距離，這使得鏡頭與赤裸的胴體產生了一道無形的界線。 「物」與人體同樣構成界線；當它出現在影像中，往往代表著某種隱喻。我將其視為一種禁忌的試探，但對於觀看者而言，它或許具備多重意涵。 答案始終是開放的：意義不在於畫面呈現了什麼，而在於你被什麼所刺痛。 | iSO人物體]]> https://www.cizucu.com/photos/VS7EaUs7uoaETKsckHs3 iSO人物體 https://www.cizucu.com/iso2000 https://www.cizucu.com/photos/VS7EaUs7uoaETKsckHs3 Tue, 17 Mar 2026 13:14:51 GMT 2026-05-03T13:41:39+09:00 https://cdn.cizucu.com/images/photos/VS7EaUs7uoaETKsckHs3.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/photos/hIoi7PaTCs672IrajR0s Joanne Sun https://www.cizucu.com/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/photos/hIoi7PaTCs672IrajR0s Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/hIoi7PaTCs672IrajR0s.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/photos/KpT2BNd1rIgt88NrbYC6 Joanne Sun https://www.cizucu.com/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/photos/KpT2BNd1rIgt88NrbYC6 Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/KpT2BNd1rIgt88NrbYC6.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/photos/KxmYJu8uTx7YorZUymnh Joanne Sun https://www.cizucu.com/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/photos/KxmYJu8uTx7YorZUymnh Thu, 07 May 2026 02:19:00 GMT 2026-05-07T02:20:37+09:00 https://cdn.cizucu.com/images/photos/KxmYJu8uTx7YorZUymnh.jpg?auto=format%2Ccompress&cs=srgb