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      <title>Fotos de Topf | Descarga imágenes libres de derechos y en alta resolución</title>
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      <description><![CDATA[Encuentra las mejores 11 fotos Topf en alta resolución en cizucu. Todas son libres de derechos, gratuitas para descargar y perfectas para cualquier proyecto, sin necesidad de atribución.]]></description>
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          <title><![CDATA[Crossroads at the top of a hill | mjh-k]]></title>
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          <description><![CDATA[Descarga fotos Escena de calle tranquila durante el día con carril para bicicletas y acera visibles de alta calidad y gratuitas tomadas por mjh-k en cizucu.]]></description>
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            <name>mjh-k</name>
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          <pubDate>Sun, 13 Oct 2024 19:28:58 GMT</pubDate>
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            <media:title><![CDATA[Crossroads at the top of a hill | mjh-k]]></media:title>
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            <media:description><![CDATA[Descarga fotos Escena de calle tranquila durante el día con carril para bicicletas y acera visibles de alta calidad y gratuitas tomadas por mjh-k en cizucu.]]></media:description>
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          <title><![CDATA[A stained-glass-like ornament attached to the top of a playground equipment in a park | mjh-k]]></title>
          <link>https://www.cizucu.com/es/photos/eA6Qc6Zuvy4IxzuLcX4T</link>
          <description><![CDATA[Descarga fotos Objeto colorido iluminado por el atardecer con siluetas de árboles de alta calidad y gratuitas tomadas por mjh-k en cizucu.]]></description>
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          <pubDate>Sun, 13 Oct 2024 19:22:59 GMT</pubDate>
          <atom:updated>2024-10-14T06:39:48+09:00</atom:updated>
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            <media:title><![CDATA[A stained-glass-like ornament attached to the top of a playground equipment in a park | mjh-k]]></media:title>
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            <media:description><![CDATA[Descarga fotos Objeto colorido iluminado por el atardecer con siluetas de árboles de alta calidad y gratuitas tomadas por mjh-k en cizucu.]]></media:description>
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          <title><![CDATA[Sunrise over thé top of Basque country  | Pikanchor]]></title>
          <link>https://www.cizucu.com/es/photos/nJtCZV2vaDqF5d3MkcOw</link>
          <description><![CDATA[Explora más de las increíbles obras de Pikanchor en cizucu.]]></description>
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            <name>Pikanchor</name>
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          <pubDate>Wed, 01 Oct 2025 20:48:31 GMT</pubDate>
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            <media:title><![CDATA[Sunrise over thé top of Basque country  | Pikanchor]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Pikanchor en cizucu.]]></media:description>
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          <title><![CDATA[Morning warmy shot on the top of Basque  country  | Pikanchor]]></title>
          <link>https://www.cizucu.com/es/photos/u21GuGc5Le6kqK8fOU8w</link>
          <description><![CDATA[Explora más de las increíbles obras de Pikanchor en cizucu.]]></description>
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            <name>Pikanchor</name>
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          <pubDate>Tue, 14 Oct 2025 06:45:28 GMT</pubDate>
          <atom:updated>2025-10-14T06:45:28+09:00</atom:updated>
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            <media:title><![CDATA[Morning warmy shot on the top of Basque  country  | Pikanchor]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Pikanchor en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken on a final hike my best friend and I did before she went solo travelling to Australia. I’ve always loved how her hair changes in the sun, and I wanted to capture the moment before we got to the top. The memory is bittersweet as we were both on the floor laughing, and then ended the hike and said our goodbyes at home. | Churchill]]></title>
          <link>https://www.cizucu.com/es/photos/oUYHSeKrhIEBvEF97AHH</link>
          <description><![CDATA[Explora más de las increíbles obras de Churchill en cizucu.]]></description>
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            <name>Churchill</name>
            <uri>https://www.cizucu.com/es/users/5TF7TJOSpWXmTYjgj0QMqK6HBAJ3</uri>
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          <pubDate>Mon, 06 Apr 2026 07:59:12 GMT</pubDate>
          <atom:updated>2026-04-06T07:59:12+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken on a final hike my best friend and I did before she went solo travelling to Australia. I’ve always loved how her hair changes in the sun, and I wanted to capture the moment before we got to the top. The memory is bittersweet as we were both on the floor laughing, and then ended the hike and said our goodbyes at home. | Churchill]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Churchill en cizucu.]]></media:description>
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          <title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/es/photos/scnvLfFNHxfnAXX0K7zj</link>
          <description><![CDATA[Explora más de las increíbles obras de Gautami Golani en cizucu.]]></description>
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            <name>Gautami Golani</name>
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          <pubDate>Wed, 21 Jan 2026 01:20:57 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:57+09:00</atom:updated>
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            <media:title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Gautami Golani en cizucu.]]></media:description>
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          <title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></title>
          <link>https://www.cizucu.com/es/photos/KZDnxBOM6WBleZ6DoLfC</link>
          <description><![CDATA[Explora más de las increíbles obras de DrChuaYang en cizucu.]]></description>
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            <name>DrChuaYang</name>
            <uri>https://www.cizucu.com/es/users/GWI7CPKnpjcKL3y0b7xMpqZRTg12</uri>
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          <pubDate>Wed, 11 Mar 2026 19:46:29 GMT</pubDate>
          <atom:updated>2026-03-11T19:46:29+09:00</atom:updated>
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            <media:title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de DrChuaYang en cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/es/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[Explora más de las increíbles obras de a.da.md en cizucu.]]></description>
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            <name>a.da.md</name>
            <uri>https://www.cizucu.com/es/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
          <atom:updated>2026-01-18T15:17:34+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/es/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[Explora más de las increíbles obras de a.da.md en cizucu.]]></description>
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            <name>a.da.md</name>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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          <title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de DM en cizucu.]]></description>
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            <name>DM</name>
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          <pubDate>Sun, 22 Mar 2026 02:33:41 GMT</pubDate>
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            <media:title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de DM en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/es/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></description>
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            <name>熊寶</name>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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