Fotos de Sticking | Descarga imágenes libres de derechos y en alta resolución https://www.cizucu.com/es/explore/photos/sticking es 2026-04-08T04:33:16+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. es https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Espacio interior moderno con una striking ventana de rejilla roja | ryousuke_photography]]> https://www.cizucu.com/es/photos/drWeKAVKYBD6B1hN1Xvc ryousuke_photography https://www.cizucu.com/es/users/kJyUa9rPLecqbjnMFgozETvCE7s1 https://www.cizucu.com/es/photos/drWeKAVKYBD6B1hN1Xvc Thu, 31 Oct 2024 16:03:01 GMT 2024-10-31T16:03:01+09:00 https://cdn.cizucu.com/images/photos/drWeKAVKYBD6B1hN1Xvc.jpg?auto=compress,format <![CDATA[Rudra Yogini - Two striking art forms, striding parallelly towards oneness, as the traverse, creates a consecrated path to observe. | Keya Atul Padalkar]]> https://www.cizucu.com/es/photos/X18TNNXUO0o38OQtlBD6 Keya Atul Padalkar https://www.cizucu.com/es/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/es/photos/X18TNNXUO0o38OQtlBD6 Mon, 16 Mar 2026 21:19:36 GMT 2026-03-17T15:30:22+09:00 https://cdn.cizucu.com/images/photos/X18TNNXUO0o38OQtlBD6.jpg?auto=compress,format <![CDATA[I wonder, how a person who came alone here for clicking photo must have felt. Looking at so many memories others created together. It’s only humane to feel the emptiness one carries inside. | Anamika]]> https://www.cizucu.com/es/photos/pSUSOpE7ewDnB6ksueP3 Anamika https://www.cizucu.com/es/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/es/photos/pSUSOpE7ewDnB6ksueP3 Fri, 06 Mar 2026 01:19:19 GMT 2026-03-06T01:19:19+09:00 https://cdn.cizucu.com/images/photos/pSUSOpE7ewDnB6ksueP3.jpg?auto=compress,format <![CDATA[BLACK NAPPED MONARCH The black-naped monarch (Hypothymis azurea) is a vibrant, azure-blue passerine bird in the monarch flycatcher family. Known for its agility and striking appearance, it is found across tropical Southern and Southeast Asia. #india #photo | Chirag Gala]]> https://www.cizucu.com/es/photos/flJYR0274D1vTnqRJrFv Chirag Gala https://www.cizucu.com/es/users/YvPkD6AO5sh1X3DISRvDEUln6E62 https://www.cizucu.com/es/photos/flJYR0274D1vTnqRJrFv Thu, 05 Mar 2026 02:28:01 GMT 2026-03-05T02:28:01+09:00 https://cdn.cizucu.com/images/photos/flJYR0274D1vTnqRJrFv.jpg?auto=compress,format <![CDATA[Rudra Yogini Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe. Starring~ Parvathy Baul & Ustād Mohi Bahauddin Dagar. Location~ Birbhum/West Bengal | Keya Atul Padalkar]]> https://www.cizucu.com/es/photos/VhzfW1Mz7RsirwHmW2kF Keya Atul Padalkar https://www.cizucu.com/es/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/es/photos/VhzfW1Mz7RsirwHmW2kF Tue, 17 Mar 2026 10:49:09 GMT 2026-03-17T10:49:09+09:00 https://cdn.cizucu.com/images/photos/VhzfW1Mz7RsirwHmW2kF.jpg?auto=compress,format <![CDATA[Rudra Yogini - Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe. Starring~ Parvathy Baul & Ustād Baha'ud-din Dagar. Location~ Birbhum/West Bengal | Keya Atul Padalkar]]> https://www.cizucu.com/es/photos/NEjlXFebVc9HPkBW4dXl Keya Atul Padalkar https://www.cizucu.com/es/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/es/photos/NEjlXFebVc9HPkBW4dXl Tue, 17 Mar 2026 23:21:13 GMT 2026-03-17T23:21:13+09:00 https://cdn.cizucu.com/images/photos/NEjlXFebVc9HPkBW4dXl.jpg?auto=compress,format <![CDATA[Rudra Yogini ~ Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe. Starring ~ Parvathy Baul & Ustād Mohi Bahauddin Dagar Location~ Birbhum/West Bengal | Keya Atul Padalkar]]> https://www.cizucu.com/es/photos/J9dkG0RFMP2JK34DkveE Keya Atul Padalkar https://www.cizucu.com/es/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/es/photos/J9dkG0RFMP2JK34DkveE Tue, 17 Mar 2026 13:20:43 GMT 2026-03-17T13:20:43+09:00 https://cdn.cizucu.com/images/photos/J9dkG0RFMP2JK34DkveE.jpg?auto=compress,format <![CDATA[This photo was taken at the Kala Ghoda Festival in Mumbai. I was here with a challenge of clicking Stranger Portraits. I was fortunate to have her, a stall owner for hair bradding at the fest. Her look was really exquisite at the event which prompted me to compose and click this Portrait of her's against the mirror she had at her stall | Harsh Prakash]]> https://www.cizucu.com/es/photos/txrAknGFYz2EpJ1bvQZt Harsh Prakash https://www.cizucu.com/es/users/goILndBSBmc0SK7NietTZsBshCF3 https://www.cizucu.com/es/photos/txrAknGFYz2EpJ1bvQZt Fri, 13 Mar 2026 15:20:00 GMT 2026-03-13T15:20:00+09:00 https://cdn.cizucu.com/images/photos/txrAknGFYz2EpJ1bvQZt.jpg?auto=compress,format <![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]> https://www.cizucu.com/es/photos/ChiMNFFJvPO2199Rv4U0 umani https://www.cizucu.com/es/users/kBz7T7zF1ORMKMkyf0Iqik5Tzqc2 https://www.cizucu.com/es/photos/ChiMNFFJvPO2199Rv4U0 Sun, 17 Aug 2025 21:47:14 GMT 2025-08-17T21:47:14+09:00 https://cdn.cizucu.com/images/photos/ChiMNFFJvPO2199Rv4U0.jpg?auto=compress,format <![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]> https://www.cizucu.com/es/photos/w2KpM8saKCCGpGZzHDYt Hiren Patel https://www.cizucu.com/es/users/aJtaAuxlKONhjadDgut6wU01AA12 https://www.cizucu.com/es/photos/w2KpM8saKCCGpGZzHDYt Thu, 12 Mar 2026 18:28:23 GMT 2026-03-12T18:28:23+09:00 https://cdn.cizucu.com/images/photos/w2KpM8saKCCGpGZzHDYt.jpg?auto=compress,format <![CDATA[Alienation of Dharavi : A Bombay slum with a $1-billion informal economy “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident. In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]> https://www.cizucu.com/es/photos/blvZqys7p3C6BXz4owuH Bombay Noir https://www.cizucu.com/es/users/tay5ia7oZ0M8Hk3zKpy8CxmZQ0g2 https://www.cizucu.com/es/photos/blvZqys7p3C6BXz4owuH Sat, 14 Mar 2026 13:27:45 GMT 2026-03-14T13:27:45+09:00 https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format <![CDATA[I took this photograph during a casual photo walk with a friend. We were simply wandering through the busy streets when I noticed this man slowly riding his scooter toward me. Something about the moment felt visually striking the crowd, the street, and his calm presence moving through the chaos. Instinctively, I stepped into the middle of the road, framed the scene, and took the shot just as he approached. It was a very spontaneous photograph, captured in a split second. What drew me to the image later was how it reflects the rhythm of everyday street life unpredictable, busy, yet full of small cinematic moments waiting to be noticed. | Binay Parida]]> https://www.cizucu.com/es/photos/LZFgMcAjNa53iMyv59sw Binay Parida https://www.cizucu.com/es/users/UlD4PcR4Vkg7udc7P5zBJmC51lU2 https://www.cizucu.com/es/photos/LZFgMcAjNa53iMyv59sw Fri, 13 Mar 2026 16:17:45 GMT 2026-03-13T16:17:45+09:00 https://cdn.cizucu.com/images/photos/LZFgMcAjNa53iMyv59sw.jpg?auto=compress,format <![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry. But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye. While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]> https://www.cizucu.com/es/photos/NyOeA5jkS61gAiFAZGZE Shikhar Bafna https://www.cizucu.com/es/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2 https://www.cizucu.com/es/photos/NyOeA5jkS61gAiFAZGZE Sun, 15 Mar 2026 02:16:04 GMT 2026-03-15T02:16:04+09:00 https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/es/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/es/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/es/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format <![CDATA[“The Wait for the Perfect Sunset” 🌇 There’s something magical about watching the sun meet the sea — especially at the Worli Sea Link. That evening, I stood there with my camera ready, but the shot I wanted wasn’t just any sunset. I wanted the sun exactly at the centre of the bridge. It sounds simple, but it took patience — a lot of it. I waited as the light kept changing every minute, as the orange turned to gold, then to a soft pink that kissed the horizon. Cars kept rushing by, waves kept breaking below, but I stayed still, focused, watching through my lens. There were moments when I thought I’d missed it… but then, right when the world seemed to slow down, the sun aligned perfectly between the arches. That single frame — calm sea, glowing sky, and the silhouette of the bridge — made all the waiting worth it. Sometimes photography isn’t about clicking fast — it’s about slowing down, breathing in the moment, and letting nature show you when it’s ready. | Brandon Pinto]]> https://www.cizucu.com/es/photos/cHy2jPBF8BO2Fyz26FAO Brandon Pinto https://www.cizucu.com/es/users/7LvicnPovkaCyp44sfLWLMcit2F2 https://www.cizucu.com/es/photos/cHy2jPBF8BO2Fyz26FAO Sat, 21 Feb 2026 00:20:15 GMT 2026-02-21T00:20:15+09:00 https://cdn.cizucu.com/images/photos/cHy2jPBF8BO2Fyz26FAO.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/es/photos/a18natgq2Cvi84J6arq9 JIYEJI https://www.cizucu.com/es/jiyeji https://www.cizucu.com/es/photos/a18natgq2Cvi84J6arq9 Sun, 07 Sep 2025 19:23:19 GMT 2025-09-07T19:23:19+09:00 https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/es/photos/0YqcAFIGmAt7Dv5EtyZy JIYEJI https://www.cizucu.com/es/users/M2zHDaTlpZYaOsQpahReBUlgEWo2 https://www.cizucu.com/es/photos/0YqcAFIGmAt7Dv5EtyZy Sun, 07 Sep 2025 17:31:56 GMT 2025-09-07T17:31:56+09:00 https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format <![CDATA[私の取り組んでいるスポーツ｢Tricking｣をセルフポートレートとして撮影したものです。 昔取り組んでいたこのトリッキングセルフポートレートですが、2023年に大きな怪我をしたことで中断していました。その怪我から回復してこの撮影を再開できたのが、今年印象に残っていることの一つです。 トリッキングセルフポートレートの中に気に入っている技があります。｢フラッシュキック｣。この技は怪我をした部分への負担がおおきいため、なかなか挑戦できずにいました。 そんな技に再びチャレンジして、怪我後初めて写真に収めることができたのがこの写真です。 大きな怪我を乗り越えようとする気持ちや、これからこの活動を再開する決意の込もった一枚となっています。 | Shogo Hagiwara]]> https://www.cizucu.com/es/photos/PKeLNoWEtRi9ToffL0Nf Shogo Hagiwara https://www.cizucu.com/es/trickershogo https://www.cizucu.com/es/photos/PKeLNoWEtRi9ToffL0Nf Thu, 04 Dec 2025 14:51:48 GMT 2025-12-04T14:51:48+09:00 https://cdn.cizucu.com/images/photos/PKeLNoWEtRi9ToffL0Nf.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/es/photos/sVh1uqHQzy9Jq3sPjFco John Hupa https://www.cizucu.com/es/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/es/photos/sVh1uqHQzy9Jq3sPjFco Wed, 11 Feb 2026 12:29:25 GMT 2026-02-11T12:29:25+09:00 https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/es/photos/cI8eCjEr7pTX08wnzCdu John Hupa https://www.cizucu.com/es/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/es/photos/cI8eCjEr7pTX08wnzCdu Wed, 11 Feb 2026 12:30:12 GMT 2026-02-11T12:30:12+09:00 https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format