可持續性の写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード

可持續性の写真 | ロイヤリティフリー & 高解像度画像を無料ダウンロード https://www.cizucu.com/explore/photos/%E5%8F%AF%E6%8C%81%E7%BA%8C%E6%80%A7 ja 2026-07-27T19:56:11+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ja https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[古い黒い車が植物や鉢に囲まれている様子 | つばさ製作所]]> https://www.cizucu.com/photos/ka3PXByPFHODlOGD9s2O つばさ製作所 https://www.cizucu.com/tsubasa_mfg https://www.cizucu.com/photos/ka3PXByPFHODlOGD9s2O Tue, 26 Mar 2024 18:57:16 GMT 2026-01-22T15:23:16+09:00 https://cdn.cizucu.com/images/photos/ka3PXByPFHODlOGD9s2O.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[ビーチの砂と海の景色に風に揺れる透明なプラスチック | れむ-remm-]]> https://www.cizucu.com/photos/TzkgE5s5PY5lJubSFPTx れむ-remm- https://www.cizucu.com/users/wFqza5u4oRRDgDGfZ52BP4bv1X12 https://www.cizucu.com/photos/TzkgE5s5PY5lJubSFPTx Thu, 27 Mar 2025 13:28:22 GMT 2026-01-18T22:08:18+09:00 https://cdn.cizucu.com/images/photos/TzkgE5s5PY5lJubSFPTx.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[コスモス畑と風車の美しい光景 #秋のコスモス畑 #sustainable #佐倉ふるさと広場と風車 | ⭐︎グッチー⭐︎]]> https://www.cizucu.com/photos/QPQhaviPSs3snOCh96zd ⭐︎グッチー⭐︎ https://www.cizucu.com/users/oagJ9FSpArgYHG9wykbi8EU9nVu1 https://www.cizucu.com/photos/QPQhaviPSs3snOCh96zd Tue, 17 Oct 2023 09:58:48 GMT 2026-01-25T03:18:01+09:00 https://cdn.cizucu.com/images/photos/QPQhaviPSs3snOCh96zd.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[光の輪の中で芽吹く小さな葉 | ロザロザ]]> https://www.cizucu.com/photos/i15HYafOjfPBZquxrwTs ロザロザ https://www.cizucu.com/roza https://www.cizucu.com/photos/i15HYafOjfPBZquxrwTs Mon, 27 Jan 2025 09:03:49 GMT 2026-05-05T04:19:12+09:00 https://cdn.cizucu.com/images/photos/i15HYafOjfPBZquxrwTs.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[木の家の置物と芽生えた植物のあるミニマルな室内シーン | ぴこさく]]> https://www.cizucu.com/photos/5nZ6OdPfrPO4RftbU0ps ぴこさく https://www.cizucu.com/users/goa1Ef4iqeb65OJjpaEKoP64dCb2 https://www.cizucu.com/photos/5nZ6OdPfrPO4RftbU0ps Mon, 29 Jan 2024 10:37:14 GMT 2026-01-24T06:46:26+09:00 https://cdn.cizucu.com/images/photos/5nZ6OdPfrPO4RftbU0ps.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[地球儀とSDGsの木製ブロックのある学習・啓発のイメージ | manbo-photo]]> https://www.cizucu.com/photos/brPw2UXeQYfx0v8FR7Jz manbo-photo https://www.cizucu.com/users/n8cWHCJ2WJbDxlLOvzkfQkPozMK2 https://www.cizucu.com/photos/brPw2UXeQYfx0v8FR7Jz Wed, 24 Jan 2024 14:15:13 GMT 2026-01-24T09:36:14+09:00 https://cdn.cizucu.com/images/photos/brPw2UXeQYfx0v8FR7Jz.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[海上に広がる風力発電と街並みの眺望 | awesome_photo]]> https://www.cizucu.com/photos/sT5O8dhySEz0ECGd7dvJ awesome_photo https://www.cizucu.com/mic0526mic999 https://www.cizucu.com/photos/sT5O8dhySEz0ECGd7dvJ Mon, 29 Jan 2024 09:36:15 GMT 2026-01-24T07:10:51+09:00 https://cdn.cizucu.com/images/photos/sT5O8dhySEz0ECGd7dvJ.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[屋上の大きな葉のレタス畑 | spaceman]]> https://www.cizucu.com/photos/o4lvAsPNOLaByPwBc4Wt spaceman https://www.cizucu.com/users/xj6zCE9NOrdHSiOikgk1o1sI2Di2 https://www.cizucu.com/photos/o4lvAsPNOLaByPwBc4Wt Wed, 13 Mar 2024 20:04:34 GMT 2026-01-22T23:10:48+09:00 https://cdn.cizucu.com/images/photos/o4lvAsPNOLaByPwBc4Wt.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[現代的な建物の外観、木製のスラットと緑の植栽が特徴 | HIROAKI.T]]> https://www.cizucu.com/photos/fDsfnCG39pDmSKiEoeri HIROAKI.T https://www.cizucu.com/users/E57SV9CIlqZyiO9WKP2ifekIYrJ3 https://www.cizucu.com/photos/fDsfnCG39pDmSKiEoeri Thu, 07 Mar 2024 09:50:03 GMT 2026-01-23T04:20:29+09:00 https://cdn.cizucu.com/images/photos/fDsfnCG39pDmSKiEoeri.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[風力発電の風車と世界地図のホログラム | ブー太郎]]> https://www.cizucu.com/photos/QOciXIKkXZiBwFh1NeEB ブー太郎 https://www.cizucu.com/users/Y6zYoXH8qZgMSsHBULMqspdTq3t1 https://www.cizucu.com/photos/QOciXIKkXZiBwFh1NeEB Wed, 20 Mar 2024 22:50:29 GMT 2026-01-22T17:51:54+09:00 https://cdn.cizucu.com/images/photos/QOciXIKkXZiBwFh1NeEB.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[苔むした森の地面に植えられた若い木の苗 | ふじたみきと]]> https://www.cizucu.com/photos/79HPRbVnLk8oeVPSR5B5 ふじたみきと https://www.cizucu.com/users/pZR2405nR6hrPFpZnn4aRa8RAsL2 https://www.cizucu.com/photos/79HPRbVnLk8oeVPSR5B5 Fri, 17 Apr 2026 00:50:57 GMT 2026-04-17T00:51:07+09:00 https://cdn.cizucu.com/images/photos/79HPRbVnLk8oeVPSR5B5.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[4月の休日は石岡市の「いばらきフラワーパーク」へ。満開までは数日早かったが、「シャガの小径」で木漏れ日と著莪（シャガ）の神秘的な協演を写真に収めた。しかし、夢中になっていたわけではなかった。小径に入る前、近くにいた子ども連れの家族の会話が耳に残っていたからだ。園内の遊具に年齢制限があって、お兄ちゃんは乗れるのに2歳の弟は乗れず、大泣きしていたのだ。私には、わかる。その気持ちが。お母さんがどんなに宥めようが、この不条理に納得などできるものか。君は何も悪いことはしていない。たまたま遅く生まれてきたというだけで、この仕打ちはなんだ。ケンカもするけど大好きなお兄ちゃんと一緒に乗りたかったんだ。今ここで乗れなかったら意味がないんだ。そして、泣いたところでどうにもならないことくらい、大人に諭されなくたって本当は分かっているんだよな君は。その気持ちこそが、生きる理由だ。未来への可能性だ。前を向いて生きろ。大きくなれ。 2024/04/15 #著莪 #射干 #シャガ #fringediris #木漏れ日 #sunlight #玉ボケ #bokeh #緑 #green | ス・ギー]]> https://www.cizucu.com/photos/IxJs9qLlDPGAfmcd1Rts ス・ギー https://www.cizucu.com/sugihara1979 https://www.cizucu.com/photos/IxJs9qLlDPGAfmcd1Rts Tue, 16 Apr 2024 18:41:26 GMT 2026-01-22T04:24:47+09:00 https://cdn.cizucu.com/images/photos/IxJs9qLlDPGAfmcd1Rts.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[深刻的記憶往往交織著苦樂，畫面雖已模糊，感受卻依然鮮明。我們無法挑選留下的瞬間，卻能握緊生命揉雜出的痕跡。母親是這一切記憶的起點；她是我的性格、傷痕與療癒之間，那條始終溫柔牽引著我的線。 Deep memories are woven of pain and joy. We cannot choose what stays, only hold onto the traces left behind. My mother is the origin of my memory—the thread that binds my character, my wounds, and my healing together. 未來我也會持續以底片重曝方式創作與紀錄這些記憶碎片。 | Coly Yu]]> https://www.cizucu.com/photos/sLzc90MmrHJg3H56i4gn Coly Yu https://www.cizucu.com/ooyunphotoo https://www.cizucu.com/photos/sLzc90MmrHJg3H56i4gn Sun, 01 Feb 2026 05:02:46 GMT 2026-02-05T02:41:09+09:00 https://cdn.cizucu.com/images/photos/sLzc90MmrHJg3H56i4gn.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[老家的門埕是一個近乎公共的場所，親朋好友，甚至送貨員都能自由進出。隨著時間推移，植栽、舊物與長輩的農具在此堆積，也堆積屬於家人的回憶。我喜歡老家門程的大小、開放熱鬧、綠意⋯⋯這個空間是生機盎然，但隨著時間也變得凌亂。曾經作為其中的居住者，我感到煩躁，試著整理維護，但身為晚輩，我沒有太多決定權，也做不到持之以恆，最後不了了之。離開老家後，這個空間變得遙不可及，但關於它的記憶卻時常浮現，是與家人相處的時光。離家後的我彷彿被割掉一部分根基，但片段的回憶卻像養分持續滋養著我。 | icehua]]> https://www.cizucu.com/photos/4U41zDLwJOEZ2aBm2dt6 icehua https://www.cizucu.com/users/cbaLOavsmRfbc2jtHPBdkoZ6fCU2 https://www.cizucu.com/photos/4U41zDLwJOEZ2aBm2dt6 Mon, 20 Apr 2026 15:11:05 GMT 2026-04-20T15:12:25+09:00 https://cdn.cizucu.com/images/photos/4U41zDLwJOEZ2aBm2dt6.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2026-05-03T21:51:37+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[日常無題場景 - Come and Go, The Circle of Life. 與歸來，幾乎是一種循環、輪迴。就好像是有些專輯會在曲目之間不停歇的延續下去，甚至頭跟尾也是一個循環，甚至是對稱，呼應前後。沒有目的性的按下快門所見，而有意識地去找出無意識按下的動機裡：潛藏的生活，或者生命脈絡。是如此的希望在這座城市的擁擠與窄如細縫的天際線下，找尋被包圍、被包裹著，把自己隱藏起來的安全感與歸屬感。甚至重回那些遺憾裡的遺骸，試圖從裡頭找尋一點釋懷的可能，燃起或者蛻變，而讓自己有那麼一口氣，告訴自己正在往前了。所謂活道。 - #攝影 #撮影 #写真好きな人と繋がりたい #哲學 #愛 #台灣 #香港 #photogtaphy #photographer #film #filmphotography #snap #visualdiary #love #hongkong #taiwan | Sheng Hao Yang]]> https://www.cizucu.com/photos/ThcHZNQdbI6nq9GmPrUj Sheng Hao Yang https://www.cizucu.com/users/L2ToItcgXxeWbjRbH8m6PTZqSkG2 https://www.cizucu.com/photos/ThcHZNQdbI6nq9GmPrUj Thu, 15 Jan 2026 13:49:41 GMT 2026-05-03T16:55:16+09:00 https://cdn.cizucu.com/images/photos/ThcHZNQdbI6nq9GmPrUj.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[日常無題場景 - Come and Go, The Circle of Life. 與歸來，幾乎是一種循環、輪迴。就好像是有些專輯會在曲目之間不停歇的延續下去，甚至頭跟尾也是一個循環，甚至是對稱，呼應前後。沒有目的性的按下快門所見，而有意識地去找出無意識按下的動機裡：潛藏的生活，或者生命脈絡。是如此的希望在這座城市的擁擠與窄如細縫的天際線下，找尋被包圍、被包裹著，把自己隱藏起來的安全感與歸屬感。甚至重回那些遺憾裡的遺骸，試圖從裡頭找尋一點釋懷的可能，燃起或者蛻變，而讓自己有那麼一口氣，告訴自己正在往前了。所謂活道。 - #攝影 #撮影 #写真好きな人と繋がりたい #哲學 #愛 #台灣 #香港 #photogtaphy #photographer #film #filmphotography #visualdiary #snap #love #hongkong #taiwan | Sheng Hao Yang]]> https://www.cizucu.com/photos/7pfkGiBySrNeCvaJOm7w Sheng Hao Yang https://www.cizucu.com/users/L2ToItcgXxeWbjRbH8m6PTZqSkG2 https://www.cizucu.com/photos/7pfkGiBySrNeCvaJOm7w Thu, 15 Jan 2026 13:50:51 GMT 2026-02-10T09:30:14+09:00 https://cdn.cizucu.com/images/photos/7pfkGiBySrNeCvaJOm7w.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/photos/hIoi7PaTCs672IrajR0s Joanne Sun https://www.cizucu.com/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/photos/hIoi7PaTCs672IrajR0s Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/hIoi7PaTCs672IrajR0s.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/photos/KpT2BNd1rIgt88NrbYC6 Joanne Sun https://www.cizucu.com/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/photos/KpT2BNd1rIgt88NrbYC6 Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/KpT2BNd1rIgt88NrbYC6.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/photos/KxmYJu8uTx7YorZUymnh Joanne Sun https://www.cizucu.com/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/photos/KxmYJu8uTx7YorZUymnh Thu, 07 May 2026 02:19:00 GMT 2026-05-07T02:20:37+09:00 https://cdn.cizucu.com/images/photos/KxmYJu8uTx7YorZUymnh.jpg?auto=format%2Ccompress&cs=srgb