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          <title><![CDATA[開店前。  #FUJIFILM | tk]]></title>
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          <pubDate>Fri, 27 Dec 2024 18:36:58 GMT</pubDate>
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          <title><![CDATA[Primer plano de melones amargos verdes apilados | 祚宙 / soleluna]]></title>
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          <pubDate>Sat, 21 Dec 2024 23:27:34 GMT</pubDate>
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          <title><![CDATA[Mano sosteniendo un helado suave en un cono naranja con un letrero verde | 素人カメラマン]]></title>
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          <pubDate>Sat, 17 Feb 2024 15:33:55 GMT</pubDate>
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          <title><![CDATA[Melones amargos verdes y un calabacín amarillo sobre una mesa de madera | しゅんさん99]]></title>
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          <description><![CDATA[Descarga fotos Melones amargos verdes y un calabacín amarillo sobre una mesa de madera de alta calidad y gratuitas tomadas por しゅんさん99 en cizucu.]]></description>
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          <pubDate>Thu, 01 Feb 2024 23:33:33 GMT</pubDate>
          <atom:updated>2024-11-24T04:43:52+09:00</atom:updated>
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          <title><![CDATA[Decoración borrosa con fondo blanco y mesa | kodai_yamada]]></title>
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          <description><![CDATA[Descarga fotos Decoración borrosa con fondo blanco y mesa de alta calidad y gratuitas tomadas por kodai_yamada en cizucu.]]></description>
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          <pubDate>Wed, 30 Aug 2023 09:01:43 GMT</pubDate>
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          <title><![CDATA[#弓道 #的 #道場 #スポーツ #伝統 | yslab]]></title>
          <link>https://www.cizucu.com/es/photos/6jz8Kd3O5CQR43aDYJG4</link>
          <description><![CDATA[Descarga fotos Rango de tiro con arco con dianas alineadas sobre un fondo de tierra y un telón violeta de alta calidad y gratuitas tomadas por yslab en cizucu.]]></description>
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          <pubDate>Mon, 23 Sep 2024 13:52:21 GMT</pubDate>
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          <title><![CDATA[Telones coloridos apilados ordenadamente en varias tonalidades y texturas | えみ]]></title>
          <link>https://www.cizucu.com/es/photos/5fuQVj085e1oOodak349</link>
          <description><![CDATA[Descarga fotos Telones coloridos apilados ordenadamente en varias tonalidades y texturas de alta calidad y gratuitas tomadas por えみ en cizucu.]]></description>
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          <pubDate>Thu, 10 Apr 2025 00:00:14 GMT</pubDate>
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          <title><![CDATA[デザインされた鯉のぼりたち  #colour #design #event #art #garden #tokyo #cityscape | つばさ製作所]]></title>
          <link>https://www.cizucu.com/es/photos/1qMDSjhEHtYkhtO4cAZT</link>
          <description><![CDATA[Explora más de las increíbles obras de つばさ製作所 en cizucu.]]></description>
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          <pubDate>Thu, 01 May 2025 22:27:29 GMT</pubDate>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Wee en cizucu.]]></media:description>
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          <title><![CDATA[This photograph marks the first friendship I made on my first trip to Japan. This is Ujiie Yoshihiro, owner of Black Sun Jazz Club in Kabukicho, Shinjuku. On my first evening in Shinjuku, I stumbled into his bar by chance. From our very first interaction, it became my local—somewhere I returned to every day. I took his portrait that first night, and it meant so much to him that when I returned to Japan, I made a second portrait. This image will always remind me of the warmth and kindness I experienced in a place I knew nothing about, completely on my own. I always admired Hiro’s pride in his work and the camaraderie he created around him. Hiro, as he likes to be called, welcomed me in on my first night and unknowingly gave me a place to belong. His warmth and kindness, turned a chance encounter into a lasting reason to return. | Kareem Berjaoui]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Kareem Berjaoui en cizucu.]]></description>
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            <name>Kareem Berjaoui</name>
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          <pubDate>Mon, 09 Feb 2026 19:31:18 GMT</pubDate>
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            <media:title><![CDATA[This photograph marks the first friendship I made on my first trip to Japan. This is Ujiie Yoshihiro, owner of Black Sun Jazz Club in Kabukicho, Shinjuku. On my first evening in Shinjuku, I stumbled into his bar by chance. From our very first interaction, it became my local—somewhere I returned to every day. I took his portrait that first night, and it meant so much to him that when I returned to Japan, I made a second portrait. This image will always remind me of the warmth and kindness I experienced in a place I knew nothing about, completely on my own. I always admired Hiro’s pride in his work and the camaraderie he created around him. Hiro, as he likes to be called, welcomed me in on my first night and unknowingly gave me a place to belong. His warmth and kindness, turned a chance encounter into a lasting reason to return. | Kareem Berjaoui]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Kareem Berjaoui en cizucu.]]></media:description>
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          <title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></title>
          <link>https://www.cizucu.com/es/photos/A3CNYO4rLwcO7jbJhpI6</link>
          <description><![CDATA[Explora más de las increíbles obras de Yamedre en cizucu.]]></description>
          <author>
            <name>Yamedre</name>
            <uri>https://www.cizucu.com/es/users/nPYRwjPDAzQvkj5YCdt2W5y5Xc62</uri>
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          <pubDate>Sun, 21 Dec 2025 12:23:35 GMT</pubDate>
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            <media:title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Yamedre en cizucu.]]></media:description>
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